From the Oscar-nominated producer of BARBIE and the delulu creator of the Off-Broadway hit TITANIQUE comes THE BIG GAY JAMBOREE, a big new musical comedy that’s pushing the envelope…and the gay agenda.
Help! Stacey’s fallen into a musical and she can’t get out. Last night, she got a little bit blackout drunk. This morning, she woke up in some b*tch ass Music Man world where everybody keeps bursting into song & dance, and where gay still just means happy. Maybe it’s a dream. Maybe it’s an allergic reaction to her birth control. Or maybe it’s Maybelline (don’t sue us! sponsor us? we’ll talk later). But if Stacey’s truly trapped inside a Golden Age musical, there’s only one way out: sing out! Or find the stage door. Whatever gets the most applause.
Starring one of Vanity Fair’s “brightest stars of New York theatre” and the world’s second favorite Celine Dion, MARLA MINDELLE, The Big Gay Jamboree is here to make you laugh, make you cry laughing, and make you laugh crying.
Inventively directed and choreographed by Connor Gallagher, the show benefits considerably from sharp performances and fine production values. Lit in rainbow shades by Brian Tovar, some adorable animated projections by Aaron Rhyne and a turntable are employed by the dots design collective for the cute, fluent scenery. Crisply costumed by Sarah Cubbage, a confident 10-member ensemble of quick-changing performers capably support the excellent featured players.
The original score works by aggregating references to well-known musicals, like “The Gay B-C’s” spoofing “Do-Re-Mi” from “The Sound of Music.” A highlight is Rousouli’s dance solo inspired by the “Music and the Mirror” number from “A Chorus Line,” in which he nails a well-calibrated mix of reverence, satire and abandon. That moment, among the few harking back to the goofball spirit of “Titaníque,” only accentuates how calculated the rest of the show feels.
2024 | Off-Broadway |
Off-Broadway Premiere Production Off-Broadway |
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