West Side Story is a timeless classic, but despite six decades of history, you've never seen a production like this one. Under the direction of the innovative Ivo van Hove, the beloved story of star-crossed lovers and rival gangs takes on a more urgent and modern context. Featuring original choreography by Anne Teresa de Keersmaeker and a stage and video design by Jan Versweyveld, this West Side Story offers a radical, thrilling new interpretation of this iconic work, featuring 33 young performers making their Broadway debuts. Don't miss this opportunity to see a landmark in musical theater history as if for the very first time.
Like much of Ivo van Hove's bold, often thrilling production, this opening sequence is big and small at once. Throughout the show, live sequences coexist or alternate with filmed ones, including many that occur offstage entirely; detail is blown up into spectacle, and spectacle is subsumed into detail. Van Hove's West Side Story functions very differently from any we have seen before. If the result is sometimes murky, it is also frequently revelatory-a major accomplishment in a show whose status as a classic threatens to freeze it in time and relevance.
There's no doubt that the sensibility has shifted in this revival, but not enough to seem theatrically radical. Although we no longer seem to be in the 50s, the modern elements are mainly structural, like the gigantic scenic projections (designed by Luke Halls) on the back wall. At first they seem intrusive, more aggressive than enlightening because they're competing with, and often overwhelming, the stage action below. They become integral to the show only when they reveal things we can't see for ourselves, like the confidential exchanges between Maria and Anita in the back room of Doc's Drugstore, and the electrifying night run that Tony takes on the rain-slicked streets of Hell's Kitchen.
1957 | Broadway |
Original Broadway Production Broadway |
1958 | West End |
London Production West End |
1959 | US Tour |
National Tour US Tour |
1960 | Broadway |
Return Engagement [Broadway] Broadway |
1964 | Broadway |
City Center Revival Broadway |
1968 | Broadway |
Broadway Revival Broadway |
1980 | Broadway |
Broadway Revival Broadway |
1991 | Milburn, NJ (Regional) |
Paper Mill Production Milburn, NJ (Regional) |
1992 | Regional (UK) |
Regional Revival Regional (UK) |
1998 | West End |
London Revival West End |
2006 | Houston, TX (Regional) |
Theatre Under the Stars Production Houston, TX (Regional) |
2009 | Broadway |
Broadway Revival Broadway |
2010 | US Tour |
National Tour US Tour |
2015 | Washington, DC (Regional) |
Signature Theatre Production Washington, DC (Regional) |
2018 | Washington, DC (Regional) |
National Symphony Orchestra Concert Revival Washington, DC (Regional) |
2018 | Regional (US) |
100th Birthday Celebration Revival Production Regional (US) |
2020 | Broadway |
Broadway Revival Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2020 | Drama Desk Awards | Outstanding Choreography | Anne Teresa De Keersmaeker |
2020 | Drama Desk Awards | Outstanding Featured Actress in a Musical | Yesenia Ayala |
2020 | Drama Desk Awards | Outstanding Orchestrations | Jonathan Tunick |
2020 | Drama Desk Awards | Outstanding Projection Design | Luke Halls |
2020 | Drama Desk Awards | Outstanding Revival of a Musical | West Side Story |
2020 | Drama Desk Awards | Outstanding Sound Design for a Musical | Tom Gibbons |
2020 | Drama League Awards | Distinguished Performance Award | Isaac Powell |
2020 | Drama League Awards | Outstanding Revival of a Musical | West Side Story |
2020 | Outer Critics Circle Awards | Outstanding Actor in a Musical | Isaac Powell |
2020 | Outer Critics Circle Awards | Outstanding Actress in a Musical | Shereen Pimentel |
2020 | Outer Critics Circle Awards | Outstanding Director of a Musical | Ivo van Hove |
2020 | Outer Critics Circle Awards | Outstanding Projection Design | Luke Halls |
2020 | Outer Critics Circle Awards | Outstanding Revival of a Musical | West Side Story |
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