GA SUMMER CAMPS

by Greg Kerestan - August 20, 2024

Front Porch's biggest show yet is also one of its best....

by Greg Kerestan - August 20, 2024

Swerving between low comedy and high tragedy, this outdoor O'Neill drama stuns and swelters, even on cool nights....

by Greg Kerestan - August 01, 2024

The summer season ends with this kid-friendly spectacular....

by Greg Kerestan - July 22, 2024

Sometimes, smaller, dumber and cheaper is a compliment, not a put-down, as in this miniaturized Mel Brooks classic....

by Greg Kerestan - July 18, 2024

Irving Berlin's songs are both timeless, and also thoroughly of their own time and place....

by Greg Kerestan - July 14, 2024

José Pérez IV's new tragicomedy feels like it's always been around, but still remains refreshing and new....

by Greg Kerestan - July 11, 2024

I'll admit, I had a huge smile on my face all the way through The Music Man that had little to nothing to do with the production itself. You see, I'm a nerd and a theatre kid in my thirties, and to that demographic, there was a cultural phenomenon just as big as Monty Python and Star Trek were to Ge...

by Greg Kerestan - June 28, 2024

The funny thing about farce as a genre is it seems to be perpetually stuck in the past; the constant misunderstandings, cross-dressing and door-slamming seem tied to a time before the internet, before cell phones... hell, maybe even before the Pill. It's a Ken Ludwig world that seems tied to the Ken...

by Greg Kerestan - June 28, 2024

As a literature major, part of me has always found it unbelievable that tight, two-hour adaptations of Alice Walker's The Color Purple have been so successful. The novel is sprawling, complex and dense, with an epistolary structure not unlike the similarly tricky-to-adapt Dracula. Nonetheless, my st...

by Greg Kerestan - June 13, 2024

There is no greater musical theatre staging preservationist than Baayork Lee, who has devoted much of her career to preserving and restaging the original direction and choreography to A Chorus Line. ...