In DRAG: The Musical, two Drag Houses, both alike in indignity, vie for supremacy in a wig-snatching journey of fashion, family, and forgiveness. After a bitter split, two estranged queens bring their already simmering tensions to a boiling point when they open competing clubs. In this queen-eat-queen tale of spite and survival, there’s only one rule: No Lip Synching Allowed. Entertainment Weekly calls it, “drag at its best” and BroadwayWorld raves, “They hit the ball out of the park. Rowdy fun with the glamor of a Broadway musical.”
The “epic cast of drag, theater, and LGBTQ+ icons” (Entertainment Tonight) features Alaska Thunderf*ck (through 1/11/25), Jujubee, Jan Sport, Lagoona Bloo, J. Elaine Marcos and features New Kids on the Block’s, Joey McIntyre (through 11/24/24).
To the most critical eye, the ending of Drag: The Musical, a kind of deus ex machina, may be unsatisfying. But really, Drag: The Musical has everything that a musical could want: big numbers, big wigs, loveable characters, and a lot of heart. And I’d be very surprised if no one walks away from the theatre with the song “Drag is Expensive” stuck in their head.
Spencer Liff’s direction seamlessly blends the glamorous world of drag with genuine emotional storytelling. While the show is undoubtedly campy and fun, with big numbers and plenty of glitter, Liff ensures that the heart of the story remains intact. The conflict between the two main characters, is both comedic and heartfelt, with Liff skillfully navigating the tension between their past romance and present rivalry.
2024 | Off-Broadway |
Original Off-Broadway Production Off-Broadway |
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