Interview: Director Jeff Liu of PARANORMAL INSIDE at East West Players
by Shari Barrett
- Oct 5, 2025
I spoke with Jeff Liu about his journey directing Paranormal Inside after The Brothers Paranormal, the difference between the two scripts and the characters’ friendship, his experience working with its original cast members, and any updates on what a spectacular boo-fest the production promises to be.
Review: DID YOU SEE WHAT WALTER PAISLEY DID TODAY? Scares Up Tons of Laughs in La Mirada
by Michael Quintos
- Mar 25, 2023
An admirable, absurdly funny first full production of a brand new musical, WALTER PAISLEY, is perhaps one of the most enjoyable work-in-progress shows this reviewer has seen in a long time. This delightful world premiere production---filled with madcap antics and a humorously pulpy plot---continues in La Mirada through April 2, 2023.
Photos: First Look at AIN'T MISBEHAVIN' at Rubicon Theatre Company
by Blair Ingenthron
- Dec 3, 2022
Rubicon Theatre Company has released production photos for the fifth show of its 2022-2023 “Welcome Home” season, the 1978 Tony Award-winning musical celebration, AIN’T MISBEHAVIN’, featuring the music of Thomas “Fats” Waller, conceived by Murray Horwitz & Richard Maltby, Jr., musical direction by William Foster McDaniel, choreography by Dominique Kelley and directed by Wren T. Brown.
Review: THE BROTHERS PARANORMAL at East West Players
by Evan Henerson
- Dec 1, 2022
Prince Gomolvilas’s tale of a pair of aspiring sibling ghostbusters is actually a shrewd rumination on cultural identity and the processing of grief that also happens to contain – in director Jeff Liu’s solid production – some first-rate scares.
Review: Excellent Performances Empower A FEW GOOD MEN at La Mirada
by Michael Quintos
- Nov 4, 2022
Undeniably compelling but also, at times, comfortably predictable, Aaron Sorkin's A FEW GOOD MEN is, for all intents and purposes, really a showcase for enthralling live acting performances. The McCoy Rigby Entertainment production continues at the La Mirada Theatre for the Performing Arts through November 20, 2022.
Cast & Crew Announced for THE BROTHERS PARANORMAL at East West Players
by Chloe Rabinowitz
- Oct 12, 2022
East West Players will present The Brothers Paranormal. Written by East West Players multi-produced playwright Prince Gomolvilas and directed by Jeff Liu, The Brothers Paranormal performs November 17 through December 11, 2022 with opening night on Sunday, November 20.
A FEW GOOD MEN to be Presented at La Mirada Theatre in October
by Chloe Rabinowitz
- Sep 27, 2022
La Mirada Theatre for the Performing Arts and McCoy Rigby Entertainment will present the second show of their 2022-2023 season, the rarely produced and widely acclaimed military masterpiece A FEW GOOD MEN, written by Aaron Sorkin and directed by Casey Stangl.
Odyssey Theatre to Present A DAY IN THE DEATH OF JOE EGG in October
by Chloe Rabinowitz
- Aug 30, 2022
Odyssey Theatre Ensemble will present a compelling revival of Nichols’ semi-autobiographical dark comedy, directed by Ethan Maniquis. Public previews begin October 5. Performances will continue through November 21 at the Odyssey’s three-theater complex in West L.A.
Olympic Ballet Theatre Presents DON QUIXOTE
by Stephi Wild
- May 9, 2022
Olympic Ballet Theatre (OBT) presents a three-act production of Don Quixote, with choreography staged after the production by Marius Petipa and Alexander Gorsky.
BWW Review: BLUES FOR AN ALABAMA SKY at Center Theatre Group
by Andrew Child
- Apr 14, 2022
Pearl Cleage’s Blues for an Alabama Sky at Center Theatre Group gets a few topical buzz words in there, but there is nothing fresh, urgent, or timely about the piece. Pitting a closed-minded character against a cohort of progressive friends, the play is deadly: as dull as its message is heavy-handed.
Black Out Night Announced for BLUES FOR AN ALABAMA SKY
by Chloe Rabinowitz
- Mar 29, 2022
Actress Wendy Raquel Robinson will begin the night with a pre-show address welcoming the audience into the theatre for this special performance of “Blues for an Alabama Sky” intended for Black-identifying theatregoers.
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