Based on the unbelievable true story, Harmony tells the tale of the most successful entertainers you’ve never heard of. . . . until now. In the 1920s and 30s, The Comedian Harmonists sold millions of records, made dozens of films, and sold out the biggest theaters around the world. Their heavenly harmonies and musical comedy antics catapulted these six talented young men from singing in the subway tunnels of Berlin to international superstardom. What happened next is the story of Harmony. Directed and choreographed by Tony Award winner Warren Carlyle, this timely and captivating rags-to-riches story lost to history comes to dazzling life with a sensational cast of Broadway favorites.
The six actor-singers who play the Comedian Harmonists—Sean Bell, Danny Kornfeld, Zal Owen, Eric Peters, Blake Roman and Steven Tesley, five of whom are making their Broadway debuts—blend together beautifully without disappearing into anonymity; each of them gets a song in which to shine as a soloist, including a standout proposal song for Kornfeld as the younger Rabbi. This is admirable, but it is also perhaps one of the show’s limitations. Manilow’s music, an attractive blend of old and new sounds, is mostly well served by Sussman’s lyrics, and the result is a series of entertaining moments. But the show’s determination to give everyone equal time spreads the storytelling thin; major potential plot lines about divisions within the group, such as a romantic triangle and a temptation to collaborate with the Nazis, are raised and then abandoned. And when Harmony arrives, inevitably, at the Holocaust—when it moves from show-off to Shoah—the show’s tone gets pitchy.
Timely it may sadly be, but a theatrical triumph it still isn’t. I reviewed the show back in 1997, and while it is changed and improved, it rarely rises above a level of admirable, hard-working professionalism. The score, with music by Mr. Manilow and lyrics by Mr. Sussman, is appealingly various—influences range from Gilbert and Sullivan to cantorial melodies to Kurt Weill to standard contemporary Broadway balladry. (There is even a salsa-flavored song that seems to consciously evoke “Copacabana.”) But it lacks any truly singular or gut-grabbing songs. And the book by Mr. Sussman is hamstrung by both the breadth of the history it seeks to depict and a need to leaven the increasingly dark proceedings with generous dollops of Borscht Beltish humor.
Rush Tickets:
18@18
Price: The first 18 rush tickets will be available to purchase for $18.00 each.
Where: Barrymore Theatre (243 West 47th Street) box office.
Limit: One per customer.
Restrictions: Seat locations for this program vary and may be available in all sections of the theatre.
Digital Lottery:
Price: $49
Where: https://rush.telecharge.com/
When: The lottery will open at 12 AM on the day before the performance closing at 3 PM the day before the performance. Winners are drawn at 10:00 AM and 3:00 PM
Limit: Two per customer
Information: Seats may be located in any section of the theater. While every effort will be made to seat pairs together with a full view, there is a chance that pairs may be split up and that your seat may have a partial view of the stage. Winners will be notified by email shortly after each drawing and have five hours to claim and purchase tickets online. Tickets will be emailed.
1997 | Regional (US) |
World Premiere Regional (US) |
2003 | Regional (US) |
Regional Production Regional (US) |
2023 | Broadway |
Original Broadway Production Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2024 | Drama League Awards | Outstanding Production of a Musical | Harmony |
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