KEEPING UP WITH THE JORGENSONS plays at The Marsh SF This August

The Marsh brings Jeremy Juliana Greco's Keeping Up with the Jorgensons to San Francisco for eight performances only. In this Marsh Discovery Series presentation, which showcases works under development, Greco recounts a childhood road trip to Orange County to attend the wedding of a relative he'd never met. Asked to tickle his father's feet and sleep in his grandmother's bed, the young Greco finds he will say and do anything to secure a visit to the happiest place on Earth: Disneyland. He has performed excerpts of this work to sold-out crowds at The Yes to Everything Festival, the Nugget Fringe Theater Festival, and the 2017 San Francisco Fringe Festival, where it won Best of the San Francisco Fringe. The Huffington Post hailed the solo show "a delightful hour of mirth mixed with adolescent angst brought on by a cast of characters that could make 'All in the Family,' and 'Married...with Children' seem a bit too Disneyfied." Directed by Mark Kenward and written and performed by Greco, Keeping Up with the Jorgensons will be presented August 2-25, 2018 with performances 8:00pm Thursdays and 8:30pm Saturdays at The Marsh San Francisco Studio, 1062 Valencia St., San Francisco. For tickets ($20-$35 sliding scale, $55-$100 reserved), the public may visit www.themarsh.org or call The Marsh box office at 415-282-3055 (open 1pm-4pm, Monday through Friday).

San Francisco based actor, director, and writer Jeremy Julian Greco's first solo show, With Held, was based on six months of interviews with San Francisco artists and writer John Held Jr. Greco performed With Held throughout the Bay Area, including at the Marin Fringe Festival, where he was named "Best Actor" from a panel of members of the San Francisco Bay Area Theatre Critics Circle. The Huffington Post declared "With Held is a quietly transformative work, insightful, compelling, humorous, and ripe with what the stage should always possess - pathos."

Mark Kenward (Director), a Bay Area Theatre Critics Circle Nominee and two-time selection for the Best of San Francisco Solo Series, has performed his work in more than 40 cities throughout the US and Canada, including a reception for The House of Representatives and several runs at The Marsh. He is the creator and performer of eight solo shows, receiving kudos as "a commanding storyteller" (San Francisco Weekly) and "a master of the craft" (Contra Costa Times). Kenward is the director of more 30 full-length solo shows, including several that have had runs at The Marsh: David Kleinberg's Hey, Hey, LBJ! and Return to the Scene of the Crime, Kurt Bodden's Steve Seabrook: Better Than You, Howard Petrick's Rambo: The Missing Years, Houston Robertson's Victory for the Recycled Virgin, Steve Budd's What They Said About Love, and Jill Vice's A Fatal Step. Other directing credits include Wayne Harris's Tyrone 'Short Leg' Johnson and Some White Boys, David Caggiano's Jurassic Ark, and Jeremy Greco's Keeping Up with the Jorgensons, all three of which won "Best of SF Fringe" honors.

Each year, in addition to main season runs, The Marsh presents several limited runs to showcase a wide range of exciting new work emerging from The Marsh community. The Marsh Discovery Series includes shows by emerging up-and-coming talent, established Marsh all-star performers experimenting with a unique story or concept, as well as people from all walks of life who have developed powerful stories at The Marsh. Shows produced as part of this series are not "workshop runs," rather, they represent the culmination of a dedicated and lengthy creative process, and offer the audience an opportunity to discover some of the most exciting, new, and unique work The Marsh has to offer.

The Marsh is known as "a breeding ground for new performance." It was launched in 1989 by Founder and Artistic Director Stephanie Weisman, and now annually hosts more than 600 performances of 175 shows across the company's two venues in San Francisco and Berkeley. A leading outlet for solo performers, The Marsh's specialty has been hailed by the San Francisco Chronicle as "solo performances that celebrate the power of storytelling at its simplest and purest." The East Bay Times named The Marsh one of Bay Area's best intimate theaters, calling it "one of the most thriving solo theaters in the nation. The live theatrical energy is simply irresistible."

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