In the mid 90’s, in an apartment high above the energy and grit of Manhattan’s Hell’s Kitchen neighborhood, 17-year-old Ali squints toward the horizon until she can just see the Hudson River. Despite the warnings of her protective mother, the symphony of the street calls to her—promising freedom, excitement, and the possibility of love. Finding herself. When a wise piano teacher helps her find her voice, Ali learns she can make the city her own.
Don’t miss this exhilarating, joyful, coming-of-age story filled with that New York Grit about chasing your dreams, honoring your roots, identity and finding your voice. Directed by four-time Tony Award® nominee Michael Greif, with choreography by Tony Award nominee Camille A. Brown, a book by Pulitzer Prize finalist Kristopher Diaz, and featuring Keys’ new original songs and iconic anthems—in a story inspired by her own NY experience—HELL’S KITCHEN is the kind of Broadway musical dreams are made of.
The young actress Moon has a formidable task on her plate here and she’s a charming lead. But she doesn’t always sing in the middle of the notes of these blazing Keys songs, or at least that was the case at the performance I saw. In all fairness, it sounded like her instrument was not at its healthiest in the typically exhausting run up to opening night. So that may not be your experience. Dixon, though, sounds just as spectacular as Bean and Lewis, embodying as he does the unreliable charmer — a stereotypical musician-dad for sure, and I had to fight some irritation there and elsewhere at the broadness of the narrative strokes. But kudos to Keys for making her younger self a needy pain in the neck, otherwise known as an artistically inclined teenager.
The most exciting complement to the music is the choreography by Camille A. Brown, a Tony Award nominee for “Choir Boy” and “For Colored Girls Who Have Considered Suicide/When the Rainbow Is Enuf.” The movement pulses with life and is fully integrated into the show’s overall aesthetics, but it’s the attention to detail that’s memorable. As is standard for Broadway these days, the dancing is ensemble-based, but Brown and her troupe brilliantly find the individual in the group, and each one exists, like the dancer blowing gum bubbles in the middle of a number. There is, always, a sense of the person within a community, as with Ali growing up in a village known as Manhattan Plaza. That she’s back in the old neighborhood feels just right.
General Rush
Price: $39
Where: Shubert Theatre box office
When: When the box office opens on the day of the performance.
Limit: Two per customer.
Information: Subject to daily availability. The box office opens Monday through Saturday at 10am (ET) and Sunday at 12pm (ET).
Digital Lottery:
Price: $39
Where: rush.telecharge.com
When: 12am (ET) one day before the performance with winners announced that same morning at 10am (ET), with a second announcement of additional winners that afternoon at 3pm (ET).
Limit: Two per customer
Information: Tickets are subject to availability. Seats may be partial view.
2023 | Off-Broadway |
Public Theater Off-Broadway Premiere Production Off-Broadway |
2024 | Broadway |
Original Broadway Production Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2024 | Drama Desk Awards | Outstanding Choreography | Camille A. Brown |
2024 | Drama Desk Awards | Outstanding Featured Performance in a Musical | Kecia Lewis |
2024 | Drama Desk Awards | Outstanding Featured Performance in a Musical | Shoshana Bean |
2024 | Drama Desk Awards | Outstanding Lead Performance in a Musical | Maleah Joi Moon |
2024 | Drama Desk Awards | Outstanding Projection and Video Design | Peter Nigrini |
2024 | Drama League Awards | Distinguished Performance | Shoshana Bean |
2024 | Drama League Awards | Distinguished Performance | Kecia Lewis |
2024 | Drama League Awards | Outstanding Production of a Musical | Hell’s Kitchen |
2024 | Outer Critics Circle Awards | Outstanding Featured Performer in a Broadway Musical | Kecia Lewis |
2024 | Theatre World Awards | Theatre World Award | Maleah Joi Moon |
2024 | Tony Awards | Best Book of a Musical | Kristoffer Diaz |
2024 | Tony Awards | Best Choreography | Camille A. Brown |
2024 | Tony Awards | Best Costume Design of a Musical | Dede Ayite |
2024 | Tony Awards | Best Direction of a Musical | Michael Greif |
2024 | Tony Awards | Best Lighting Design of a Musical | Natasha Katz |
2024 | Tony Awards | Best Musical | Hell's Kitchen |
2024 | Tony Awards | Best Orchestrations | Tom Kitt |
2024 | Tony Awards | Best Performance by an Actor in a Featured Role in a Musical | Brandon Victor Dixon |
2024 | Tony Awards | Best Performance by an Actress in a Featured Role in a Musical | Kecia Lewis |
2024 | Tony Awards | Best Performance by an Actress in a Featured Role in a Musical | Shoshana Bean |
2024 | Tony Awards | Best Performance by an Actress in a Leading Role in a Musical | Maleah Joi Moon |
2024 | Tony Awards | Best Scenic Design of a Musical | Robert Brill |
2024 | Tony Awards | Best Sound Design of a Musical | Gareth Owen |
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