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Richard II show poster

Richard II at Magic Theatre

Dates: (8/23/2024 - 9/8/2024 )

Theatre:

Magic Theatre


2 Marina Boulevard
San Francisco,CA 94123

Running Time: 1hr 30min. No intermission.

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*Richard II* is Shakespeare’s examination of the destructive powers of privilege. In the second half of the Naomi Iizuka Repertory - the company from the world premiere of Garuda's Wing will perform a new, lean production of Iizuka’s Play On version of *Richard II* shaped to this company. Play On Shakespeare has created an entire library of new versions of the entire Shakespeare canon with some of the greatest living writers! But these are “pure” they are translated line for line-embodying the original story and context- no adaptation- created for now. The Magic Theatre are matching these translations with a new version enlivening it entirely with a POC cast- filled with the folx typically outside of Shakespeare text and productions. Since the company’s founding in 1967 by visionary John Lion, the Magic Theatre has identified and cultivated writers on the cutting edge of American theatre, serving as a vital center for the creation and performance of new American plays. Sam Shepard developed and premiered his Pulitzer Prize-winning Buried Child, True West, and Fool for Love during his decade-long Magic residency (1974-84), forever altering the shape of American drama. Located in the historic Fort Mason Center for Arts & Culture.



Magic Theatre Frequently Asked Questions FAQ

Magic Theatre is at 2 Marina Boulevard , San Francisco, CA.

Now celebrating its 55th year of continuous operation, Magic is dedicated to creative risk: we cultivate bold new plays and playwrights to produce explosive, entertaining, and ideologically robust stories that ask substantive questions about our place in humanity. Magic provides a nurturing yet rigorous artistic home where innovative writers can create a body of work. We believe that developing an evolved artistic vocabulary with the playwright at our side, over a long period of time, greatly improves a playwright’s chances to thrive. We believe that, by adding vanguard voices to the canon and expanding access to new theatre-goers, we ensure the future vibrancy of the American theatre.

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