Review: THE SUPPER HOUR IN HELL at the Overtime

"The Supper Hour in Hell" might not seem the most inviting title for a play (in fact I know some people were reluctant to see it just because of the title), but it proves to be one of the most absorbing, cohesive, entertaining and satisfying plays I have seen at the Overtime.

The Overtime Theatre is admirably dedicated to new works that haven't been seen in San Antonio before - many of them penned by local or emerging playwrights - but some of the plays I have seen there have missed the mark, at least as far as I'm concerned. This play is one that justifies the existence and the aims of the Overtime.

Directed by Morgan Clyde, the staging has produced performances that are all of a high standard.

Michelle Wisniewski, a regular at the Overtime, is excellent as the waiter from hell, whose character is as dry and as hard a desert rock. She evokes much of the audience laughter.

Another Overtime regular, Alexander Berkowitz, shows that he has developed into a fine comic actor, and also draws much laughter as a germophobe whose wife has just told him she is pregnant. His horror at handling the "pee stick" handed to him by his wife (a note perfect performance by Jenny Taylor), who wants to show him the results of her pregnancy test, is quite hilarious to behold. But don't try to speak to or compliment Alexander during the intermission as you will be met with a confusing response as believes in remaining in character until the end of the play. .

The strongest dramatic performance (alongside Jenny Taylor) comes from Katie Benson, who is meeting with the father (well played by Roger Alvarez) who has neglected her since childhood and who suddenly wants to try to make amends and establish a relationship with her - to no avail.

Tamara Brem, Brian Hodges, Chuck Duncanson and Allie Lockett all deserve a mention for their roles as a foursome involved in a romantic quadrangle that goes dreadfully wrong for two of them who have been cheating on their spouses.

Chelsea Robertson and Rory Smith are also good in their roles as an unmarried couple who call it quits after five years together.

I think with more productions like this, the Overtime could build up a bigger regular audience for its plays.

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