The story from a cherished movie classic that's enchanted millions is now a musical spectacular. In 1940's Indiana, a bespectacled boy named Ralphie has a big imagination and one wish for Christmas-a Red Ryder BB Gun. A kooky leg lamp, outrageous pink bunny pajamas, a cranky department store Santa, and a triple-dog-dare to lick a freezing flagpole are just a few of the obstacles that stand between Ralphie and his Christmas dream.
This is called 'A Christmas Story,' not 'The Christmas Story,' so, parents, please take note. The musical based on the popular 1983 movie is neither candy-cane sweet nor sacred. In fact, not much is sacred in this droll, imaginative, definitely and a bit defiantly off-center tale of a 9-year-old bespectacled kid named Ralphie and a flawed but loving family in Indiana in the 1940s. That is, 9-year-olds (and up) and their flawed, loving parents are probably the target audience for the newest addition to the holiday offerings, wickedly directed by John Rando ('Urinetown') with a clever and enjoyable score by newcomers Benj Pasek and Justin Paul ('Dogfight'). The humor is not so much politically incorrect as, well, politically retro and a little dark...I could live without the awful joke about Chinese accents, the blue joke about the bowling ball, the playground line 'when you act like a fruit, you get crushed like a grape.' Even if kids liked to talk like that, Broadway should not endorse it.
I have an unusual Christmas wish this year: I want fewer Christmas musicals going forward...In “A Christmas Story,” which is extremely faithful to the film, 9-year-old bespectacled Ralphie (played by the big-voiced Johnny Rabe) longs to receive a Red Ryder BB gun for Christmas in 1940s Indiana The central problem in mounting a stage version lies with depicting the adult Ralphie, who serves as the film’s off-screen narrator. Here, Dan Lauria wanders aimlessly around the stage and speaks directly to the audience, rather like a Ghost of Christmas Future. His presence makes the storytelling clunky and disjointed. That said, the real perk of “A Christmas Story” lies in its highly melodic, original score by the up-and-coming team of Benj Pasek and Justin Paul. Come to think of it, here’s a better Christmas wish: more new musicals by Pasek and Paul.
2011 | US Tour |
National Tour US Tour |
2012 | Broadway |
Original Broadway Production Broadway |
2013 | Off-Broadway |
Madison Square Garden Production Off-Broadway |
2017 | Motion Picture |
FOX Live Televised Production Motion Picture |
2021 | US Tour |
Non Equity Tour US Tour |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2013 | Drama Desk Awards | Outstanding Book of a Musical | Joseph Robinette |
2013 | Drama Desk Awards | Outstanding Choreography | Warren Carlyle |
2013 | Drama Desk Awards | Outstanding Featured Actor in a Musical | John Bolton |
2013 | Drama Desk Awards | Outstanding Featured Actor in a Musical | John Bolton |
2013 | Drama Desk Awards | Outstanding Music | Justin Paul |
2013 | Drama Desk Awards | Outstanding Music | Benj Pasek |
2013 | Drama Desk Awards | Outstanding Orchestrations | Larry Blank |
2013 | Outer Critics Circle Awards | Outstanding Featured Actor in a Musical | Dan Lauria |
2013 | Outer Critics Circle Awards | Outstanding New Broadway Musical | 0 |
2013 | Tony Awards | Best Musical | Gerald Goehring |
2013 | Tony Awards | Best Musical | Roy Miller |
2013 | Tony Awards | Best Musical | Michael F. Mitri |
2013 | Tony Awards | Best Musical | Pat Flicker Addiss |
2013 | Tony Awards | Best Musical | Peter Billingsley |
2013 | Tony Awards | Best Musical | Timothy Laczynski |
2013 | Tony Awards | Best Musical | Mariano V. Tolentino Jr. |
2013 | Tony Awards | Best Musical | Louise H. Beard |
2013 | Tony Awards | Best Musical | Michael Filerman |
2013 | Tony Awards | Best Musical | Scott Hart |
2013 | Tony Awards | Best Musical | Alison Eckert |
2013 | Tony Awards | Best Musical | Bob Bartner |
2013 | Tony Awards | Best Musical | Michael Jenkins |
2013 | Tony Awards | Best Musical | Angela Milonas |
2013 | Tony Awards | Best Musical | Bradford W. Smith |
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