Welcome to Hill Valley!Set your destination time, New York and get ready to go back in time with Marty McFly. Since its Broadway debut in August 2023, Back to the Future: The Musical has brought nostalgic charm, jaw-dropping effects, and electrifying energy. to the Winter Garden Theatre. Based on the beloved 1985 film, this musical adaptation is a time-traveling thrill ride that combines humor, heart, and unforgettable songs into a high-voltage theatrical experience.
What’s the show about? Teenager Marty McFly finds himself accidentally sent back to 1955 in a time machine built by the eccentric Doc Brown. Stranded in the past, Marty must make sure his parents fall in love or risk erasing his own future—while finding a way to return to 1985. Packed with humor, adventure, and just the right amount of sci-fi, Back to the Future stays true to the spirit of the original movie while adding new twists for the stage.
The musical features a high-energy score that combines fan-favorite hits from the film, like “The Power of Love” and “Johnny B. Goode,” with new songs by Emmy and Grammy winners Alan Silvestri and Glen Ballard. Directed by Tony Award winner John Rando, the production is a visual and technical treat, boasting spectacular special effects—including a flying DeLorean—that leave audiences awestruck.
After its initial success in London’s West End, where it won the Olivier Award for Best New Musical, Back to the Future arrived on Broadway, led by Casey Likes as Marty McFly and Tony winner Roger Bart as Doc Brown. Beyond Broadway, Back to the Future is quickly becoming a global sensation, with international productions and a North American tour in development.
Now’s your chance to hop into the time machine and experience Back to the Future: The Musical live on stage. Whether you’re an ’80s movie buff or just looking for an unforgettable night of theater, this show will leave you saying, “Great Scott!” Don’t wait—get your tickets before they disappear into the past!
Sometimes a Broadway show just does what it needs to do, going big on songs, silliness, corn, and heart. And together those things work, even while some things frustratingly don’t work around them. The leviathan kicks into life, the audience jumps on and rides shotgun. Through the barrage of special effects, jokes, dramatic set-pieces, the stage-filling dancing and singing of the unsung heroes of the company—through all of it—the audience is visibly and audibly locked in, seduced, happy. And so, sure, Back to the Future: The Musical—at two hours forty minutes, first staged in London’s West End—is overlong (almost an hour longer than the 1985 movie it is based on) and its female characters and its straining to say something about civil rights under-drawn and underdeveloped. But the show (Winter Garden Theatre, booking to Feb 25, 2024) is also an amiably rollicking reanimation of a much-loved movie classic, and in no mood to address its flaws, which seem—ironically, given its preoccupation with time travel—stuck in another era.
It's an odd paradox, that Back to the Future assumes prior familiarity with the film such that the players need little introduction, while positing nearly every character as worthy of substantial exploration. Chalk it up, perhaps, to the fact that two of the movie's creators are involved: Bob Gale adapted the musical's book from his and Robert Zemeckis's screenplay, and Alan Silvestri, who composed the film score, co-wrote the musical's rollicking score with Glen Ballard. They clearly know and adore all their characters, but not all audiences have the same depth of understanding, especially 28 years on from the film's premiere. But like the DeLorean climbing to the crucial 88 miles per hour, the writers ultimately succeed in building the show's momentum and narrative heft. Once Marty meets his teenaged parents, Lorraine and George, in 1955 and catches Lorraine's eye before George can, he has to course-correct — and gets to know his parents better in the process. Back to the Future is really a story about how the young can shape older generations' futures, after all, not just the other way around.
Rush Tickets:
Price: $40
Where: Rush tickets will be available every day when the Winter Garden Theatre box office opens, on a first-come, first-served basis.
Limit: Two per customer.
Restrictions: Seat locations and the number of tickets available are subject to availability and determined at the discretion of the box office.
Digital Lottery:
Price: $45
Where: https://rush.telecharge.com/
When: The digital lottery opens at 12AM ET one day before the performance and winners are drawn at 10AM ET and 3PM ET that same day.
Limit: Two per customer
Information: Tickets are non-transferable and subject to availability.
2021 | West End |
West End Premiere West End |
2021 | West End |
West End |
2023 | Broadway |
Original Broadway Production Broadway |
2024 | US Tour |
North American Tour US Tour |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2024 | Outer Critics Circle Awards | Outstanding Featured Performer in a Broadway Musical | Roger Bart |
2024 | Outer Critics Circle Awards | Outstanding Lead Performer in a Broadway Musical | Casey Likes |
2024 | Outer Critics Circle Awards | Outstanding Lighting Design (Broadway or Off-Broadway) | Tim Lutkin |
2024 | Outer Critics Circle Awards | Outstanding Sound Design (Broadway or Off-Broadway) | Gareth Owen |
2024 | Outer Critics Circle Awards | Outstanding Video/Projections (Broadway or Off-Broadway) | Finn Ross |
2024 | Tony Awards | Best Performance by an Actor in a Featured Role in a Musical | Roger Bart |
2024 | Tony Awards | Best Scenic Design of a Musical | Tim Hatley |
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