William Blake News

Sydney Philharmonia Choirs has announced its 2025 Concert Season. Learn more about the full season lineup here and find out more about how to get tickets!

Teatro Paraguas will present a Bird Thompson Poetry Reading on Sunday, November 17, 2024 from 5:00pm - 6:00pm at Teatro Paraguas.

Choreographer and Sadler's Wells Associate Artist Michael Keegan-Dolan will bring back his company Teaċ Daṁsa to Sadler's Wells Theatre from Wednesday 27 November – Saturday 30 November.  

REDCAT has announced performances by THE WOOSTER GROUP from Oct. 18-20 and 22-23, featuring a reimagined version of Richard Foreman's 1988 play with a multilayered sound and video score.

The 92nd Street Y, New York will present Caroline Shaw, Alicia Olatuja & Sō Percussion: Rectangles and Circumstance on Wednesday, October 23, 2024 at 7:30pm on the David Geffen Stage at Kaufmann Concert Hall.

Gary Van Miert will release his third LP, 'If I Stop Moving, I'll Fall From the Sky,' exploring planes of existence and self-awareness. Lead single drops September 13th.

On September 6 THE THE will release Ensoulment, their first studio album in a quarter century. Ahead of the release, they share the LP’s 3rd single, “Some Days I Drink My Coffee By The Grave Of William Blake.” 

The 16th annual Bring A Weasel and A Pint of Your Own Blood Festival, created by experimental theater legend Mac Wellman, will take place this year at the BAM Fisher (Fishman Space) on September 13th - September 15th, 2024.

DTF 2024 will welcome back Teaċ Daṁsa for our opening production, Nobodaddy, a feast of dance, music and theatre created by Michael Keegan-Dolan in collaboration with a team of Irish and international artists.

THE THE, one of the most acclaimed and cherished bands of the last few decades, have announced the forthcoming release of their first album in a quarter century. Ensoulment - a 12-song album - will be released on September 6 on Cinéola / earMUSIC. Encompassing characteristic topics ranging from love & sex, war & politics, life & death – to the meaning of what it is to be human in the 21st century – Ensoulment was written, demoed and mixed at Studio Cinéola in London, the base of THE THE’s main creative force, Matt Johnson. Listen to a single now!

 The world premiere of Extreme Acts by award-winning playwright Lynne Kaufman, which was originally announced as a two-play production at The Marsh San Francisco has now been updated to a 60-minute standalone performance.

The Marsh San Francisco will present the world premiere of Extreme Acts, the thought-provoking latest work by award-winning playwright Lynne Kaufman, directed by Molly Noble. Learn more and see how to purchase tickets.

ArtsRock presents Parthenia Viol Consort in the second of this season's Candlelight Concerts at the historic First Reformed Church in Nyack.

Master Drawings New York, the premier U.S. drawings showcase, will take place from January 27 through February 3, 2024. The exhibition will feature exceptional and rare works on paper from the 15th to the 21st centuries, as well as paintings and sculpture. Don't miss this highly anticipated event!

UCLA's Center for the Art of Performance (CAP UCLA) will present two nights of deep-rooted storytelling through music and poetry at The Nimoy with Martha Redbone Roots Project on Friday, February 9 followed by the continuation of the Poetry Uncut series: Part II as J. Ivy hosts performances by Ursula Rucker and Abiodun Oyewole on Saturday, February 10.

RED BULL THEATER has revealed the cast for the next offering of the new season of OBIE Award-winning Revelation Readings: The Revenge by Edward Young, directed by Nathan Winkelstein.

The Dallas Symphony Orchestra, London Philharmonic Orchestra, and American Composers Orchestra partner to share the world premiere performance of Ukrainian composer Victoria Vita Poleva’s Symphony No. 4 'The Bell' for cello and orchestra.

Master Drawings New York (MDNY), the premier U.S. drawings showcase, has announced its exhibitors for the 2024 fair, on view from January 27 through February 3 in more than two dozen galleries on Manhattan’s Upper East Side.

300 years have passed since Jephtha, Handel’s Greek tragedy-infused oratorio, was heard at Covent Garden. Now a lustrous new production helmed by artistic director Oliver Mears begs the question: is it a lost classic? Or one to consign to the history books?

Set to the “heartbeat” of an unbelievably brilliant sound design by Jeremy Douglass, Jobsite Theater’s presentation of Nick Dear’s Frankenstein, is a slow-burn, salt-in-the-wound, gripping, tour-de-force that will leave you speechless.