Hooded; Or Being Black For Dummies is a wickedly funny story of a chance relationship between two 14-year old black youth, living in the same city, but growing up in totally different worlds. Marquis is a book smart prep-schooler living with his adoptive white family in the affluent suburb of Achievement Heights, obsessed with the philosophy of Nietzsche; Tru is a street savvy kid from the inner city of Baltimore, obsessed with Tupac. Their worlds overlap in a holding cell, a first for Marquis, who has been protected by his family’s privilege, but all too familiar to Tru. They butt heads, debate, wrestle and ultimately prove Nietzsche and Tupac were really saying the same thing.
From Director, Anthony Richardson: Tru and Marquis are two young kids from opposite sides of the tracks who cross paths in a jail cell. Tru will try to instill lessons of survival in Marquis, which will offer him a portal into an untapped cultural knowledge that can’t be duplicated, even when outside forces work diligently to steal the “secret.” At the core, Hooded is a pseudo-satirical examination of “culture as mask or costume” and the social dynamics that exist in the lead-up to racialized violence against black people. Black men and white men; black men and white women; white women and white men; and now, due to casting, a possible glimpse of all those in relation to black women.
First Floor Theater is pleased to launch its seventh season with the Chicago premiere of Tearrance Arvelle Chisholm's wild, social commentary HOODED, OR BEING BLACK FOR DUMMIES, directed by Mikael Burke, playing October 20 - November 17, 2018 at FFT's resident home, The Den Theatre (2B), 1331 N. Milwaukee Ave. in Chicago.
Theatre Bay Area, the third-largest regional theatre service organization in North America, announced the finalists for the 2018 TBA Awards. The fifth annual TBA Awards Celebration will be held on Monday, Nov. 5 at the Herbst Theatre (401 Van Ness Avenue, San Francisco). Tickets for the public go on sale Friday, September 28, 2018, through City Box Office.
Producing Artistic Director Carolyn Griffin is pleased to announce that the musical ROOMS a rock romance with book by Paul Scott Goodman and Miriam Gordon, music and lyrics by Paul Scott Goodman, and directed by MetroStage Artistic Associate Thomas W. Jones II will celebrate its 10th anniversary with a new production at MetroStage, running Oct 11-Nov 11.
First Floor Theater is pleased to launch its seventh season with the Chicago premiere of Tearrance Arvelle Chisholm's wild, social commentary HOODED, OR BEING BLACK FOR DUMMIES, directed by Mikael Burke, playing October 20 - November 17, 2018 at FFT's resident home, The Den Theatre (2B), 1331 N. Milwaukee Ave. in Chicago.
Winner of the 2002 Tony Award for Best Play, The Goat, or Who is Sylvia? is about a profoundly unsettling subject: the irrational, confounding, and convention-thwarting nature of love. Martin-a hugely successful architect who has just turned fifty-leads an ostensibly ideal life with his loving wife and gay teenage son. But when he confides to his best friend that he is also in love with Sylvia, he sets in motion events that will destroy his family and leave his life in tatters. Albee's boundary-pushing play is puzzling, powerful, bawdy, and disturbing.
First Floor Theater is pleased to announce casting for the Chicago premiere of Tearrance Arvelle Chisholm's wild, social commentary HOODED, OR BEING BLACK FOR DUMMIES, directed by Mikael Burke.
First Floor Theater is pleased to launch its seventh season with the Chicago premiere of Tearrance Arvelle Chisholm's wild, social commentary HOODED, OR BEING BLACK FOR DUMMIES
First Floor Theater is pleased to announce its seventh season, featuring a world premiere and two Chicago premieres. The 2018-19 season will be presented at FFT's resident home, The Den Theatre, 1331 N. Milwaukee Ave. in Chicago's Wicker Park neighborhood.
Winner of the 2002 Tony Award for Best Play, The Goat, or Who is Sylvia? is about a profoundly unsettling subject: the irrational, confounding, and convention-thwarting nature of love. Martin-a hugely successful architect who has just turned fifty-leads an ostensibly ideal life with his loving wife and gay teenage son. But when he confides to his best friend that he is also in love with Sylvia, he sets in motion events that will destroy his family and leave his life in tatters. Albee's boundary-pushing play is puzzling, powerful, bawdy, and disturbing.
Victory Gardens Theater Artistic Director Chay Yew and Managing Director Erica Daniels announce the 2018/19 Season Directors Inclusion Initiates, to include Lauren Katz (Indecent), Mikael Burke (Rightlynd), N. Emil Thomas (Pipeline), Denise Yvette Serna (Cambodian Rock Band) and Ruby Des Jardins (Miriam for President).
National New Play Network, the country's alliance of professional theaters that collaborate in innovative ways to develop, produce, and extend the life of new plays, announces its 2018-19 grant recipients, including the 2018 Smith Prize for Political Theatre, six Producer Residencies, and five Collaboration Fund awards that will support partnerships between multiple Member Theaters, playwrights, and other theater makers in various projects.
Mixed Blood Theatre is pleased to announce its 2018-19 Season, Transforming the Impossible to the Probable. Speaking truth to power and upending the status quo through theater via provocative programming in which comedy, drama, satire, and extravaganza take on Me Too, automation, Black Lives Matter, abortion, climate change, gender identity, NFL player protests, and, throughout everything, race. The season will put on display Mixed Blood's core value to be predictably unpredictable.
This evening, the 34th Annual Helen Hayes Awards celebrated Washington's diverse and vital theatre community with a gala event at The Anthem, recognizing 258 Helen Hayes Award nominees and 48 award recipients drawn from 202 eligible productions presented at 64 theatres in 2017. GALA Hispanic Theatre's Spanish-language production of Lin-Manuel Miranda and Quiara Alegria Hudes' In The Heights received nine awards, putting them at the top of a list of 20 theatres receiving Helen Hayes Awards this year.
The final production of Mosaic Theater Company of DC's third season will be the world premiere staging of The Vagrant Trilogy, written by Mona Mansour and directed by Mark Wing-Davey. The Vagrant Trilogy is comprised of three different one-act plays: The Hour of Feeling, The Vagrant, and Urge for Going. These three plays, combined for the first time in one epic performance, follows Palestinian scholar Adham and his family over multiple generations and in multiple continents.
If, like me, you missed Mosaic Theater Company's HOODED, OR BEING BLACK FOR DUMMIES last season, here's your second chance: a remount, featuring almost all of the original cast, has arrived by popular demand. As timely as ever, it uses elements of realism, surrealism, and Greek mythology to convey what it's like to be a young black man in America at this very moment. I've called plays from Mosaic "essential viewing" before, and that description certainly applies here.
The DCPA NewsCenter has reported that the new season at the Aurora Fox Arts Center has been announced. This is the first season under new Executive Producer Helen R. Murray.
National New Play Network, the country's alliance of nonprofit theaters that champions the development, production, and continued life of new plays, celebrates the opening of the Rolling World Premiere of Br'er Cotton by Tearrance Arvelle Chisholm at Cleveland Public Theatre.
Marquis and Tru are both fourteen-year old African-American boys, but they exist in two totally different worlds. Marquis is a book smart prep-schooler living in the affluent suburb of Achievement Heights; while Tru is a street savvy kid from deep within the inner city of Baltimore. Their worlds overlap one day in a holding cell. Tru decides that Marquis has lost his "blackness" and pens a how-to manual entitled "Being Black for Dummies", as they navigate a world of cheerleaders, Black Lives Matter, 2Pac, Nietzsche, Apollo, and Dionysus-each vying for Marquis' future.
Opening March 11th! Tearrance Chisholm's Hooded, or Being Black for Dummies (BAPF 2015) at Custom Made Theatre - a producing partnership with PF!
Cleveland Public Theatre (CPT) is proud to present the National New Play Network Rolling World Premiere of Br'er Cotton, a poetic and timely new play by Tearrance Arvelle Chisholm, directed by Jennifer L. Nelson. Br'er Cotton is onstage March 29 - April 21, in CPT's historic Gordon Square Theatre.
The 41st Annual Bay Area Playwrights Festival, the premiere festival for new works on the west coast, runs July 20th - 29th returning to the recently renovated Potrero Stage, 1695 18th St, San Francisco, CA 94107. Over 700 scripts were submitted for this year's festival. The final Six talented emerging playwrights from across the country will each have two readings of a new work presented by the Bay Area's top acting talent. Final playwrights will be announced in April and tickets for the festival will go on sale in May.
The 41st Annual Bay Area Playwrights Festival, the premiere festival for new works on the west coast, runs July 20th - 29th returning to the recently renovated Potrero Stage, 1695 18th St, San Francisco, CA 94107. Over 700 scripts were submitted for this year's festival. The final Six talented emerging playwrights from across the country will each have two readings of a new work presented by the Bay Area's top acting talent. Final playwrights will be announced in April and tickets for the festival will go on sale in May.
Marquis and Tru, both 14 and black, meet one evening in the holding cell of a police station. Marquis is a Nietzsche-loving prep-schooler, adopted by white people and living in the affluent suburb of AchievementHeights; while Tru is a super smart, Tupac loving, kid from central Baltimore. Tru decides Marquis has lost his blackness and pens a how-to manual for him entitled 'Being Black for Dummies.' They navigate through both Marquis' world of cheerleaders, jocks, headmasters and Tru's world in Baltimore all while they debate, struggle and ultimately develop a friendship that reveals that maybe Tupac and Nietzsche were saying the same thing all along. 'Hooded, or Being Black for Dummies' is a comedic and truthful examination of growing up black in America by rising-star playwright Tearrance Arvelle Chisholm.
The nominees for the 2018 Helen Hayes Awards were announced on February 5, 2018. One of the country's most prestigious cultural honors, The Helen Hayes Awards recognizes and celebrates excellence in professional theatre throughout the Washington metropolitan area. The National Theatre's Helen Hayes Gallery set the scene for the announcement of nominees in 47 categories for artistic excellence, and the theatre companies eligible for the 2017 John Aniello Award for Outstanding Emerging Theatre Company. The recipient of the 2018 Helen Hayes Tribute will be announced shortly.
As we count down the last days of 2017, New York City's top theatre critics have been taking stock of the theatre season- deciding on their personal choices for their favorite productions of the year. With so many stellar plays, musicals, revivals and new works, both on Broadway and off, a slew of shows have gained recognition from the critics this year.
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