Tony Sancho News

This gorgeous show is exactly the kind of thing we need more of right now – a celebration of the indomitable human spirit and a challenge to us all to not just imagine a better world but to make that world a reality.

In its third and final stop on a captivating tour of the West Coast, Portland Center Stage will welcome this brilliant adaptation of the classic 17th century novel by Miguel Cervantes. 

Last night, The 24 Hour Plays and the New Sanctuary Coalition, an organization working tirelessly to liberate immigrants (Friends) from detention and help them remain safely in the United States, came together to tell the powerful stories of Friends navigating this unprecedented moment in time.

Tonight, The 24 Hour Plays is collaborating with the New Sanctuary Coalition, an organization working tirelessly to liberate immigrants (Friends) from detention and help them remain safely in the United States.

The family at the epicenter of John Steinbeck's groundbreaking novel The Grapes of Wrath forever captured the nation's heart in 1940 with a celebrated film version starring Henry Fonda. Now, Arena Stage is continuing the Joad family story with Mother Road, a play in which actor Tony Sancho finds himself carrying on the legacy of these beloved characters whose story has suddenly found renewed relevance eight decades later.

Arena Stage at the Mead Center for American Theater presents Octavio Solis' Mother Road, a sequel to John Steinbeck's The Grapes of Wrath. Mother Road premiered at the Oregon Shakespeare Festival in 2019 and will run at Arena Stage through March 8, 2020 in the iconic in-the-round Fichandler Stage.

By 1939. the Depression had begun to wane, but Dorothy still took a road trip to Oz to find out that there's no place like home. John Steinbeck published The Grapes of Wrath that year; the Joad family also had to leave their Oklahoma home and hit the road because the Dust Bowl was no Miss Gulch nor a dream they'd wake up from. Steinbeck called the road they took, Route 66, the Mother Road which has given Octavio Solis his title for Arena's current production through March 8.

Arena Stage at the Mead Center for American Theater presents Octavio Solis' Mother Road, a sequel to John Steinbeck's The Grapes of Wrath. Mother Road premiered at the Oregon Shakespeare Festival in 2019 and will run at Arena Stage from February 7 - March 8, 2020 in the iconic in-the-round Fichandler Stage.

Arena Stage at the Mead Center for American Theater presents Octavio Solis' Mother Road, a sequel to John Steinbeck's The Grapes of Wrath. Mother Road premiered at the Oregon Shakespeare Festival in 2019 and will run at Arena Stage from February 7 – March 8, 2020 in the iconic in-the-round Fichandler Stage.

Arena Stage at the Mead Center for American Theater announces casting for Octavio Solis' Mother Road, a sequel to John Steinbeck's The Grapes of Wrath. Mother Road premiered at the Oregon Shakespeare Festival in 2019 and will run at Arena Stage from February 7 - March 8, 2020 in the iconic in-the-round Fichandler Stage.

The Tony Award winning Oregon Shakespeare Festival (OSF) will launch its 84th year and Bill Rauch's final season as artistic director with preview performances beginning on March 1. The 2019 season officially kicks off Friday night, March 8, in the Angus Bowmer Theatre with Shakespeare's As You Like It (director, Rosa Joshi). On Saturday afternoon, Cambodian Rock Band (director, Chay Yew) opens in the Thomas Theatre, and Hairspray The Broadway Musical (director, Christopher Liam Moore) opens that evening in the Angus Bowmer Theatre. On Sunday afternoon, the drama by Southern Oregon based playwright Octavio Solis, Mother Road (director, Bill Rauch), will see its world premiere in the Angus Bowmer Theatre.

More than 60 Chicagoland students make their Goodman Theatre debut on the mainstage to conclude summer programming-PlayBuild Youth Intensive and Musical Theater Intensive-on August 10 and 11 at 7pm. The free programs were taught over a course of seven-to-eight weeks in the Alice Rapoport Center for Education and Engagement.

Laguna Playhouse presents the third show in the Laguna Playhouse 2017-2018 and 97th season: TWELVE ANGRY MEN, written by Reginald Rose and directed by Ovation Award-winning director Michael Matthews. BroadwayWorld has a first look at the cast in action below!

Laguna Playhouse is thrilled to announce the third show in the Laguna Playhouse 2017-2018 and 97th season, TWELVE ANGRY MEN, written by Reginald Rose and directed by Ovation Award-winning director Michael Matthews.

Laguna Playhouse has announced the third show in the Laguna Playhouse 2017-2018 and 97th season, TWELVE ANGRY MEN, written by Reginald Rose and directed by Ovation Award-winning director Michael Matthews.

More than 60 Chicagoland teenagers will perform in two final showcases at Goodman Theatre to conclude the theater's summer programming-Playbuild Youth Intensive and Musical Theater Intensive-on August 11 and 12 at 7pm. Both programs were offered free of charge and taught over a course of seven-to-eight weeks in the Alice Rapoport Center for Education and Engagement ("the Alice"). This year's theme, "What it Means to be an American," uses Langston Hughes' poem "I too, Sing America" as inspiration. The final performances are scheduled for Friday, August 11 and Saturday, August 12 at 7pm at Goodman Theatre (170 N. Dearborn). Tickets are free but reservations are required; call 312.443.3800.  For more information, visit GoodmanTheatre.org/PlaybuildYouthFinal and GoodmanTheatre.org/MusicalTheaterFinal.

Ah, yes. 2013 was indeed an outstanding year for theater in Southern California. Even better: Orange County---my home base---boasted some of the best shows, period---marking an exciting theater renaissance in brilliance and artistry that I hope continues to grow here inside L.A.'s next door neighbor. With that said, here is my Top 10 Stage Shows of 2013 from Orange County and adjacent locales nearby, followed by my picks for the year's best performances.

MainStreet Theatre Company has announced the first production of its 2013/2014 season, Aesop in Rancho Cucamonga, a world premiere play by Luis Alfaro and directed by Robert Castro. Now in its eighth season, MainStreet Theatre Company commissioned this adaptation of Aesop's Fables with a generous grant from the James Irvine Foundation. The production, which is also supported in part by a grant from the National Endowment for the Arts, will play two school performances on October 25 and open to the public on Saturday, October 26 at 4pm. The strictly limited engagement will run through Sunday, November 10 only.

This September, the Getty Museum and CalArts' Center for New Performance (CNP), in association with Trans Arts, will presentPrometheus Bound, the eighth annual outdoor theater production in the Getty Villa's Barbara and Lawrence Fleischman Theater. Featuring a newly-translated text by noted poet and essayist Joel Agee, Prometheus Bound will be directed by Travis Preston, artistic director of CNP and dean of the CalArts School of Theater, and include original music by composer Ellen Reid and celebrated jazz multi-instrumentalist Vinny Golia (who will also perform live onstage).

"Remixing the March," Goodman Theatre's year-long commemoration of the historic March on Washington for Jobs and Freedom, continues this summer: youth participants in General Theater Studies (GTS) combine talents with senior citizens of the GeNarrations writing program to create a performance piece that views the historic event through a contemporary lens. As part of the annual GTS six-week summer program (through August 12), 80 teenage participants initiate discussions with GeNarrations participants about their recollections of the March, including Martin Luther King, Jr.'s 1963 "I Have a Dream" speech. From these interviews, the students blend their own stories into an original performance piece to be presented almost 50 years to the day.