Based on the iconic characters created by legendary cartoonist Charles Addams, THE ADDAMS FAMILY is an all-new musical comedy starring Tony Award winner Roger Rees as Gomez and stage and screen star Brooke Shields as Morticia. THE ADDAMS FAMILY features an original story. It's every parent's nightmare. Your little girl has suddenly become a young woman, and what's worse, has fallen deliriously in love with a sweet, smart young man from a respectable family. Yes, Wednesday Addams, the ultimate princess of darkness, has a "normal" boyfriend, and for parents Gomez and Morticia, it's a shocking development that turns the Addams house upside down when they are forced to host a dinner for the young man and his parents.
THE ADDAMS FAMILY has a book by Marshall Brickman and Rick Elice (librettists of the 2006 Tony Award-winning Best Musical, Jersey Boys), music and lyrics by Drama Desk Award winner Andrew Lippa (The Wild Party), direction and design by Phelim McDermott and Julian Crouch (Shockheaded Peter, The Metropolitan Opera's Satyagraha) and choreography by Sergio Trujillo (Next to Normal, Jersey Boys).
Oh Broadway, Broadway, Broadway. Don't you know, you never seem sadder or more imaginatively barren than when you're diving for commercial relevance in the dumpsters behind old TV shows and movies? 'The Addams Family' -- this year's answer to the question, How many talented people does it take to screw up a concept? -- marks a significant depressing of an ever-more-degraded standard. It's a new show that, despite its mechanized trickery, feels rickety beyond belief, the 2010 musical version of a series of magazine cartoons from the 1930s, '40s and '50s that became a '60s sitcom that became a '90s Hollywood franchise. What you might call a wholly pre-owned Broadway musical.
The Addams Family' -- the 1960s sitcom, that is -- was famously kooky, spooky and altogether ooky. The new Broadway musical, based not on the sitcom but on assorted one-panel cartoons drawn over the years by the New Yorker's Charles Addams, is kooky but not spooky or ooky; nor is it neat, sweet or petite (as the song goes). What this 'Addams Family' has is the gloweringly perfect Nathan Lane, who gamely thrusts Gomez's rapier at anything -- or any joke -- that moves. But $16.5 million has brought forth an ill-formed one-dimensional cartoon with lines and shading not quite inked in.
2010 | Broadway |
Original Broadway Production Broadway |
2011 | US Tour |
National Tour US Tour |
2021 | UK Tour |
UK Tour |
2024 | West End |
West End |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2010 | BroadwayWorld Awards | Best Costume Design | Phelim McDermott |
2010 | BroadwayWorld Awards | Best Costume Design | Julian Crouch |
2010 | Drama Desk Awards | Outstanding Actor in a Musical | Nathan Lane |
2010 | Drama Desk Awards | Outstanding Featured Actor in a Musica | Kevin Chamberlin |
2010 | Drama Desk Awards | Outstanding Featured Actress in a Musical | Carolee Carmello |
2010 | Drama Desk Awards | Outstanding Lighting Design | Natasha Katz |
2010 | Drama Desk Awards | Outstanding Lyrics | Andrew Lippa |
2010 | Drama Desk Awards | Outstanding Music | Andrew Lippa |
2010 | Drama Desk Awards | Outstanding Musical | The Addams Family |
2010 | Drama Desk Awards | Outstanding Set Design | Phelim McDermott |
2010 | Drama Desk Awards | Outstanding Set Design | Basil Twist |
2010 | Outer Critics Circle Awards | Outstanding Actor in a Musical | Nathan Lane |
2010 | Outer Critics Circle Awards | Outstanding Actress in a Musical | Bebe Neuwirth |
2010 | Outer Critics Circle Awards | Outstanding Featured Actor in a Musical | Kevin Chamberlin |
2010 | Outer Critics Circle Awards | Outstanding Featured Actress in a Musical | Carolee Carmello |
2010 | Outer Critics Circle Awards | Outstanding Set Design | Phelim McDermott |
2010 | Outer Critics Circle Awards | Outstanding Set Design | Julian Crouch |
2010 | Tony Awards | Best Original Score (Music and/or Lyrics) Written for the Theatre | Andrew Lippa |
2010 | Tony Awards | Best Performance by an Actor in a Featured Role in a Musical | Kevin Chamberlin |
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