"This is a night that will rock your world!" - Los Angeles Times
Like a comet that burns far too brightly to last, Janis Joplin exploded onto the music scene in 1967 and, almost overnight, became the queen of rock & roll. The unmistakable voice, filled with raw emotion and tinged with southern comfort, made her a must-see headliner from Monterey to Woodstock.
Now, you're invited to share an evening with the woman and her influences in the new Broadway musical, A Night with Janis Joplin.
Fueled by such unforgettable songs as "Me and Bobby McGee," "Piece of My Heart," "Mercedes Benz","Cry Baby," and "Summertime" a remarkable cast, and breakout performance by Mary Bridget Davies, A Night with Janis Joplin, written and directed by Randy Johnson, is a once in a lifetime musical experience that brings the music - and the woman - to life like never before.
What the blues are, exactly, is a preoccupying concern in this musical tribute, which opened Thursday at Broadway's Lyceum Theatre. They can be, Joplin tells us at different points, 'a good woman feelin' bad,' or 'the want of something,' or occasionally 'the devil himself.' Speaking these lines, Mary Bridget Davies, who plays the late '60s rock goddess, is utterly credible as a hippie icon, from her alternately blissed-out and earnest vibe to her groovy period costumes (the latter provided by designer Amy Clark). Yet under the direction of Randy Johnson, who also wrote the book, Night offers a distinctly post-American Idol version of the blues. Davies is accompanied on stage by a band and four other spectacularly gifted female vocalists, who alternate as the backing 'Joplinaires' and various artists whose work inspired Joplin's; and the fireworks they provide can border perilously on crowd-pleasing caricature.
Where the script goes irritatingly wrong is Joplin's near-lecturing on the blues. 'I got the blues because I don't have my baby,' she says. 'I got the blues because I don't have the quarter for a bottle of wine, I got the blues because they won't let me in that bar ...' Enough. She brings up the blues so much that she wrings the color and potency out of the idea and has you seeing red. Better to let the music do the talking.
| 2013 | Broadway |
Original Broadway Production Broadway |
| 2016 | US Tour |
North American Tour US Tour |
| 2017 | US Tour |
2017 US Tour US Tour |
| West End |
West End |
| Year | Ceremony | Category | Nominee |
|---|---|---|---|
| 2014 | Drama League Awards | Distinguished Performance Award | Mary Bridget Davies |
| 2014 | Theatre World Awards | Outstanding Broadway or Off-Broadway Debut Performance | Mary Bridget Davies |
| 2014 | Tony Awards | Best Performance by an Actress in a Leading Role in a Musical | Mary Bridget Davies |
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