Three choreographies, three outstanding artists from the turn of the century, and pieces of music that have little in common but which still get miraculously combined into a single whole by the dancers of the Polish National Ballet. Artifact Suite (2004) by William Forsythe – to music
by Bach and Eva Crossman-Hecht – is virtuosity of the highest quality. Moving Rooms (2008) by Krzysztof Pastor – to music by Alfred Schnittke and Henryk Miko?aj Górecki – is pure expression. Finally, Century Rolls by Ashley Page – to music by John Adams – was created specially for the Polish National Ballet by the British choreographer and combines the unpretentiousness of living figures with player-piano mechanization. Not every company is given the right to perform Forsythe’s choreography. The Polish National Ballet has obtained that right. Chapeau bas!