Giant 2024 - Articles Page 1.8
Opened: September 20, 2024Closing: November 16, 2024
Giant - West End History , Info & More
Royal Court
Sloane Square London
*“I wanted to put you bang in the picture. Appraise you of the difficulties. Because, in case you hadn’t noticed, he’s a human fucking boobytrap. And now, guess what, surprise surprise, boom!”*
A world-famous children’s author under threat. A battle of wills in the wake of scandal. And one chance to make amends…
It’s the summer of 1983, The Witches is about to hit the shelves and Roald Dahl is making last-minute edits. But the outcry at his recent, explicitly antisemitic article won’t die down.
Across a single afternoon at his family home, and rocked by an unexpectedly explosive confrontation, Dahl is forced to choose: make a public apology or risk his name and reputation.
Inspired by real events, __Mark Rosenblatt__’s debut play explores with dark humour the difference between considered opinion and dangerous rhetoric.
Directed by __Nicholas Hytner__ (*Straight Line Crazy, La Belle Sauvage*) and starring Tony and Golden Globe-winner __John Lithgow__ (*Killers of the Flower Moon, The Crown*), alongside Olivier Award-winner __Elliot Levey__ (*Cold War, Cabaret, Good*), *Giant* offers a complicated portrait of a fiendishly charismatic icon.
Post Show Talk - Tuesday 1st October 7.30pm
__Access Performances__
Captioned performances - Saturday 2nd November 1.30pm & Wednesday 6th November 7.30pm
Relaxed environment - Saturday 2nd November 1.30pm
Audio Described performance - Saturday 9th November 1.30pm
BSL Interpreted performance - Saturday 9th November 6.30pm
Giant - - West End Cast
FEATURED REVIEWS FOR Giant
Giant – exploration of Roald Dahl and antisemitism that speaks to our times
7 / 10
As debut plays go, Giant has some very experienced hands behind it. Directed by Nicholas Hytner, who runs the Bridge Theatre, and written by Mark Rosenblatt, a director for more than two decades, it sounds like cheating to call it a debut although it is indeed Rosenblatt’s first foray into writing for the stage. You would not know it from a slowly brilliant first act, stupendously performed by its cast, which mixes fact with fiction in its dramatisation of a scandalous moment in the life of the children’s writer Roald Dahl.
Review: GIANT, Royal Court
5 / 10
A flawed play then, but one that at least tries to address thorny key issues of the day in politics and art. Will it, as the best theatre should, change minds or, if that is too much to ask, at least challenge mindsets? That question is subjective and in the eye of the beholder, but I doubt anyone seeing the play will turn on the radio the next morning to hear of more carnage in Gaza or Southern Lebanon and form a new view on its origins or its potential outcomes. Nor do I believe anyone will see Matilda, Charlie or James any differently, nor even the infamous Witches either. Maybe a parent or two might offset the thirst many kids develop for Dahl with some of Charles M ‘Sparky’ Schulz’s Peanuts cartoons. And that would be a good thing.
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Giant History
Other Productions of Giant
| 2012 | Off-Broadway |
Public Theater Production Off-Broadway |
| West End |
West End |
Videos