Photos: Steppenwolf Celebrates Opening Night of THE THANKSGIVING PLAY
by Nicole Rosky
- May 14, 2024
Steppenwolf Theatre Company continues its 48th season with the Chicago premiere of Larissa FastHorse’s The Thanksgiving Play, a biting comedy about everything right, wrong and woke in America, directed by Jess McLeod. Check out photos from inside opening night here!
Review: DESCRIBE THE NIGHT at Steppenwolf Theatre Company
by Rachel Weinberg
- Mar 13, 2023
Rajiv Joseph’s DESCRIBE THE NIGHT, now in its Chicago premiere at Steppenwolf Theatre Company, is a sprawling exploration of the blurring of fiction and fact, censorship, and the quest to preserve truth.
Steppenwolf Announces LookOut Performance Series Kicking Off June 4
by A.A. Cristi
- May 18, 2022
LookOut, Steppenwolf Theatre's popular performance series that presents the work of artists and companies across genre and form, proudly announces its Summer 2022 season, featuring a riotously eclectic lineup of performances spanning the gamut of music, drag, storytelling and more.
Steppenwolf Theatre Opens SEAGULL in the New Ensemble Theater Through June 12
by Stephi Wild
- May 9, 2022
Steppenwolf Theatre Company, the nation's premier ensemble theater company, opens its stunning new in-the-round Ensemble Theater in Honor of Helen Zell—the centerpiece of its recently unveiled Lefkofsky Arts and Education Center—with ensemble member Yasen Peyankov's extraordinarily funny and lyrical adaptation of Anton Chekhov's Seagull, now through June 12, 2022.
BWW Review: SEAGULL at Steppenwolf Theatre Company
by Rachel Weinberg
- May 9, 2022
Yasen Peyankov’s adaptation of Anton Chekhov’s SEAGULL proves a wry vehicle to showcase the talents of many of his fellow Steppenwolf ensemble members who haven’t graced the stage since before the COVID-19 pandemic. Peyankov’s adaptation is direct, self-aware, and rife with dry (extremely dry) humor. The ennui that pierces SEAGULL is deeply and obviously felt throughout this adaptation of the text. References to Chekhov’s native Russia abound in Peyankov’s script, but the language feels modern and direct.
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