Suor Angelica is a heart-rending story of a young mother separated from her illegitimate child by her aristocratic family and confined to a convent. One of Puccini’s rawest creations, the opera takes us on an extraordinary emotional journey.
When she is forced by her family to join a convent, Angelica’s life is reduced to the confines of its walled garden. In this rose-scented cage, she is tormented by the love and life she was robbed of. Doubt consumes her as she questions her faith and tries to forgive herself and her family. A moment of crisis comes when she is visited by her aunt carrying devastating news of her son.
In Puccini’s profoundly moving score, the opera captures the searching, questioning nature of grief and the possibility or impossibility of forgiveness. Indeed the aria ‘Senza mamma’ (‘Sweetest love, you died without your mother’), is one of the most poignant Puccini ever wrote.
Sister Angelica is sung by Olivier Award-nominated soprano, Sinead Campbell-Wallace. Christine Rice, one of the leading mezzo-sopranos of her generation, sings the role of Angelica’s main tormentor, her aunt the Princess. Meanwhile, former Harewood artists, Alexandra Oomens and Madeleine Shaw, sing Sister Genovieffa and The Abbess respectively.
The production is directed by ENO’s Artistic Director, Annilese Miskimmon, and conducted by Corinna Niemeyer, Artistic and Music Director of the Orchestre de Chambre du Luxembourg, who is making her ENO debut. English translation by Amanda Holden.
Heartbeat Opera is a new company intent upon re-imagining opera in intimate spaces for a new generation. Employing a minimalism that allows the emotional integrity of the music to shine through, the company's work focuses on the body of the singer and the visceral power of the music. Co-Artistic Directors Louisa Proske and Ethan Heard, who trained together in the Directing program at the Yale School of Drama, are committed to nurturing the actor in every singer they work with. The company creates productions of classics and new pieces that are daring and visceral—productions that manifest the emotional grandeur and theatrical power of opera with minimal means. Heartbeat's one-act festival presentation of György Kurtág's Kafka-Fragments, directed by Heard, and the New York premiere of Jacques Offenbach's Daphnis & Chloé, in a new English translation directed by Proske, marks this young company's debut. Heartbeat Opera's resident music ensemble Cantata Profana, described by The New York Times as “a stylish early music ensemble,” will provide musical accompaniment.
Mezzo soprano, Erica Papillion-Posey and soprano, Stephanie Ann Ball are collaborating with pianist, Mila Startsev to present The Heritage Anthology; a deeply moving nationalist concert program celebrating the African American musical heritage and the German cultural heritage of The Denver Turnverein.
Opera Holland Park is one of the most popular and highly-acclaimed events in London's musical calendar and their 19th season includes a mixture of five new productions and revivals in 36 main-stage public performances. The City of London Sinfonia will accompany all these productions for their 12th year as house orchestra. A particular highlight is the first-ever professional London performance of Jonathan Dove's contemporary opera Flight. THe season runs Tuesday 2nd June - Saturday 1st August 2015.
Heartbeat Opera is a new company intent upon re-imagining opera in intimate spaces for a new generation. Employing a minimalism that allows the emotional integrity of the music to shine through, the company's work focuses on the body of the singer and the visceral power of the music. Co-Artistic Directors Louisa Proske and Ethan Heard, who trained together in the Directing program at the Yale School of Drama, are committed to nurturing the actor in every singer they work with. The company creates productions of classics and new pieces that are daring and visceral—productions that manifest the emotional grandeur and theatrical power of opera with minimal means. Heartbeat's one-act festival presentation of György Kurtág's Kafka-Fragments, directed by Heard, and the New York premiere of Jacques Offenbach's Daphnis & Chloé, in a new English translation directed by Proske, marks this young company's debut. Heartbeat Opera's resident music ensemble Cantata Profana, described by The New York Times as “a stylish early music ensemble,” will provide musical accompaniment.
Heartbeat Opera is a new company intent upon re-imagining opera in intimate spaces for a new generation. Employing a minimalism that allows the emotional integrity of the music to shine through, the company's work focuses on the body of the singer and the visceral power of the music.
Heartbeat Opera is a new company intent upon re-imagining opera in intimate spaces for a new generation. Employing a minimalism that allows the emotional integrity of the music to shine through, the company's work focuses on the body of the singer and the visceral power of the music. Co-Artistic Directors Louisa Proske andEthan Heard, who trained together in the Directing program at the Yale School of Drama, are committed to nurturing the actor in every singer they work with. The company creates productions of classics and new pieces that are daring and visceral—productions that manifest the emotional grandeur and theatrical power of opera with minimal means. Heartbeat's one-act festival presentation of György Kurtág's Kafka-Fragments, directed by Heard, and the New York premiere of Jacques Offenbach's Daphnis & Chloé, in a new English translation directed by Proske, marks this young company's debut. Heartbeat Opera's resident music ensemble Cantata Profana, described by The New York Times as “a stylish early music ensemble,” will provide musical accompaniment.
Soprano Michelle Bradley and pianist Michael Gaertner, winners of the 2014 Music Academy of the West Marilyn Horne Song Competition, will perform a program of lieder, spirituals, and other works by Beethoven, Strauss, Duparc, Faure, Poulenc, Bachelet, and H.T. Burleigh in recital appearances this May in Santa Barbara, Dallas, and New York City.
JCC Manhattan presents PREformances with Allison Charney on Monday, December 15th at 7:30pm.
Opera San José continues its 31st season with the WORLD PREMIERE of Where Angels Fear to Tread by American composer Mark Lanz Weiser, libretto by Roger Brunyate. This bold new opera, based on the novel by E. M. Forster, unveils a collision of cultures that leads to a misunderstanding of horrific consequences, set in motion when a rich English widow marries a middle-class but handsome young Italian against the wishes of her family. Where Angels Fear to Tread will be sung in English with English supertitles. Six performances are scheduled February 7 through 22 at the California Theatre, 345 South First Street in downtown San José. Tickets are on sale at the Opera San José Box Office, online at operasj.org or by phone at (408) 437-4450. Performances are supported, in part, by a grant from the San José Office of Cultural Affairs.
The coming year brings two major milestones for peerless American baritone Sherrill Milnes, who celebrates his 80th birthday on January 10 and the 50th anniversary of his Metropolitan Opera debut on December 22, 2015.
Following a sold-out summer European tour, Erica Papillion-Posey, mezzo-soprano and Clayton G. Williams, baritone will perform their blockbuster concert series, Souls of the Soil, for the people of Lake Charles, Louisiana.
Opera San José (OSJ) continues its season with Gioachino Rossini's The Italian Girl in Algiers. This sparkling and fast-paced opera weaves a madcap story full of twists and turns into a comic adventure to a land of magnificent palaces, swashbuckling pirates and lavish harems. The Italian Girl in Algiers will be sung in Italian with English supertitles. Six performances are scheduled from November 15 through 30 at the California Theatre, 345 South First Street in downtown San José.
Mezzo-soprano, Erica Papillion-Posey described as “…a living tribute and testimony to the memory of the great Ms. Marian Anderson, the legendary opera superstar and African-American trailblazer [Denver Weekly News] will return to roots performing jazz in her native Louisiana this December.
One of the most riveting operatic artists of our time, soprano Sondra Radvanovsky will return to the Dorothy Chandler Pavilion for her first recital appearance with LA Opera, at 7:30pm tonight, November 8, 2014.
JCC Manhattan presents PREformances with Allison Charney on Monday, November 17th at 12:30pm.
? The Yale School of Music continues its acclaimed Yale in New York series when singers of Yale Opera bring manuscripts to life in a concert on Sunday, December 7 at 7:30 p.m. in Weill Recital Hall at Carnegie Hall.
Joy In Singing presents the debut recital of soprano Tami Petty, winner of its 2014 Artist Award, tonight, October 29th at 8 at Merkin Concert Hall.
Joy In Singing proudly presents the debut recital of soprano Tami Petty, winner of its 2014 Artist Award, on Wednesday, October 29th at 8 at Merkin Concert Hall.
JCC Manhattan launches the sixth season of PREformances with Allison Charney on Monday, October 20th at 12:30pm.
Opera Saratoga announces its 2015 Summer Festival season, which will run from July 2 - July 26, 2015 at multiple venues throughout Saratoga Springs, New York.
Wesley College will present a fully staged production of Puccini's Suor Angelica at Epworth United Methodist Church (19285 Holland Glade Road in Rehoboth) on Friday, October 24, at 7:00 p.m. and Sunday, October 26, at 4:00 p.m. Tickets are $20 for adults; $10 for students. For ticket reservations, please contact Dr. James Wilson (302) 736-2466; james.wilson@wesley.edu.
San Francisco Opera previously announced a cast change for the Company's revival of Giuseppe Verdi's Un Ballo in Maschera (A Masked Ball), presented today, October 4 -22, 2014 at the War Memorial Opera House.
Opera San José (OSJ) continues its season with Gioachino Rossini's The Italian Girl in Algiers. This sparkling and fast-paced opera weaves a madcap story full of twists and turns into a comic adventure to a land of magnificent palaces, swashbuckling pirates and lavish harems. The Italian Girl in Algiers will be sung in Italian with English supertitles. Six performances are scheduled from November 15 through 30 at the California Theatre, 345 South First Street in downtown San José.
San Francisco Opera's 2014-15 Season opens tonight, September 5, 2014 with a dramatic new production of Vincenzo Bellini's bel canto masterpiece Norma, starring American soprano Sondra Radvanovsky in one of opera's most dazzling and demanding roles. American mezzo-soprano Daveda Karanas is the young priestess Adalgisa; Italian tenor Marco Berti is Pollione; and American bass-baritone Christian Van Horn is Oroveso. Music Director Nicola Luisotti conducts the San Francisco Opera Orchestra and Chorus and Director Kevin Newbury and set designer David Korins return to San Francisco Opera to premiere this vivid, large-scale new co-production with Toronto's Canadian Opera Company, Barcelona's Gran Teatre del Liceu and Lyric Opera of Chicago. Norma runs for seven performances through September 30.
Following a sold-out summer European tour, Erica Papillion-Posey, mezzo-soprano, and Clayton G. Williams, baritone, will perform their blockbuster concert series, Souls of the Soil, for Denver audiences.
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