Lauded as "one of the most creative and ambitious companies in this country" (New York Times), Opera Philadelphia justified that reputation once again when it launched its inaugural Festival O last season; the Washington Post found it "one of the most enjoyable additions to the fall calendar in years," and the Philadelphia Inquirer noted the festival's ambition "not to follow taste but to lead it." The second edition, O18, comprises five operatic happenings - two world premieres, two new productions, and a three-part cabaret event - at multiple venues across the city from September 20-30. Among the new productions is Ne Quittez Pas, director James Darrah's new site-specific reimagining of Poulenc's 1958 monodrama La voix humaine, based on a play by Jean Cocteau. Presented at Philadelphia's Theater of Living Arts, Darrah's unique production adds a cabaret-style prologue of Poulenc art songs on texts by Guillaume Apollinaire and others, as well as additional poetry by both Apollinaire and Cocteau, expanding the one-act monologue to an evening-length presentation. Starring as La voix humaine's sole character is Grammy-winning powerhouse soprano Patricia Racette, with the prologue sung by Edward Nelson, praised by Bachtrack for a "ringing baritone" that is "a thrill to listen to." The production is led by music director and pianist Christopher Allen, winner of the 2017 Sir George Solti Conducting Award, and he and Nelson are both making Opera Philadelphia debuts.
"I think opera is a very strange thing to film. At its heart, it's a super-human freak show. You're watching people sing very loud, often very intense, hyper-theatrical things. Filming that isn't very interesting to me because you have to find a way to film it so the theatricality of it makes sense. And that's hard to do, which is why it tends to be done as a documentary. I thought, if we film this as an art film, experimentally and psychologically, there are things we can't do with a live performance. The use of a camera and cinematography opens up a whole bunch of possibilities to tell the story in a really cool way."
Darrah's team is thus designing a theater piece and a film at the same time, making some technical adjustments along the way, but with the intention of keeping many elements the same onscreen. The team includes lighting designer Pablo Santiago and costume designer Chrisi Karvonides, both of whom are Emmy Award winners and longtime Darrah collaborators who also contributed to the success of Breaking the Waves. Production designer Tony Fanning, whose credits include Lemony Snicket's A Series of Unfortunate Events, Amistad and Straw Dogs, is a new collaborator for Darrah, and is making his Opera Philadelphia debut. The film will be edited by Adam Larsen, a filmmaker himself and the projection designer for Breaking the Waves.
About Opera Philadelphia
Opera Philadelphia is committed to embracing innovation and developing opera for the 21st century. O17, its first annual season-opening festival, was welcomed as "one of the most enjoyable additions to the fall calendar in years" (Washington Post). Now the 2018-19 season kicks off with O18, comprising five operatic happenings - two world premieres, two new productions, and a three-part cabaret event - at multiple venues across Philadelphia. The festival sees Lembit Beecher and Hannah Moscovitch, the team behind O17's I Have No Stories to Tell You, return for the world premiere of Sky on Swings, a chamber opera exploring the impermanence of memory, starring Frederica von Stade and Marietta Simpson. Anthony Roth Costanzo headlines the world premiere of Glass Handel, the immersive, multidisciplinary operatic installation he is creating with transmedia specialist Visionaire at the Barnes Foundation. New productions include Brenda Rae singing the title role in Laurent Pelly's new mainstage production of Donizetti's Lucia di Lammermoor, and Ne Quittez Pas at the Theater of Living Arts. The latter venue also hosts Queens of the Night, a three-night cabaret takeover starring Opera News Award-winner Stephanie Blythe and self-described "drag queen king" Dito van Reigersberg. Described as "the very model of a modern opera company" (Washington Post), Opera Philadelphia was the only American finalist for the 2016 International Opera Award for Best Opera Company. For more information, visit operaphila.org.
Photo: Ne Quittez Pas set design by Tony Fanning
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