Broadway Buying Guide: January 29, 2024
by Team BWW
- Jan 29, 2024
Looking for the best deals on Broadway shows? Welcome to our new weekly guide to the most popular shows listed on BroadwayWorld. Check out which shows are selling this week, January 29, 2024.
SPAMALOT, SWEPT AWAY And More Nominated for 2024 Helen Hayes Awards
by A.A. Cristi
- Jan 22, 2024
Tonight, at a celebration honoring outstanding theatre on stages across the Washington area, theatre artists, administrators, patrons, and special guests gathered at the ATLAS Performing Arts Center for Theatre Washington's announcement of nominees for the 40th Helen Hayes Awards.
Broadway Buying Guide: January 22, 2024
by Team BWW
- Jan 22, 2024
Looking for the best deals on Broadway shows? Welcome to our new weekly guide to the most popular shows listed on BroadwayWorld. Check out which shows are selling this week, January 22, 2024.
Interview: Bryan Charles Moore of FUNNY GIRL at Orpheum Theatre Minneapolis
by Jared Fessler
- Jan 19, 2024
Featuring one of the most iconic scores of all time by Jule Styne and Bob Merrill, an updated book from Harvey Fierstein based on the original classic by Isobel Lennart, tap choreography by Ayodele Casel, choreography by Ellenore Scott and direction from Michael Mayer, this love letter to the theatre has the whole shebang!
Review: FUNNY GIRL at Orpheum Theatre Minneapolis
by Jared Fessler
- Jan 17, 2024
What did our critic think of FUNNY GIRL at Orpheum Theatre Minneapolis? Featuring one of the most iconic scores of all time by Jule Styne and Bob Merrill, an updated book from Harvey Fierstein based on the original classic by Isobel Lennart, tap choreography by Ayodele Casel, choreography by Ellenore Scott and direction from Michael Mayer, this love letter to the theatre has the whole shebang!
Broadway at TPAC Opens 2024 Live Theater in Nashville With 'Startling, Stunning, Sexy' FUNNY GIRL
by Jeffrey Ellis
- Jan 3, 2024
What a way to open a brand-new year of live theater in Nashville: in Funny Girl, audiences may have found exactly what they were longing for as Tennessee Performing Arts Center’s touring presentation provides a portentous kick-off to 2024. In fact, we can’t recall a standing ovation more gratifyingly sincere and genuine in the 35+ years we’ve been reviewing shows at TPAC than the one with which the company was rewarded on opening night in Andrew Jackson Hall. It was appreciative and effusive – downright enthusiastic and straight from the heart – the thunderous and sustained reaction to two-and-a-half hours of gloriously exhilarating musical theatre straight out of the golden age.
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