Set amidst the razzle-dazzle decadence of the 1920s, Chicago is the story of Roxie Hart, a housewife and nightclub dancer who murders her on-the-side lover after he threatens to walk out on her. Desperate to avoid conviction, she dupes the public, the media and her rival cellmate, Velma Kelly, by hiring Chicago's slickest criminal lawyer to transform her malicious crime into a barrage of sensational headlines, the likes of which might just as easily be ripped from today's tabloids. A true New York City institution, Chicago is the longest running American musical in Broadway history.
In the pulse-racing revival of the musical 'Chicago,' which opened last night at the Richard Rodgers Theater, all the world's a con game, and show business is the biggest scam of all. It makes a difference, though, when the hustle involves a cast of top-flight artists perfectly mated to their parts and some of the sexiest, most sophisticated dancing seen on Broadway in years. By the time the priceless Bebe Neuwirth, playing a hoofer turned murderer, greets the audience at the beginning of the second act with the salutation 'Hello, suckers!,' it's a label we're all too happy to accept. The America portrayed onstage may be a vision of hell, but the way it's being presented flies us right into musical heaven.
Any gripes about the producers of 'Chicago' charging full-scale prices for a stripped-down show evaporate like vapors from bathtub gin the second Bebe Neuwirth & Co. open the show with a pulse-quickening rendition of 'All That Jazz.' This concert staging, wonderfully choreographed by Ann Reinking (with a credit to 'the style of Bob Fosse'), is a bit more elaborate than when presented by City Center's Encores series in the spring, but even if it weren't, the performances, wit and sophistication of the show would more than earn a place on Broadway.
Price: $49.00
Where: Box Office only
Limit: Two per customer
Restrictions: Not available for Saturday evenings - Subject to availability.
Price: $27
Where: Box Office
Limit: Two per customer
Restrictions: Available day of performance only when the performance is sold out.
1975 | Broadway | Original Broadway Production Broadway |
1979 | West End | London Production West End |
1996 | Off-Broadway | Encores! Concert Off-Broadway |
1996 | Broadway | Broadway Revival Broadway |
1997 | US Tour | 1st National Tour US Tour |
1997 | West End | London Revival West End |
1997 | US Tour | 2nd National Tour US Tour |
2012 | US Tour | National Tour US Tour |
2014 | US Tour | National Tour (2014-2015) US Tour |
US Tour | National Tour US Tour | |
2018 | West End | West End Return Engagement West End |
2022 | US Tour | US Tour US Tour |
Year | Ceremony | Category | Nominee |
---|---|---|---|
1997 | Drama League Awards | Distinguished Performance Award | Bebe Neuwirth |
1997 | Tony Awards | Best Choreography | Ann Reinking |
1997 | Tony Awards | Best Costume Design | William Ivey Long |
1997 | Tony Awards | Best Direction of a Musical | Walter Bobbie |
1997 | Tony Awards | Best Lighting Design | Ken Billington |
1997 | Tony Awards | Best Performance by an Actor in a Leading Role in a Musical | James Naughton |
1997 | Tony Awards | Best Performance by an Actress in a Featured Role in a Musical | Marcia Lewis |
1997 | Tony Awards | Best Performance by an Actress in a Leading Role in a Musical | Bebe Neuwirth |
1997 | Tony Awards | Best Revival of a Musical | Barry and Fran Weissler |
1997 | Tony Awards | Best Revival of a Musical | Kardana Productions, Inc |
1996 | Drama Desk Awards | Outstanding Actress - Musical | Bebe Neuwirth |
1996 | Drama Desk Awards | Outstanding Choreography | Ann Reinking |
1996 | Drama Desk Awards | Outstanding Director - Musical | Walter Bobbie |
1996 | Drama Desk Awards | Outstanding Featured Actor - Musical | Joel Grey |
Videos