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Review: A DEAD MAN'S CELL PHONE AT AS220 by Through The Glass Theatre.
Sarah Ruhl’s plays walk a tightrope between the real and the surreal, often gazing into the absurd with disarming sincerity. Fortunately, Through The Glass Theatre is right at home in that liminal space. Their earnest, straightforward staging of Dead Man’s Cell Phone lets Ruhl’s quirky meditation on death, disconnection, and intimacy unfold with pathos and wit.
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