This 1982 Pulitzer Prize-winning thriller has rocketed back into the spotlight, thanks to this 2020 Tony Award®-winning Best Revival from Roundabout Theatre Company. “This is a play that deserves to be staged regularly all over America—though it’s hard to imagine that it will ever be done better than this. It keeps you guessing all the way to the final curtain” (The Wall Street Journal).
In 1944, on a Louisiana Army base, two shots ring out. A Black sergeant is murdered. And a series of interrogations triggers a gripping barrage of questions about sacrifice, service, and identity in America. Broadway’s Norm Lewis leads a powerhouse cast in the show Variety calls “a knock-your-socks-off-drama," directed by Tony winner Kenny Leon.
A SOLDIER'S PLAY is a solid and well-structured play by Charles Fuller that explores the deep-seated roots of American racism. Centered on a Black regiment in 1944 Fort Neal, Louisiana, the play takes the form of a murder investigation when Captain Richard Davenport arrives on the scene following the death of Sergeant Vernon C. Waters. While Fuller's 1981 play is no doubt an indictment of the racist systems embedded in the American military-and the country as a whole-the piece now feels prescient, rather than revelatory. I imagine that it must have been quite radical when it debuted over forty years ago, but now it reads like a reinforcement of the truth. It's an effective one, and audiences who enjoy the procedural format will appreciate the play's series of interviews and flashbacks. Director Kenny Leon's production keeps it moving at a brisk pace, but neither material nor staging are groundbreaking.
Norm Lewis’s Davenport is a steady hand as the audience’s guide through the hornet’s nest of Fort Neal; he’s shrewd and strategic, knowing when to be ingratiating and when to take a stand, to find out the truth of what’s happened. Connell excels as a man trying to navigate his way out of the racist maze he finds himself lost in. Each of the soldiers has his time to shine, especially Tarik Lowe as the outspoken, unafraid Private Melvin Peterson and Sheldon D. Brown as the amiable and deeply tragic Private C.J. Memphis. The banter between the soldiers - vital, vivacious young men — offers a key balance to the heavy subject matter and to the seriousness of the investigation. As the deeply problematic Sgt. Waters, Eugene Lee has the toughest job. His performance is riveting and uncomfortable in the best sense; even as he says some of the most hateful things heard on a stage around here in quite some time, Lee convinces us that his character believes he’s doing the right thing.
1981 | Off-Broadway |
Off-Broadway |
2005 | Off-Broadway |
Off-Broadway |
2020 | Broadway |
Roundabout Theatre Company's Original Broadway Production Broadway |
2022 | US Tour |
North American Tour US Tour |
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