Summerhall Announces Edinburgh Fringe Programme For 2016

Summerhall, Edinburgh's most daring and respected year-round multi-arts venue, is proud to announce its 2016 Festival Programme.

Now into its sixth year, and with a reputation for presenting diverse work from a host of the world's most innovative theatremakers, musicians and visual artists, the venue has become the go-to destination of the Edinburgh Festival for audiences who expect to find their senses and preconceptions challenged. Once again, we feel we've risen to that reputation with a programme which is striking in its breadth of creative responses to the world.

Across nearly 120 separate shows, concerts, talks and special events, the range of subjects covered includes the housing crisis, the problem with contemporary masculinity, the effect of long-term incarceration, Britain's nuclear deterrent, a child's reaction to the horror of the Beslan siege, a first-hand account of the Ukrainian revolution and the end of the human race. Amongst the companies and organisations who have trusted us with their productions in 2016 are Aurora Nova, Big in Belgium, Northern Stage, Paines Plough, Ontroerend Goed, Sh!t Theatre, Inspector Sands, Junk Ensemble & Brokentalkers and Blind Summit & Hijinx among many others.

Alongside our strong international selection of theatre and dance, music plays an increasingly large role this year, both as an integral part of much of the stage work and in our Nothing Ever Happens Here programme of exciting live concerts. A popular year-round fixture at Summerhall, the breadth and quality of NEHH means that Summerhall is one of the essential venues for contemporary music of all genres during the Edinburgh Festival.

Our theatre programme includes the return of Tim Crouch's 2014 play Adler & Gibb, first seen at the Royal Court, a convention-breaking piece about the titular 20th century New York contemporary artists, and a very personal view on the UK's nuclear deterrent Trident from Fringe First winner Jenna Watt. Raised near the base at Faslane, Watt explores its personal and political space in Scottish life, drawing on her knowledge of people who work on the base and who protest against its existence at the gates.

Sh!t Theatre offer 'songs, politics, dodgy landlords, detective work and opening other people's mail' in Letters to Windsor House; Scots theatremaker Kieran Hurley and musician Michael John McCarthy present Heads Up, a glimpse of a familiar world on the day of its destruction; Inspector Sands' The Lounge takes apart the ageing process and our response to it; acclaimed comedian Robert Newman returns with The Brain Show, a typically cerebral piece which examines what the brain does when it's in love; and Arthur Meek and Show Pony's piece On the Conditions and Possibilities of Hillary Clinton Taking Me As Her Young Lover attempt to deliver on that title's promise.

Hosted by 2014 Ideas Tap Underbelly winner Rachael Clerke as Archibald Tactful, Cuncrete is a noisy gig-based treatise on masculinity and the built environment backed by a drag king punk band, while Nick Cassenbaum's Bubble Schmeisis sees the creator explore his Jewish identity. In 4D Cinema, Mamuro Iriguchi wears a screen on his face, turning himself into a mobile cinema, while Sam Rowe's Denton and Me fuses Rowe's own life with the story of queer literary icon Denton Welch, a favourite of and influence upon Alan Bennett, William S Burroughs and John Waters.

Described by its artistic director Lorne Campbell as 'diverse, political, contemporary and hugely ambitious,' Northern Stage returns with a typically uncompromising selection of work from across the north of England, this year housed in our TechCube0 venue. Amongst the highlights are Lung's E15, a documentary piece about the 29 single mothers of London's Focus E15 Group, who fought against being forced from their homes by spiralling rents; Unfolding Theatre's part-gig, part-theatre work about people's relationship with music Putting the Band Back Together, featuring Ross Millard of Sunderland indie-rockers the Futureheads; and all-female double Fringe First winners RashDash's song-and-dance meditation on patriarchy and masculinity Two Man Show.

Once more, Paines Plough will be back in their Roundabout venue, with shows including playwright Alan Harris' offbeat romantic comedy Love, Lies & Taxidermy, Prime Cut's piece about a gender-curious teen Scorch, which won Best New Play at the 2015 Irish Theatre Awards, and Dave Malloy's song cycle about love, death and whisky Ghost Quartet. Earlier/Later is another highlight, a series of late night and early morning readings, talks, debates and exclusive performances.

The Aurora Nova programme includes Blank, acclaimed Iranian playwright Nassim Soleimanpour's experimental piece of live writing, in which the blanks left in the script are filled by a new performer for each show and members of the audience. In Counting Sheep, Toronto-based Balkan gypsy-punks'15-piece Lemon Bucket Orchestra document their experiences during the 2014 Ukrainian uprising in immersive style, while Under Ice is a new version of German playwright Falk Richter's meditation on corporate life by the Lithuanian director Arturas Areima.

This year's Big in Belgium showcase, backed by Theatre Royal Plymouth, Richard Jordan Productions and Summerhall, includes the multiple award-winning Ontroerend Goed's World Without Us, a solo show performed by Valentijn Dhaenens and Karolien De Bleser, each performing the solo show for half of their festival run, about the end of the world and what comes after. Dood Paard's Macbain brings the stories of Macbeth and Lady Macbeth together with the grunge legend of Kurt Cobain and Courtney Love in an unforgettable piece of theatre, Yinka Kuitenbrouwer's One Hundred Homes is a performance staged in a wooden cabin on the theme of 'home', which is informed by ongoing conversations with the people of Edinburgh, and BRONKS' Us/Them, which, with reference to the Beslan school siege, investigates how children respond to extreme situations.

Musically, virtuoso guitarist Simon Thacker returns alongside Polish cellist Justyna Jablonska for the Balkan-influenced musical journey Karmana, Songs of the Roma, composer Graeme Stephen performs his new live soundtrack to Fritz Lang's sci-fi classic Metropolis, and Vic Llewellyn and lo-fi musician Kid Carpet tell the story of an inmate in a Norwegian psychiatric institute who built a castle on a remote headland over five years in The Castle Builder.

This year Nothing Ever Happens Here is excited to present another typically esoteric Fringe programme of cutting-edge music. Amongst the more widely-recognised names appearing are the Mercury Prize-nominated London vocalist and songwriter Eska, acclaimed Newcastle alternative folk troubadour Richard Dawson, essential post-dubstep duo Mount Kimbie, and the enigmatic, experimental American singer-songwriter Willis Earl Beal.

Scotland's diverse and exciting scene is also well-represented. Acclaimed Caledonian artists appearing include the thrillingly arch synth-pop group White, willowy Aberdeen singer and 2015 Scottish Album of the Year Award winner Kathryn Joseph and celebrated Falkirk composer, musician and sometime Teenage Fanclub collaborator Bill Wells with his National Jazz Trio of Scotland, a pristine indie-pop group despite the name. Our atmospheric Dissection Room venue will also host club nights throughout August, including the kosmische futurism of Cosmic Disco Nights and our regular cross-genre indie blow-out Grownups.

To celebrate the 50th year of the Demarco Gallery and the 25th year of the Summerhall-based Demarco European Art Foundation, we're proud to present an extensive exhibition featuring hundreds of photographs, multiples, facsimiles, films and research materials pertaining to the work of the highly influential 20th century German artist Joseph Beuys, whose links with Scotland were extensive. It will run alongside similar summer exhibitions on Beuys at the Tate in London and the Scottish National Gallery of Modern Art in Edinburgh. Our full exhibition schedule will be announced at a later date, and will also feature a retrospective on the work of London's seminal Artist Placement Group of the 1960s.

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