Written and directed by celebrated playwright Conor McPherson and featuring Tony Award-winning orchestrations by Simon Hale, GIRL FROM THE NORTH COUNTRY reimagines 20 legendary songs of Bob Dylan as they’ve never been heard before, including "Forever Young," "All Along The Watchtower," "Hurricane," "Slow Train Coming," and "Like A Rolling Stone."
It’s 1934 in Duluth, Minnesota. We meet a group of wayward travelers whose lives intersect in a guesthouse filled with music, life and hope. Experience this "profoundly beautiful" production (The New York Times) brought to vivid life by an extraordinary company of actors and musicians.
Sheer perfection is what you get when you combine Conor McPherson’s brilliant script and sharp direction with Bob Dylan’s iconic music and lyrics, supported by dazzling dance sequences by a talented ensemble supervised by movement director Lucy Hind. Sprinkle in Timothy Splain’s musical direction, Simon Baker’s sound design, Mark Henderson’s kaleidoscopic lighting design with Rae Smith’s scenic and costume design and you get the thrilling pitch-perfect National Touring Company’s production of Girl From The North Country currently shining on the Pantages stage.
Written and directed by Conor McPherson, Girl From The North Country is a musical that still feels like a play with music. It's a show aimed more directly at the head than the heart, and jammed with tropes, references and outright character homages to notable works of American Gothic literature. (This, I suspect, is where much of the audience likely got lost: it's often hard to enjoy a genre pastiche when you're neither deeply aware of the genre, or aware that you're seeing a pastiche.) When the show rockets into music mode, often with actors onstage picking up instruments or turning into 'radio singers' around a microphone, none of the vagaries of plot and characterization matter much anymore. Like Spring Awakening, this is an impressionistic musical, rather than a representational one: what is being sung matters more as a mood piece and as a soundtrack cut than as actually related to character or situation. Mamma Mia, this is not.
2017 | West End |
Original West End Production West End |
2017 | West End |
West End Transfer Production West End |
2018 | Off-Broadway |
Public Theater North American Premiere Off-Broadway |
2019 | West End |
West End Return Engagement West End |
2022 | Broadway |
Original Broadway Production Broadway |
2023 | US Tour |
North American Tour US Tour |
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