Photo Flash: First Look at Berkeley Rep's THE WHITE SNAKE, Directed by Mary Zimmerman

This holiday season, Berkeley Repertory Theatre welcomes back a beloved artist for an alluring and hypnotic world-premiere production. Mary Zimmerman is mesmerizing. From Metamorphoses to The Arabian Nights, audiences have embraced her enchanting adaptations of epic tales. Now the Tony Award-winning director casts a spell with The White Snake, a classic romance from Chinese legend. As she falls for a charming young man, a snake spirit discovers what it means to be human. But a monk objects, and the bride must unveil her magical powers to save their love. Get a first look at the production in the photos below!

With The White Snake, Zimmerman unwraps another exquisite gift for Bay Area theatregoers. A co-production with Oregon Shakespeare Festival, this new show started previews in the Roda Theatre on November 9, opens November 14, and runs through December 23.

Mary Zimmerman received the 2002 Tony Award for Best Director and a 1998 MacArthur Fellowship. This is her seventh show for Berkeley Rep, following acclaimed productions of The Arabian Nights, Argonautika, Journey to the West, Metamorphoses, The Notebooks of Leonardo da Vinci, and The Secret in the Wings. These plays – and others that she’s adapted and directed such as Eleven Rooms of Proust, The Odyssey, Silk, and S/M – have enjoyed celebrated runs at Brooklyn Academy Of Music, Goodman Theatre, the Huntington Theatre Company, Lookingglass Theatre Company, the Mark Taper Forum, McCarter Theatre Center, Seattle Repertory Theatre, and Second Stage Theatre. She also directed All’s Well That Ends Well and Pericles for the Goodman, Henry VIII and Measure for Measure for the New York Shakespeare Festival, and A Midsummer Night’s Dream for the Huntington. In 2002, Zimmerman created a new opera with Philip Glass called Galileo Galilei, which was presented at BAM, the Goodman, and the Barbican in London. In recent years, she has staged Armida, Lucia di Lammermoor, and La Sonnambula for the Metropolitan Opera in New York. Based in Chicago, Zimmerman has won 10 Joseph Jefferson Awards – the city’s top theatrical honors – including prizes for best production and best direction. She is a member of Lookingglass, an artistic associate of the Goodman, and a professor of performance studies at Northwestern University.

Adapted and directed by Mary Zimmerman, The White Snake features a creative team renowned for helping her create magic on stage. Daniel Ostling (scenic design) designEd Berkeley Rep’s productions of The Arabian Nights, Argonautika, Black n Blue Boys / Broken Men, Closer, Metamorphoses, and The Secret in the Wings. His many recent credits include the Broadway run of Clybourne Park. Mara Blumenfeld (costume design) created costumes for after the quake, Metamorphoses, and The Secret in the Wings at Berkeley Rep. She has worked at numerous regional theatres and at Lincoln Center, the Met, and Second Stage in New York. T.J. Gerckens (lighting design) has received Drama Critics Circle, Drama Desk, Jefferson, and Ovation Awards. At Berkeley Rep, he designed The Arabian Nights, Journey to the West, Metamorphoses, The Notebooks of Leonardo da Vinci, and The Secret in the Wings. Andre Pluess (original music and sound design) worked on eight previous shows at Berkeley Rep, most recently Ghost Light. His honors include a Barrymore Award, a Drama Critics Circle Award, multiple Jeff Awards and Citations, and an Ovation Award. Shawn Sagady (projection design) has designed for Broadway (Leap of Faith and Memphis), off Broadway (By the Way, Meet Vera Stark and Father Comes Home from the War), and many regional theatres. His work on Berkeley Rep’s Emotional Creature is now being seen in New York.

This world-premiere production features a cast of 11 talented actors:

Amy Kim Waschke (White Snake) has performed with Theatre C, Manhattan Theatre Source, and Vampire Cowboys in New York as well as on regional stages in Arizona, Massachusetts, Oregon, Vermont, Virginia, Washington, and Washington, DC.

Christopher Livingston (Xu Xian / ensemble) has been seen at Intiman Theatre, the Moore Theatre, OSF, Virginia Stage Company, and the Youth Ink! Theater Festival at McCarter, as well as with Rutgers Conservatory at Shakespeare’s Globe in London.

Tanya Thai McBride (Green Snake) has performed for Adventure Stage Chicago, Caffeine Theatre, Collaboraction, the Goodman, the Neo-Futurists, OSF, Porchlight Music Theatre, Polarity Ensemble Theatre, Redmoon, Silk Road Rising, and the Steppenwolf Garage.

Jack Willis (Fa Hai / ensemble) has appeared in more than 200 shows throughout the world, including Broadway productions of Art, The Crucible, Julius Caesar, and The Old Neighborhood. He is a company member at OSF, a former associate artist at American Conservatory Theater, and a cofounder of Aruba Repertory.

Cristofer Jean (Brother-in-Law / ensemble) has been a company member at OSF for eight seasons, with title roles in Henry VI, Parts One, Two, and Three and Lorca in a Green Dress. His many other credits include shows at The Acting Company and The Public Theater.

Lisa Tejero (Sister-in-Law / ensemble) appeared at Berkeley Rep in Journey to the West and Metamorphoses, reprising her role in the latter on Broadway. She has performed regionally at the Goodman, the Huntington, Lookingglass, McCarter, Steppenwolf, and Victory Gardens.

Keiko Shimosato Carreiro (ensemble) has been an actor, director, and designer with the SF Mime Troupe since 1987. Her many local credits include directing Cowboy versus Samurai for the Asian American Theatre Company and acting in Fuente Ovejuna at Berkeley Rep.

Gina Daniels (ensemble) has been seen locally at TheatreWorks and Shakespeare Santa Cruz. Her other credits include shows at Centerstage, Geva Theatre Center, the National Black Theatre, Pittsburgh Public Theater, Summer Play Festival, and seven seasons at OSF.

Richard Howard (ensemble) appeared on Broadway in Execution of Justice and off Broadway in Ten by Tennessee. In 24 years at OSF, he has played title roles in Hamlet; Henry IV, Parts One and Two; Pericles, Prince of Tyre; Richard II; and Romeo and Juliet.

Emily Sophia Knapp (ensemble) has been seen in New York at the Chekhov Now Festival, HERE Arts Center, Performance Space 122, Prelude Festival, Riverside Theatre, and SPF. Her many regional credits include five seasons with OSF.

Vin Kridakorn (ensemble) was a resident actor at the Flea Theater and appeared in its world premiere of Future Anxiety. He has also been seen at Dance New Amsterdam, the Gallery Players, the Queens Players, Riverside Theatre, and Roy Arias Theater.

The ensemble also includes three musicians: Tessa Brinckman (flutes), Ronnie Malley (strings and percussion), and Michal Palzewicz (cello). The stage manager for the local run is Michael Suenkel, Berkeley Rep’s resident production stage manager.