The Unseen - Articles Page 13

Reyes | Finn have announced a debut solo exhibition by artist Nick Doyle accompanied by a two-person exhibition by Mike Cloud and John Riepenhoff, on view from January 10-February 22, 2020. Examining various modes of production-from the mass production of quotidian objects emblematic of the American Dream, to the production of art-both exhibitions bring to the fore standards of worth, exposing unseen systems of social mobility and support.

Groundbreaking gay play My Night With Reg is set to captivate theatre audiences with a vibrant new revival which embarks on a UK tour this month.

The Phoenix Theatre Ensemble presents a staged reading of Peter Danish's stunning new play 'LAST CALL (at the Hotel Sacher Wien)' directed by Elise Stone. The play tells the story of the final encounter between Leonard Bernstein and Herbert Von Karajan.

Celebrating the work of Klaus Kinski, Linda Blair and Rutger Hauer!... Cult horror classics, obscure thrillers, vintage erotica, absurd 80s action, outrageous Kung Fu and more! The next wave of Frolic Pictures' new limited edition grindhouse series double feature DVDs are now available online, wherever DVDs are sold (Amazon, Barnes & Noble, Walmart, etc.) Hand-selected by Hollywood exploitation filmmaker Jared Masters. A sordid combination of old school horror, vintage black comedies and juicy exploitation fare. Each DVD is a one-of-a-kind experience, like going to a drive-in back in the day, except in the comfort of your own home. 



Beginning December 27, Music Director Yannick Nézet-Séguin leads a brilliant new staging of Berg's masterpiece by William Kentridge, starring Peter Mattei and Elza van den Heever. On stage through January 22. 

Beginning December 27, Music Director Yannick Nézet-Séguin leads a brilliant new staging of Berg's masterpiece by William Kentridge, starring Peter Mattei and Elza van den Heever. On stage through January 22. 

What happens when 1880 Western bandits are brought back to life in Azusa, CA by a space alien? Sam Shepard's The Unseen Hand joins Odyssey Theatre Ensemble's 50th Anniversary a?oeCirca '69a?? Season of significant and adventurous plays that premiered around the time of the company's inception, coupled with Shepard's gritty and audacious Killer's Head. Longtime Shepard collaborator Darrell Larson directs both plays for a Jan. 18 opening at the Odyssey Theatre in West L.A., where performances will continue through March 8.

Time stands still but life goes on might be one way of looking at Will Eno's charming and sweetly philosophical The Underlying Chris, receiving a fine premiere production directed by Kenny Leon at Second Stage.

The Nutcracker is beloved for many reasons; the endless eye candy, the dynamic score, and the marriage of artistry and excellence. The element of tradition keeps us coming back for more. We yearn to feel connection, and to remember what it's like to wonder about magical things. Houston Ballet's multi-faceted Nutcracker is a delicious carnival of mystery and joy. Creative director Stanton Welch has built a production that serves the audience and leaves us completely fulfilled. Nothing sends you back to your childhood more quickly, with all things seemingly possible and your imagination offering an endless sweet escape.

SHE LOVES ME is a rare gem in the 21st century. 

Sundance Institute today named the global cohort of independent nonfiction film projects that comprise its latest Documentary Fund Grantees, including specialized grants administered by The Kendeda Fund and the Stories of Change Fund.

UCSB Theater and Dance presents their annual Fall Dance Concert a?oeOut of Manya??.  The concert opens on December 5th and runs through December 7th in the UCSB Hatlen Theater. 

BBC AMERICA today announced Anna Chancellor, James Fleet, Ingrid Oliver, Ruth Madeley, Hakeem Kae-Kazim, and Bianca Simone Mannie have joined the cast of the network's disruptive original series, The Watch, premiering in 2020. Co-produced by BBC Studios and Narrativia, The Watch is inspired by Sir Terry Pratchett's bestselling “Discworld” novels.

Set in a murky crime-infused cityscape of Prohibition-era America, Private Lies is a fully improvised long-from theatre experience framed as a serialized detective series. The original production pits Richard Lies, an unlucky Private Eye, against a nefarious underworld in film noir-inspired episodes. In each fully improvised performance, our haunted gumshoe seeks to piece together a random assemblage of clues to solve the a?oecrime of the daya?? while witnesses, suspects, and criminals help and hinder his pursuit of justice.

LET'S RUN AWAY is a deeply personal look into the life of a man through what his late birth mother wrote about him in her memoir; the premise is simple enough, but it's the layers and puzzles scattered throughout the interactions between mother and son that make the story so intriguing.

It's probably just a coincidence, but two fine plays currently running at two award-winning regional theaters share an unusual commonality. Both focus on the issue of white privilege and the prevailing attitude that acknowledging its existence will end it. In THE THANKSGIVING PLAY at Lyric Stage Company of Boston, the idea is to honor Native Americans in an elementary school play without benefit of any of them participating. In ADMISSIONS, receiving its Boston premiere at SpeakEasy Stage Company, a couple of white liberal educators work hard to expand racial diversity at their small New England prep school, but their progressive values are tested when their exceptional son's Ivy League dreams are derailed. Remarkably, there are no indigenous people or people of color on stage in either production, an intentional, pointed omission by the playwrights.

Author Annee Lawrence has announced the release of her new literary novel, The Colour Of Things Unseen. Released by Aurora Metro Books in September 2019, the book is already receiving rave reviews from readers and reviewers.

Set in one of the last American cinemas with a 35mm projection system, THE FLICK examines the lives of three employees who are struggling with romantic relationships, finances, family, and themselves. It's a bleak look at life that suggests some interesting perspectives, although a lengthy runtime makes for a long, sometimes uncomfortable watch.

SMALL MOUTH SOUNDS is Art with a capital A and is probably suited best for an theatre-goers who are open to a more experimental theatre experience.

Regis College Fine Arts Center presents Of Length and Measures: Prison and the American Landscape, Photographs by Stephen Tourlentes, Monday, October 28 through Friday, December 13 at the Regis College Fine Arts Center Carney Gallery, 235 Wellesley Street, Weston, MA 02493. An opening reception will be held on Tuesday, November 12, 6:30-8:30pm. All events are free and open to the public.

There's much to like about this production of THE BODYGUARD, story aside. It's predictable, superficial and just barely passes the Bechdel-Wallace test. The script is measurably better than the story and the performance is even better than the script. Ross Scott Rawlings' accompanying mini-orchestra is flat-out terrific, and there are some extremely interesting tech things happening. Overall, a strong thumbs-up.

Underground cult horror comedy live show and podcast The Unseen Hour makes its highly anticipated return for a Halloween special for London Horror Festival the Pleasance Theatre. A surreal radio drama live on stage with three actors playing ten roles and creating live foley sound effects, plus guest performances and live music in a brand new tale of the uncanny, the macabre and the absurd.

All politics is personal, as the saying goes. Seldom is this point made with greater dramatic clarity than in Miss You Like Hell. The ending is powerful, but because of the politics. Miss You Like Hell illustrates, in a very personal and detailed way, how deportation policies damage and destroy lives and families, even away from the border. An enjoyable and uplifting evening of theater.

As part of its 40th Anniversary Filmfest, Aspen Film is excited to host three panel discussions with local and film industry guests as part of the festival taking place September 23-29, 2019.