The Marriage of Figaro - Articles Page 12

Houston Grand Opera has announced the three new singers and nine returning artists who will train with the HGO Studio for 2021–22. The HGO Studio provides comprehensive career development to young singers and pianist/coaches who have demonstrated potential to make major contributions to the artform. 

The Royal Opera House will continue its #OurHouseToYourHouse programme, featuring online broadcasts that can be accessed by audiences around the world for just £3.  

Opera Orlando welcomes an incredible cast representative of the rich culture of Haiti in the 1960s, as Georges Bizet's fiery masterwork Carmen takes the stage at Dr. Phillips Center on April 1 and 3.

Utah Opera Artistic Director Christopher McBeth today announced Utah Opera’s 2021-22 season, sponsored by the George S. and Dolores Doré Eccles Foundation. In its upcoming season, Utah Opera presents four full-scale opera productions with live performances at the Janet Quinney Lawson Capitol Theatre.

LA Opera board chairman Marc Stern and his wife Eva have established an annual $50,000 award to celebrate and support extraordinarily gifted artists in opera: the Eva and Marc Stern Artist Award. The new award will recognize artists with deep connections to LA Opera and will serve as an expression of gratitude for past and future artistic contributions to the company.

They say necessity is the mother of invention. This is especially true for artisans during the pandemic. One of the oldest art forms, opera, like so many other art forms has shifted and evolved as a result of the current climate. Atlanta Opera is no exception. When you go to their webpage, you’ll find a new widget at the top labeled STREAM. Once you click on that, you’ll see a drop-down: WHAT’S ON. Click on that, and you’ll find Orfano Mundo, a visual and auditory treat. For only $15 a month or $99 a year, patrons will have all access to ATL Opera’s streaming service. 

The Orlando Philharmonic Orchestra will present Grammy award-winning American composer Eric Whitacre’s symphonic work Deep Field on Saturday, March 20 at 7:30 p.m. This concert, part of the FAIRWINDS Classics Series, will take place at Calvary Orlando in Winter Park– the location of previous FAIRWINDS Classics Series concerts this Season.

Lyric Opera of Chicago has announced additional programs to add to the variety of offerings in its reimagined 2020/21 Season. These include a concert honoring Sir Andrew Davis; a new approach to the annual Rising Stars in Concert by The Patrick G. and Shirley W. Ryan Opera Center Ensemble and more.

On Sunday afternoon March 7, 2021, The Boulder Opera Company of Colorado presented Mozart’s The Marriage of Figaro to audiences in the theater and online. Stage Director Michael Travis Risner set the time in the present. He provided the necessities required by the story and allowed the cast to provide considerable amusement. 

Originally written by Maury Yeston, 'Home' is from Yeston & Kopit's Phantom: The American Musical Sensation. Mendoza and Lyon recorded from Los Angeles and Melbourne, respectively, and the song was produced by James Thompson of The Writing Room (Kaleena Zanders, Disney World, Showtime) and mastered by Latin Grammy winner Dale Becker of Becker Mastering (Chloe X Halle, Khalid, Adam Lambert).

The Royal Opera House is delighted to continue its #OurHouseToYourHouse programme, featuring online broadcasts that can be accessed by audiences around the world for just £3. 

Inspired by the success from their safe drive-in performances of La bohème in the Fall, which heralded the return of live, in-person, opera to San Diego County since the start of the pandemic, and provided over 300 jobs to many, San Diego Opera has announced a Spring season of safe, socially-distanced, drive-in performances.

In April, 2019, Pacific Opera Project performed Puccini’s Madama Butterfly 蝶々夫人 in Japanese and English at the Aratani Theatre, part of the Japanese-American Cultural Center of Los Angeles’s “Little Tokyo. With a new libretto by Josh Shaw and Eiki Isomura. See the film in which ll Japanese roles were sung in Japanese, English roles in English.

Conceived by Opera Fuoco Artistic Director David Stern and presented in partnership with Marquee TV, Figaro in the City is a modern-day retelling of Mozart's The Marriage of Figaro. Conductor David Stern collaborated with videographer and stage-director Alexandre Camerlo to forge the artistic direction of this contemporary adaptation of the 18th-century classic.

The Santa Fe Opera will present Songs for the Future, a special online program to benefit its singing and technical Apprentice Programs, on March 11 at 6:00 pm MT.

With tickets to Das Rheingold near sell out at the Regent Theatre, and to Bendigo's Ulumbarra Theatre on 21 February, Melbourne Opera invites you to join them for Australia's first ever LIVE stream of an opera via the Melbourne Digital Concert Hall on Sunday 7 February at 4pm.

Ahead of its milestone 60th summer season this year, Grand Teton Music Festival (GTMF) introduces season four of Live from the Grand Teton Music Festival, GTMF's national radio broadcast series co-hosted by Music Director Donald Runnicles and Jeff Counts, General Manager of the Festival.

This year has been a challenging one to say the least; particularly in the arts. Hawaiʻi Opera Theatre, like other performing arts organi-ations, has been facing a changing landscape, not only due to the pandemic (which forced HOT to postpone the 20-21 season) but also in the way people consume entertainment.

Boston Baroque has introduced its Resource Library, a digital archive of  performance sources, including program notes written by Boston Baroque Founder and Music Director Martin Pearlman, orchestration charts, and more, for free on its website. With  more than 30 composers and 235 musical works, the digital resource is a significant  contribution to the early music field. 

Ian Derrer, The Dallas Opera’s Kern Wildenthal General Director and CEO, announced today that extreme and ongoing COVID 19 concerns are forcing the company to cancel its March and April 2021 subscription performances, with full-scale operas in the Winspear Opera House resuming in February and March of 2022 in a brand-new 2021/2022 Season.

Talking to Khori Dastoor, General Director of Opera San José brings to mind that old quote from Elizabeth Taylor when she was faced with unimaginable adversity, “Now is the time for guts and guile.” Just one year into her tenure as GD, Dastoor is faced with an almost impossible situation due to the Covid pandemic. Out of all the arts, opera, the artform which she has made her life’s work, arguably has the biggest challenges. After all, the act of singing operatically produces enormous amounts of aerosols, the core audience is older and thus especially at risk for Covid, and the population at large may not consider opera to be essential to their lives. Since creating new works is practically impossible, many GD’s are offering a sort of greatest hits of former glories, video snippets from past years that were already in the can. Or maybe something like a “reading” of an old holiday chestnut like Der Rosenkavalier, presented Brady-Bunch style on Zoom. So what does Dastoor do instead? She goes bravely programs a brand-new, beautifully-produced production of Jake Heggie’s Three Decembers, starring no less than world-renowned opera star Susan Graham, alongside two of Opera San José’s super-talented Resident Artists, soprano Maya Kherani and baritone Efraín Solis. This immensely moving chamber work is based on an unpublished play by Terrance  McNally, adapted by librettist Gene Scheer, and tells the story of a family struggling to connect during the early years of the AIDS pandemic. The work premiered in 2008, yet somehow feels more relevant than ever, given the parallels with what we’re all going through today, as evidenced by McNally’s death from Covid earlier this year. The opera is currently available for streaming through the end of December. For more information or to purchase tickets, visit operasj.org. BroadwayWorld spoke with Dastoor shortly after the filming of Three Decembers had been completed. Dastoor was remarkably open and forthcoming about the challenges of the opera world right now, even as her passion for growing the artform burns stronger than ever. We talked about how she managed to produce Three Decembers during Covid, her successful earlier career as a lyric soprano, and the imperative to keep the arts alive during these difficult times. Her responses to my questions were invariably thoughtful, often surprising and not without humor. And, as a rare woman of color leading an opera company, her understanding of the need to open up her artform runs deep. Above all, though, she is just plain fun to talk to - effortlessly engaging, whip-smart, emotionally transparent, and without an ounce of pretension.

The Charlotte Symphony has announced details for a revised winter season featuring four new virtual concerts, streamed directly from the Knight and Belk Theaters. Highlights include an all-English program and Beethoven’s first and seventh symphonies, conducted by Music Director Christopher Warren-Green, plus much more.

While performing arts organizations around the world are dusting off existing productions of the usual chestnuts during the month of December, Opera San José is taking a more audacious approach with its holiday programming. They are presenting a new, fully-staged production of Jake Heggie’s immensely moving chamber opera, Three Decembers, featuring world-renowned mezzo-soprano Susan Graham in the central role, alongside celebrated Opera San José Resident Artists soprano Maya Kherani and baritone Efraín Solís. Based on the unpublished play Some Christmas Letters by Tony-winning playwright Terrance McNally, Three Decembers follows the story of a famous actress, Madeline Mitchell, and her two adult children, Beatrice and Charlie over three decades (1986, 1996, and 2006). With a witty and touching libretto by Gene Scheer and a soaring musical score by Jake Heggie, Three Decembers is a 90-minute fullhearted American opera about family – the ones we are born into and those we create. The world-class digital production is offered via on-demand streaming through December 31, 2020. For more information or to purchase tickets, visit operasj.org or call (408) 437-4450. BroadwayWorld speaks with charismatic baritone Efraín Solís, who plays son Charlie.

The Dallas Opera's 2020/2021 season, postponed earlier this year because of COVID 19, will commence on March 5, 2021.

Pacific Opera joins forces with Willoughby Symphony Orchestra for its first “Pocket Opera” staging of Mozart's comic opera The Marriage of Figaro at The Concourse in Chatswood on Saturday 27 March 2021.