Photos: THE BLOOD QUILT at Lincoln Center Theater
by Stephi Wild
- Nov 7, 2024
The Lincoln Center Theater production of Katori Hall’s THE BLOOD QUILT is currently in previews at the Mitzi E. Newhouse Theater. Check out all new production photos here!
LCT's THE BLOOD QUILT to Offer $39 Tickets Through Online Lottery
by Chloe Rabinowitz
- Oct 28, 2024
Lincoln Center Theater is launching an online ticket lottery for its production of Katori Hall’s THE BLOOD QUILT. Gathering at their childhood island home off the coast of Georgia, four sisters meet to create a family quilt to honor their recently deceased mother. Learn more about the production and see how to purchase discounted tickets.
Photos: THE BLOOD QUILT Rehearsals at Lincoln Center Theater
by Chloe Rabinowitz
- Sep 30, 2024
Get a first look inside rehearsals for the Lincoln Center Theater production of THE BLOOD QUILT. The play is written by Katori Hall and directed by Lileana Blain-Cruz. Learn more about the production and see how to purchase tickets.
Video: See Highlights From SIX CHARACTERS At Lincoln Center
by A.A. Cristi
- Jul 30, 2024
The Lincoln Center Theater/LCT3 production of SIX CHARACTERS, a new play by Phillip Howze and directed by Dustin Wills, opened last night at the Claire Tow Theater. Check out a video montage of the production!
Video: West Coast Cast of A STRANGE LOOP Performs 'Today'
by Joshua Wright
- May 17, 2024
xGet a first look at the West Coast Premiere production of A Strange Loop's cast performing 'Today' in an all-new video from the San Francisco run before the production arrives at the Ahmanson Theatre June 5, 2024.
Review: John Adams's EL NINO Finally Arrives at the Met After World Travels
by Richard Sasanow
- Apr 24, 2024
Back in December, I saw the chamber version of John Adams’s EL NINO—dubbed EL NINO: NATIVITY RECONSIDERED—at the Cathedral of St. John the Divine. Pared down to its essence, it was wonderful, starred two of the singers who made their debuts in the premiere at the Met, soprano Julia Bullock and bass-baritone Davone Tines plus countertenor Anthony Roth Costanzo, who were at their best. It was a somber evening in a dramatic setting—a far cry from the oratorio/opera’s over-the-top welcome to Lincoln Center last night, in Lileana Blain-Cruz’s production that made me wonder what Franco Zeffirelli might have done with it. Think the Parisian throngs in Act II of the Met’s LA BOHEME (which, of course, is one of the Met’s most popular productions with audiences).
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