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Review: WAITING FOR THE BARBARIANS at Teatr Wspolczesny Wroclaw
It’s not a musical, per se, but music breathes through it, shaping the atmosphere, cutting through the silence, and seeping into every moment like an invisible pulse. And that brings me to the key player: Michał Litwiniec. He’s not just composing the soundscape; he is the soundscape. Positioned within the set, half-seen, half-heard, like some enigmatic figure lurking in the woods, his presence alone could tell the story. Honestly, if it were just him on stage, with nothing but his music, it would still be hauntingly powerful. But don’t get me wrong—the rest of the show is far from secondary.
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Review: AVENUE Q at Teatr Muzyczny Poznan
After 20 years of its Broadway debut, our well-known puppets are back with their signature mix of philosophy, humor, and a quest for purpose. They've aged like fine wine – still hilarious, super smart, and more relatable than ever!
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Review: FOREPLAY at Capitol Musical Theatre, Wroclaw
It’s not an easy pill to swallow, but this show dives headfirst into the murky waters of toxic relationships and the addictive cycle of loving your tormentor. Can this make for a compelling musical? They tried to do it in Wroclaw’s Capitol.