The Old Globe invites your participation and coverage as it begins presenting shows through an exciting new producing platform, Globe for All. This free-of-charge tour of a professional production of Shakespeare will allow the theatre to serve more communities throughout San Diego by collaborating with a diverse range of local organizations. Old Globe Artistic Director Barry Edelstein directs the first production, Shakespeare's fascinating romance All's Well That Ends Well. He has cast local professional actors, including recent graduates of the Old Globe/University of San Diego Graduate Theatre Program. The first Globe for All free Shakespeare tour will begin October 28 and will culminate in three low-cost performances on November 7 to 9 in the Globe's Hattox Hall, part of the Karen and Donald Cohn Education Center in the Conrad Prebys Theatre Center.
Please contact Susan Chicoine or Mike Hausberg to join us on a ride-along -- see for yourself exactly what happens as the tour reaches out into the San Diego community! Venues approved for media coverage include Naval Base San Diego, George L. Stevens Senior Center, a San Diego Marine Base location, Jacobs Center for Neighborhood Innovation, and San Diego Central Library.
The Globe for All tour will present Shakespeare in a variety of community venues including military bases, recreation centers, libraries, centers for the elderly, homeless shelters, and correctional facilities. The emphasis will be on reaching underserved communities and multigenerational audiences. Globe for All employs a model of community outreach designed to make theatre matter to audiences who, for whatever reason, have not enjoyed regular access to the professional performing arts. The tour will play in non-theatrical venues such as gymnasiums, cafeterias, and multipurpose rooms. With production values scaled to those spaces, the tour will give audiences an intimate, up-close, and visceral experience of live performance and will foster a shared sense of community between performer and spectator.
The cast includes recent Old Globe/USD M.F.A. Program graduates Meaghan Boeing (Countess, Soldier, Priest, Mariana), Adam Gerber (Bertram), Kushtrim Hoxha (King, Interpreter), Stephen Hu (Lafeu, Soldier), Allison Layman (Diana, Physician, Soldier), Erin Roché (Helena), and Robbie Simpson (Parolles); Old Globe/USD alumnus Christopher Salazar (First Lord Dumaine); and local favorites Monique Gaffney (Renata, Widow, Physician) and Albert Park (Second Lord Dumaine).
The creative staff includes Sean Fanning (Scenic Design), Michelle Hunt Souza (Costume Design), Kevin Anthenill (Original Music), and Diana Moser (Stage Manager).
What does a woman do when the only man she wants to marry won't have her, even when the king commands it? In All's Well That Ends Well (last seen in the Globe's 2008 Shakespeare Festival), Shakespeare pits the wise and witty Helena against the hotheaded courtier Bertram in a clash of wills filled with comic surprises and passionate poetry.
In addition to providing the community with free access to professional performances of Shakespeare, Globe for All will enrich the theatre experience by offering workshops and other activities. These are modeled on and include aspects of the Globe's successful Community Voices program, an innovative playwriting program (supported by a grant from the James Irvine Foundation) that has helped the Globe establish relationships with many San Diego community organizations. During its first two years, Community Voices yielded more than 170 10-minute plays written by diverse members of the San Diego community who had no prior playwriting experience.
During Barry Edelstein's tenure at The Public Theater, one of his most exciting accomplishments was helping to launch The Public's Mobile Shakespeare Unit, which brought professional Shakespeare for free to residents of homeless shelters, rehab centers, prisons, and other underserved audiences.
Audiences for the Globe for All Shakespeare tour will be offered a one-hour pre-show workshop, with Globe teaching artists introducing Shakespeare's language, themes, characters, and stories to familiarize audiences -- some of whom will have had little previous experience with the Bard -- with what to expect.
"Since my arrival in San Diego I've looked for ways to share the wonders of The Old Globe with more and more of our city, so I'm particularly proud and pleased to launch Globe for All," said Artistic Director Barry Edelstein. "It's our core conviction that theatre in general, and Shakespeare in particular, are necessary to living a full and rich life, and yet we recognize that some in our city either don't know about the work we do or cannot enjoy regular access to it. It is therefore our obligation to help overcome whatever barriers -- economic, geographical, and cultural -- stand between us and the widest possible cross section of our city. Globe for All is an exciting way to bring the joys and thrills of live, professional Shakespeare to San Diegans who may not have experienced them before. We are grateful to the community-based organizations that are partnering with us and to the civic-minded philanthropies that are supporting this effort. Together, we can make theatre matter to many more of our fellow citizens."
Southeastern San Diego, home of the Globe's Technical Center, will be one of the key areas served by Globe for All. When the Globe Technical Center began operations there in 2008, the Globe began extensive outreach into the surrounding neighborhoods and deepened relationships with community organizations including the Jackie Robinson YMCA, Writerz Blok, the Jacobs Center for Neighborhood Innovation, Lincoln High School, San Diego School of Creative and Performing Arts, Freese Elementary, and other local schools, St. Stephen's Church, and other organizations. The James Irvine Foundation, Legler Benbough Foundation, and San Diego Foundation were major supporters of this earlier initiative, The Globe Residency Project. Highlights included productions of Kingdom, an award-winning musical about the cycle of gang violence, and Welcome to Arroyo's, about the birth of hip hop, performed at both Lincoln High School and The Old Globe; the world premiere of Odyssey, a musical event that featured over 200 community members performing alongside professional actors; and Emancipated, a one-act play by and about young people who had "aged out" of the foster care system. The Globe for All community Shakespeare tour will reinforce the theatre's ongoing commitment to serving residents of Southeastern San Diego and reaching other local communities.
Globe for All will be presented in Southeastern San Diego with a free public performance at the Jacobs Center for Neighborhood Innovation Celebration Hall on Sunday, November 2 at 2:00 p.m. (404 Euclid Ave.; first come, first served). The second free public performance will be at the San Diego Central Library on Tuesday, November 4 at 6:30 p.m. (Shiley Special Events Suite, 330 Park Blvd.; first come, first served; call (619) 236-5800 for more info).
In addition to these free public performances, the first Globe for All Shakespeare tour will be performed for:
- Sailors at Naval Base San Diego on Tuesday, October 28 at 5:00 p.m.
- The YWCA of San Diego County on Wednesday, October 29 at 6:00 p.m.
- Veterans Village of San Diego on Thursday, October 30 at 7:00 p.m.
- The George L. Stevens Senior Center on Friday, October 31 at 1:30 p.m.
- Marines at either MCRD or MCAS Miramar on Saturday, November 1, time TBD.
- Father Joe's Villages on Wednesday, November 5 at 2:00 p.m.
- Centinela State Prison on Thursday, November 6 at 1:00 p.m.
The tour will culminate with three low-cost performances offered in the Globe's Hattox Hall on Friday, November 7 at 7:00 p.m., Saturday, November 8 at 7:00 p.m., and Sunday, November 9 at 2:00 p.m. These performances will be open to the public. Tickets are $10 and are currently available to subscribers. Tickets will go on sale to the general public, subject to availability, on Tuesday, October 28.
Organizations interested in partnering with The Old Globe and Globe for All should contact Roberta Wells-Famula, Director of Education, at rwells-famula@TheOldGlobe.org or call (619) 231-1941 x2144.
Old Globe Artistic Director Barry Edelstein (Director) is a stage director, producer, author, and educator. Widely recognized as one of the leading American authorities on the works of Shakespeare, he has directed nearly half of the Bard's plays. His directing credits include his Globe directorial debut with The Winter's Tale starring Billy Campbell, the first Shakespeare to be staged in our indoor theatre in over a decade, and his 2014 Summer Shakespeare Festival production of Othello starring Blair Underwood, Richard Thomas, and Kristen Connolly in the Lowell Davies Festival Theatre. As Director of the Shakespeare Initiative at The Public Theater (2008-2012), Edelstein oversaw all of the company's Shakespearean productions, as well as its extensive educational, community outreach, and artist-training programs. At The Public, he staged Julius Caesar starring Jeffrey Wright for Shakespeare in the Park and The Merchant of Venice featuring Ron Leibman's Obie Award-winning portrayal of Shylock. He was also Associate Producer of The Public's Broadway production of The Merchant of Venice starring Al Pacino. From 1998-2003 he was Artistic Director of Classic Stage Company, where he produced and directed some of New York's most memorable classical productions. Edelstein's Shakespearean directorial credits include The Winter's Tale with David Strathairn, Timon of Athens with Richard Thomas, As You Like It with Gwyneth Paltrow, and Richard III with John Turturro. His additional credits include the Lucille Lortel Award-winning revival of Arthur Miller's All My Sons; the world premiere of Steve Martin's The Underpants, which he commissioned; Molière's The Misanthrope starring Uma Thurman in her stage debut; and the world premiere of novelist Nathan Englander's play The Twenty-Seventh Man. Edelstein has taught Shakespearean acting at The Juilliard School, NYU's Graduate Acting Program, and the University of Southern California. His book Thinking Shakespeare (called by New York Magazine "a must-read for actors") was published in 2007 and is now the standard text on American Shakespearean acting. He is also the author of Bardisms: Shakespeare for All Occasions.
The Old Globe is located in San Diego's Balboa Park at 1363 Old Globe Way. There are numerous free parking lots available throughout the park. Valet parking is also available during performances ($12). For additional parking information visit www.BalboaPark.org.
The Tony Award-winning Old Globe is one of the country's leading professional regional theatres and has stood as San Diego's flagship arts institution for over 75 years. Under the leadership of Artistic Director Barry Edelstein and Managing Director Michael G. Murphy, The Old Globe produces a year-round season of 14 productions of classic, contemporary, and new works on its three Balboa Park stages: the Donald and Darlene Shiley Stage in the 600-seat Old Globe Theatre and the 250-seat Sheryl and Harvey White Theatre, both part of The Old Globe's Conrad Prebys Theatre Center, and the 605-seat outdoor Lowell Davies Festival Theatre, home of its internationally renowned Shakespeare Festival. More than 250,000 people attend Globe productions annually and participate in the theatre's education and community programs. Numerous world premieres such as 2014's Best Musical Tony Award winner A Gentleman's Guide to Love and Murder, The Full Monty, Dirty Rotten Scoundrels, A Catered Affair, and the annual holiday musical Dr. Seuss' How the Grinch Stole Christmas! have been developed at The Old Globe and have gone on to enjoy highly successful runs on Broadway and at regional theatres across the country.
Background information on our venues:
- Sailors at Naval Base San Diego on Tuesday, October 28 at 5:00 p.m.
Navy Region Southwest, The Anchors Catering & Conference Center, 2375 Recreation Way, Bldg. 3210, SD, CA 92136
As the Naval shore installation management headquarters for the Southwest region (California, Arizona, New Mexico, Colorado, Utah, and Nevada), Navy Region Southwest provides coordination of base operating support functions for operating forces throughout the region. This includes providing expertise in areas such as housing, environmental, security, family services, port services, air services, bachelor quarters, supply, medical, and logistical concerns for the hundreds of thousands of active-duty, reserve, and retired military members in the area. The Anchors Catering & Conference Center is located at Naval Base San Diego just outside the Main Street Gate. It allows for easy access to non-military guests.
- The YWCA of San Diego County on Wednesday, October 29 at 6:00 p.m.
YWCA of San Diego County, 1012 C St., SD, CA 92101
The YWCA of San Diego County empowers women, children, and families to break the cycle of domestic violence and homelessness and achieve self-sufficiency. Through Becky's House, Passages, and the Cortez Hill Family Center, the YWCA provides extensive services to more than 5,000 individuals each year.
- Veterans Village of San Diego on Thursday, October 30 at 7:00 p.m.
4141 Pacific Highway, SD, CA 92110
Founded in 1981, Veterans Village of San Diego (VVSD) assists homeless veterans who have substance abuse and/or mental health issues, including men and women who have recently returned from Iraq and Afghanistan. With five locations throughout San Diego County, VVSD is the only program of its kind in the United States. Each year VVSD provides services to more than 2,000 military veterans, men and women, who have served and sacrificed for our country.
- The George L. Stevens Senior Center on Friday, October 31 at 1:30 p.m.
Fourth District Seniors Resource Center at The George L. Stevens Senior Center, 570 S 65th St., SD, CA 92114
The Fourth District Seniors Resource Center (FDSRC) is a non-profit, tax-exempt 501(c)(3) organization serving moderate- to low-income seniors residing within the 4th Council District. It is primarily funded through grants and private donations. The Center provides a place where seniors can meet to voice their concerns on various seniors's issues, receive updates on legislative measures, socialize, and enjoy daily congregate meals. Participants are afforded the opportunity to interact with youth, thus fostering mutual pride and self-respect.
- Marines at either MCRD or MCAS Miramar on Saturday, November 1, time TBD, info TBD
- Jacob's Center for Neighborhood Innovation on Sunday, November 2 at 2:00 p.m.
404 Euclid Ave., SD, CA 92114
The Jacobs Center for Neighborhood Innovation (JCNI) is partnering with resident teams in Southeastern San Diego to transform nearly 60 acres into The Village at Market Creek, a LEED-certified neighborhood and vibrant cultural destination. Through a network of non-profit and for-profit partners, locally-owned businesses and national tenants, a community and conference center, and a portfolio of social enterprise projects, JCNI is creating assets that will become economic engines for the community when the foundation sunsets in 2030. Under the banner of "Resident Ownership of Neighborhood Change," the people who live and work in the community create the vision, lead the implementation, and own the change in their community.
- San Diego Central Library on Tuesday, November 4 at 6:30 p.m.
San Diego Central Library, Shiley Special Events Suite, 330 Park Blvd., SD, CA 92101
The San Diego Public Library is a popular destination that connects this diverse community to free educational and cultural resources that enrich the lives of visitors and residents alike. With 5.6 million visitors, the library exceeds the attendance at San Diego Padres and Chargers home games combined. The new San Diego Central Library, the heart of the city's 35-branch public library system, opened in September 2013.
- Father Joe's Villages on Wednesday, November 5 at 2:00 p.m.
3350 E St., San Diego, CA 92102
Father Joe's Villages is San Diego's largest residential homeless services provider and has been providing innovative programs and services since 1950. Their mission is to prevent and end homelessness one life at a time, which they do by providing housing, healthcare, food, clothing, case management, education, job training, and child development in an internationally modeled "one-stop-shop" approach. Their mission is made possible only through the efforts of compassionate staff, dedicated volunteers, and generous public and private donors. For more information, visit www.neighbor.org.
- Centinela State Prison on Thursday, November 6 at 1:00 p.m. (with prior approval only)
California State Prison, Centinela, 2302 Brown Rd., West Imperial, CA 92274
California State Prison, Centinela, is a male-only state prison located in Imperial County, California, approximately 20 miles from Imperial and El Centro. The mission of Centinela State Prison is to provide long-term confinement to men who have been convicted of felonious crimes and remanded to the State of California for incarceration. Inmate productivity and self-improvement are considered integral components to Centinela's overall objective to reduce recidivism among those inmates incarcerated at the institution.
CAST AND CREATIVE TEAM BIOGRAPHIES:
Meaghan Boeing (Countess, Soldier, Priest, Mariana) was most recently seen as a member of the Old Globe Shakespeare Festival casts of 2013 and 2014, as well as playing Emilia in The Winter's Tale directed by Barry Edelstein. While attending the Old Globe/USD M.F.A. Program, Boeing starred as Beatrice in Much Ado About Nothing and Elmire in Tartuffe and was featured as Mistress Overdone in Measure for Measure. Her favorite regional theatre credits include Imagine (South Coast Repertory), Master Class (The Will Geer Theatricum Botanicum), Man of La Mancha (A Noise Within), Surf Orpheus (Getty Villa), and various productions with The Antaeus Company, as well as roles in King Lear, The Two Gentlemen of Verona, As You Like It, The Misanthrope, Sunday in the Park with George, The Pirates of Penzance, The Sound of Music, and a world premiere translation of Don Juan.
Monique Gaffney (Renata, Widow, Physician) was last seen as Francine/Lena in Clybourne Park at San Diego Repertory Theatre. She is a resident artist at Cygnet Theatre Company and a member of Omo Aché Afro-Cuban Dance & Music Co. Her San Diego credits include The Tragedy of the Commons, The Piano Lesson, Man from Nebraska, Yellowman (2008 Craig Noel Award), Bug, and Las Meninas (Cygnet), In the Next Room, or the vibrator play and Doubt (San Diego Rep), Heddatron, A Streetcar Named Desire, and A Raisin in the Sun (ion theatre company), Hoodoo Love (Mo'olelo Performing Arts Company), Brownie Points (Lamb's Players Theatre), No Exit (Diversionary Theatre), Medea (2009 Craig Noel Award) and I Have Before Me a Remarkable Document Given to Me By a Young Lady from Rwanda (Patté Award) (6th @ Penn Theatre), Gibson Girl and Blue Bonnet Court (MOXIE Theatre), and Gee's Bend, Story Theatre, Stories About the Old Days, and The African Company Presents Richard III (North Coast Repertory Theatre). Gaffney's New York credits include Mamba's Daughters (International Spoleto Festival), and American Silents directed by Anne Bogart. She received her B.A. from UC San Diego and her M.F.A. from Columbia University, and she is a member of Actors' Equity Association and SAG-AFTRA.
Adam Gerber (Bertram) has been a part of many productions at The Old Globe, where he had the pleasure of playing Lysander in A Midsummer Night's Dream, Lorenzo in The Merchant of Venice, Sir Eglamour in The Two Gentlemen of Verona, and the Taxi Man in Pygmalion directed by Nicholas Martin. His Old Globe/USD M.F.A. Program credits include Claudio in Measure for Measure and Dogberry and Don John in Much Ado About Nothing. Gerber's Off Broadway debut came in the revival of Israel Horvitz's Lebensraum (Harold Clurman Laboratory Theater Company). He has had the privilege of working on The Actor's Clinic and Will Do's Hikobae, a touring production, in Japan and the U.S., raising awareness and bringing relief to villages and cities affected by the March 2011 earthquake. His other credits include Orlando in As You Like It (Harold Clurman Lab) and Sex and the Holy Land (New York International Fringe Festival), and he has been featured in various national commercials. Gerber studied at the Stella Adler Studio of Acting in New York, and he received his M.F.A. in Acting from The Old Globe/University of San Diego.
Kushtrim Hoxha (King, Interpreter) was recently seen at The Old Globe in Othello, The Two Gentlemen of Verona, The Winter's Tale, A Midsummer Night's Dream, Rosencrantz and Guildenstern Are Dead, and The Merchant of Venice. He also appeared in the Old Globe/USD M.F.A. Program productions Much Ado About Nothing, Tartuffe, and Measure for Measure. He has appeared in Rock 'n' Roll, King Lear, Sun Monkey, The Glass Menagerie, and Hamlet (National Theater of Kosovo), Patriotic Hypermarket (Bitef Theater, Belgrade), and Yue Madeline Yue (Multimedia Center, Kosovo and Volkstheater, Vienna). He has performed in numerous theatre festivals in Columbia, Bosnia and Herzegovina, Slovenia, Italy, Sweden, Serbia, South Africa, Macedonia, and Kosovo. His film and television credits include Human Zoo, I Need You, and "Familja Moderne."
Stephen Hu (Lafeu, Soldier) was last seen in The Old Globe/USD M.F.A. Program's Antigone, Much Ado About Nothing, Tartuffe, and Measure for Measure. He also appeared in the 2014 Shakespeare Festival productions of Othello and The Two Gentlemen of Verona and the 2013 Festival productions of A Midsummer Night's Dream, The Merchant of Venice, and Rosencrantz and Guilderstern Are Dead. His Los Angeles credits include Macbeth and Richard III (The Will Geer Theatricum Botanicum) and the title role in Ching Chong Chinaman (Artists at Play). Some of his Bay Area credits include Over the Asian Airwaves (Ferocious Lotus Theatre Company), Concerning Strange Devices from the Distant West (Berkeley Repertory Theatre), and Beijing, CA (Asian American Theater Company).
Allison Layman (Diana, Physician, Soldier) was most recently seen at The Old Globe as Nina in Vanya and Sonia and Masha and Spike. Layman played the Parlor Maid in Pygmalion, directed by Nicolas Martin, and was a member of the 2013 Shakespeare Festival company. Her Old Globe/USD M.F.A. Program credits include the title role in Antigone, Hero in Much Ado About Nothing, and Francisca in Measure for Measure. Layman was a two-year company member of The Shakespeare Theatre of New Jersey, where her credits include The Comedy of Errors, Timon of Athens, A Midsummer Night's Dream, Julius Caesar, and Macbeth. Her other regional work includes Petra in An Enemy of the People at Playhouse on Park in Hartford, Connecticut, and a wide range of roles in productions at the Monomoy Theatre in Chatham, Massachusetts. Layman just graduated with her M.F.A. from The Old Globe/USD.
Albert Park (Second Lord Dumaine) was most recently seen at the Globe in The Winter's Tale. His other featured roles include Ensemble in An Evening of Community Voices (The Old Globe), Duan in Jade Heart and Gabe in A Man, His Wife, and His Hat (MOXIE Theatre), He in The Car Plays (2013) and Cuong in The Car Plays (2012) (La Jolla Playhouse), Sopoan in Extraordinary Chambers and HYH in Yellow Face (Mo'olelo Performing Arts Company), Roy in The Odd Couple and Bellhop in Lend Me a Tenor (North Coast Repertory Theatre), Tieng-Bin in Golden Child (Chinese Pirate Productions), and Chi-Yang in Flower Drum Song and Lefty in BFE (San Diego Asian American Repertory Theater). Park has been a teaching artist for Playwrights Project, Write Out Loud, Christian Youth Theater, and San Diego County Library.
Erin Roché (Helena, neé Erin Elizabeth Adams) was last seen in The Old Globe's 2014 Shakespeare Festival as Bianca in Othello and Lucetta in The Two Gentlemen of Verona. Her other Old Globe credits include The Winter's Tale, A Midsummer Night's Dream, The Merchant of Venice, Rosencrantz and Guildenstern Are Dead, and Pygmalion, as well as the Old Globe/USD M.F.A. productions of Much Ado About Nothing (Margaret) and Measure for Measure (Juliet). In New York she performed in Gated (Midtown International Theatre Festival) and The One-Minute Play Festival (Primary Stages). Her regional credits include Heist!, A Midsummer Night's Dream, Post Wave Spectacular (Actors Theatre of Louisville), Henry IV Parts I and II (Actors' Shakespeare Project), and Done (Providence Black Repertory Company). She is a former Acting Apprentice at the Actors Theatre of Louisville.
Christopher Salazar (First Lord Dumaine) previously appeared at The Old Globe in both the 2012 and 2013 Shakespeare Festivals, playing Silvius in As You Like It, Rivers in Richard III, and Prince of Aragon in The Merchant of Venice. He also performed in the Old Globe/USD M.F.A. Program productions of Measure for Measure, Twelfth Night, and Tartuffe. His recent Los Angeles credits include Jack Worthing in The Importance of Being Earnest (A Noise Within) and Demetrius in Andronicus (Coeurage Theatre Company). His New York credits include the world premiere of Thieves (The Public Theater), Hamlet (Gorilla Repertory Theater Company, Inc.), The Tempest (Brave New World Repertory Theatre), and Big Love (Columbia University Stage). His regional credits include Romeo and Juliet (Shakespeare Center of Los Angeles), Saint Joan and Peter Pan (Barter Theatre), Deathtrap (The Barnstormers Theatre), The Winter's Tale, Antony and Cleopatra, and Love's Labour's Lost (American Shakespeare Center), and understudying the East Coast premiere of Outrage (The Wilma Theater). Salazar holds an M.F.A. in Acting from The Old Globe/USD.
Robbie Simpson (Parolles) was most recently seen at The Old Globe in The Two Gentlemen of Verona directed by Mark Lamos, covering and performing the lead role of Proteus. His other Globe credits include Othello and The Winter's Tale, both directed by Barry Edelstein, the 2013 Shakespeare Festival, and Freddy Eynsford Hill in the 100th anniversary production of Pygmalion directed by Nicholas Martin. Simpson's Old Globe/USD M.F.A. Program credits include Benedick in Much Ado About Nothing as well as Measure for Measure. His U.K. and New York credits include Orlando in As You Like It (Shakespeare's Globe), A Class Act directed by Bob Moss (Playwrights Horizons), and Hanschen in Spring Awakening directed by Lauren Coulson (Roy Arias). His favorite regional credits include A Class Act (Berkshire Theatre Festival), Rent and Almost, Maine (Papermill Theatre), The Sisters Rosensweig (New Century Theatre), and Miss Saigon, Inherit the Wind, and Lost in Yonkers (The Majestic Theatre). Simpson holds an M.F.A. in Acting from The Old Globe/USD.
Sean Fanning (Scenic Design) is a San Diego-based set designer with a career spanning over 40 productions across local stages. His previous Globe credits include A Doll's House, Plaid Tidings - A Special Holiday Edition of Forever Plaid, and Kingdom. For the Old Globe/USD M.F.A. Program he has designed Much Ado About Nothing, Measure for Measure, Twelfth Night, The Winter's Tale, The Two Gentlemen of Verona, and A Midsummer Night's Dream. He is a Resident Artist at Cygnet Theatre Company, where his credits include Pageant, Maple and Vine, Shakespeare's R&J, The Importance of Being Earnest, Travesties, Man of La Mancha, Parade, Little Shop of Horrors, Cabaret, Sweeney Todd, The Norman Conquests, Noises Off, Mauritius, and A Little Night Music. His other credits include In the Heights and Walter Cronkite is Dead (San Diego Repertory Theatre), The Full Monty (New Village Arts), A Raisin in the Sun (MOXIE Theatre), Hamlet (Intrepid Shakespeare Company), Birds of a Feather, Pippin, and Harmony, Kansas (Diversionary Theatre). Fanning is in his sixth season as the Resident Design Assistant at The Old Globe, where he has assisted designers on over 60 productions. He holds an M.F.A. in Scene Design from San Diego State University.
Michelle Hunt Souza (Costume Design) has previously designed the Globe productions of The Brothers Size, Pericles, and Romeo y Julieta and the Old Globe/USD Graduate Theatre Program productions of Twelfth Night, The Winter's Tale, and The Two Gentlemen of Verona. Her San Diego credits include Miss Electricity (La Jolla Playhouse), The Tempest (MiraCosta College), Rabbit Hole, Shipwrecked! An Entertainment, The Dresser, A Christmas Carol, Don't Dress for Dinner, String of Pearls, and Dracula (North Coast Repertory Theatre), Christmas on My Mind and Joseph and the Amazing Technicolor Dreamcoat (Lamb's Players Theatre), Dog Act (MOXIE Theatre), A Bright Room Called Day (Diversionary Theatre), and The Playboy of the Western World (New Village Arts). Her UC San Diego credits include A Lie of the Mind, Good Breeding, The Love of the Nightingale, and Measure for Measure. Souza's designs for Dog Act, A Bright Room Called Day, and The Love of the Nightingale earned Patté Awards for Theater Excellence. Souza is a graduate of the M.F.A. program at UC San Diego.
Kevin Anthenill (Original Music) previously designed sound for The Old Globe/USD's Much Ado About Nothing, Measure for Measure, Twelfth Night, and The Winter's Tale. He has designed sound for the Globe's Summer Shakespeare Intensive four times and was the Sound Design Assistant for the Globe's Summer Shakespeare Festival three times. He is the Resident Sound Designer at San Diego Repertory Theatre, designing sound for Red and Zoot Suit and composing music for Detroit, Boom, and In the Next Room, or the vibrator play. His other design and music credits include Shakespeare's R&J, The Importance of Being Earnest, Travesties, and Maple and Vine (Cygnet Theatre Company),Regrets Only, Bare: A Pop Opera, Thrill Me, She-Rantulas from Outer Space in 3D, The Further Adventures of Hedda Gabler, Birds of a Feather, Next Fall, Harmony, Kansas, Pippin, and Marry Me a Little (Diversionary Theatre), A Raisin in the Sun and The Trestle at Pope Lick Creek (MOXIE Theatre). He holds a B.A. in Theater Design from San Diego State University.
Diana Moser (Stage Manager) recently stage managed Time and the Conways, Bethany, Other Desert Cities, and The Brothers Size at The Old Globe. Since 2004 she has worked on over 25 shows at the Globe including August: Osage County, The Recommendation, Brighton Beach Memoirs and Broadway Bound, The Whipping Man, I Do! I Do!, Opus, Six Degrees of Separation, The Pleasure of His Company, In This Corner, the 2007 Summer Shakespeare Festival, Restoration Comedy, and The Intelligent Design of Jenny Chow. Moser's regional credits include La Jolla Playhouse, San Diego Repertory Theatre, Arena Stage, The Repertory Theatre of St. Louis, New York Theatre Workshop, Berkshire Theatre Festival, Children's Theatre Company of Minneapolis, and Arizona Theatre Company.
Pictured: Artistic Director Barry Edelstein (seated, center) with the cast of the inaugural production of the Globe's new touring program Globe for All, Shakespeare's All's Well That Ends Well, directed by Edelstein, beginning Oct. 28, 2014. Photo by Mike Hausberg.
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