The youth are f**ked.
Left to their own devices in their parents’ world of violent ends, an impulsive pair of star-crossed lovers hurtle towards their inescapable fate. The intoxicating high of passion quickly descends into a brutal chaos that can only end one way.
Emmy Award winner Kit Connor (“Heartstopper”) and Golden Globe Award winner Rachel Zegler (Spielberg’s “West Side Story”) star as Romeo and Juliet in Tony Award-winning director Sam Gold’s (Fun Home, An Enemy of the People) visceral and visionary production. Shakespeare’s timeless tragedy now belongs to a new generation on the edge.
Once the audience has become accustomed to the playful, cool mood that extends into the chic lobby, they await the, er, tragedy to unfold. On that end, “Romeo + Juliet” is a let-down. During the dark final moments in the crypt, or wherever the heck they are, the play peters out. The best bits are specks in the rearview; the sadness, less powerful than the booming tunes from two hours earlier. Then, in the last seconds, we are told as ever, “For never was a story of more woe than this of Juliet and her Romeo.” And, as the lights fade at Circle in the Square, we’re not so sure about that.
It turns out that, aside from some harmless frippery on the edges of the production, this is a remarkably strong Romeo + Juliet, performed in the round at Circle in the Square. Once the cast is done performing capital-C-coolness, as they do in the mosh pit-like rave scene that opens the show, they launch into an appealingly well-acted, sleek adaptation of the well-known tale. Working with the dramaturgs Michael Sexton and Ayanna Thompson, and whittling it into a potent two-hours-ten plus intermission, Gold has focused the play’s energy onto its social dynamics.
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2016 | West End |
Kenneth Branagh West End Revival West End |
2018 | West End |
RSC Production at the Barbican West End |
2024 | Broadway |
Broadway Revival Production Broadway |
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