The internationally acclaimed ensemble will delve into the medieval Christian legend of Barlaam and Josaphat – a retelling of the story of Buddha.
What if one of the most popular saints in medieval Christianity was none other than Buddha?
In fact, this was the case: the legend of Barlaam and Josaphat, popular across medieval Christendom, was based on the story of Siddhartha Guatama. Pittsburgh audiences will get a glimpse into this intriguing history in February, when Chatham Baroque presents Ensemble Dialogos.
For the past 32 years, Chatham Baroque has performed on stages around the world, establishing itself as one of the nation's most distinguished period ensembles. In addition to performing its own music, the group also hosts a diverse array of visiting musicians.
Ensemble Dialogos, directed by singer, musicologist and professor Katarina Livljanić, brings together singers and instrumentalists from different backgrounds and countries to revive European oral and written traditions, from the Middle Ages to the present day.
In Barlaam and Josaphat, three of those musicians tell the Christianized adaptation of the story of Buddha using musical repertoires from medieval Greek, Latin, Russian, Croatian, French, and Italian manuscripts. The popularity and cosmopolitan nature of this legend, as well as its universal dimension, inspired the creation of the program.
Dialogos members performing Barlaam and Josaphat:
Barlam and Josaphat
Sunday, February 19, 2:30 PM, Pittsburgh Theological Seminary
Tuesday, February 21, 7:30 PM, Pittsburgh Theological Seminary
Tickets are $40 for adults, $35 for seniors (65+), and $20 for students. Subscribers and advance ticket buyers will receive a link to an on-demand video of the program following the live performance. For tickets and info, visit chathambaroque.org.
While in Pittsburgh, Dialogos member Norbert Rodenkirchen will also perform Medieval Echoes, a recital of contemplative flute music from Notker to Machaut and beyond. Intermingling well-researched historical sequences and references with the art of improvisation, Rodenkirchen will treat the audience to a feast of styles and eras - from anonymous lais and early minstrel tunes, through instrumental versions of Guillaume de Machaut and echoes of Occitan music, to impressionistic fin-de-siècle piano arrangements of medieval compositions.
Medieval Echoes
Monday, February 20, 6:00 - 7:00 PM, Pittsburgh Theological Seminary
Tickets are pay-as-you-will, $20 suggested
Learn more: https://chathambaroque.org
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