Interview: Matt Rodin Got Married, But Is Not Getting Married in COMPANY Every Night at the Pantages
by Gil Kaan
- Aug 9, 2024
Currently at the Pantages the national touring company of the reworked Company through August 18, 2024. Marianne Elliott directs the cast of Britney Coleman, Judy Mclane, Matt Bittner, Derrick Davis, Jessie Hooker-Bailey, Javier Ignacio, James Earl Jones II, Marina Kondo, Jhardon Dishon Milton, Matt Rodin, Emma Stratton, Jacob Dickey, Tyler Hardwick, David Socolar, Matthew Christian, Christopher DeAngelis, Kenneth Quinney Francoeur, CJ Greer, Elysia Jordan, Beth Stafford Laird, Emilie Renier and Christopher Henry Young. Matt Rodin, the actor with the wonderful motor-mouth singing the hundred-words-a-minute tune “Not Getting Married,” took some time between shows to answer a few of my queries.
Review: COMPANY at Hollywood Pantages Theatre
by Andrew Child
- Aug 3, 2024
The production is entirely fused with the bluish glow of the cellphones which tether the characters together and, in many ways, the continued relevance of the themes of the piece shine through. Musings on connections and loneliness seem freshly pertinent as Bobbie flicks through voicemails alone in her tiny apartment.
Review: COMPANY at The Paramount Theatre
by Jay Irwin
- Jul 24, 2024
I’m about to commit a musical theater geek sin, Dear Readers, so get the torches and pitchforks ready. I don’t care for Stephen Sondheim’s show, “Company”. I appreciate it for what it is, but I think it rambles, and ultimately says not very much at all. Then along comes the revival of the show with a gender swap element, currently playing at the Paramount. And this new take did not help my appreciation, in fact it exasperates all the things I find problematic with the show and adds in a slew of new issues.
Review: COMPANY at Orpheum Theatre
by Steve Murray
- Jun 9, 2024
What a mess – the characters I mean. Sondheim’s original Tony-winning play examines both the merit and harsh realities of relationships as seen through the perspective of a detached, intimacy avoiding individual. They’re all delightfully dysfunctional, their relationships messy, beautifully mirroring reality.
Review: Gender-Swapped COMPANY Cleverly Reimagines Sondheim Show
by R. Scott Reedy
- Apr 8, 2024
More than 50 years after its original Broadway production, which had a Boston tryout at the Shubert Theatre, the Stephen Sondheim musical Company, with book by George Furth, had its third revival in 2021, in a sprightly, cleverly reimagined, gender-swapped production that won five Tony Awards including Best Revival of a Musical.
Review: COMPANY at Kennedy Center
by Shelby Tyler
- Mar 15, 2024
Phone rings, door chimes, in comes a dazzling reimagined production of Stephen Sondheim’s and George Furth’s classic, COMPANY, to the Kennedy Center stage.
COMPANY to be Presented at the Benedum Center in April
by Chloe Rabinowitz
- Mar 14, 2024
The Broadway revival of Stephen Sondheim's and George Furth's COMPANY, winner of five 2022 Tony Awards including Best Musical Revival, will be on stage at the Benedum Center for eight performances. See how to purchase tickets.
Review: Gender-Swapped COMPANY Falls Flat at the Ohio Theatre Despite Genius Sondheim Score
by Christina Mancuso
- Feb 14, 2024
Nominated for a record-setting 14 Tony Awards and winning 6 in the original production in 1970, Stephen Sondheim’s COMPANY was one of the first musicals to deal with contemporary dating, marriage, and divorce. Originally played by a male lead, Director Marianne Elliott (with approval from Sondheim) decided to swap genders in the second West End revival in 2018, and Bobby then became Bobbie.
Review: COMPANY at Peace Center
by Elizabeth Cortes
- Feb 5, 2024
Sometimes art imitates life, and such was the case when both Britney Coleman (Beautiful: The Carole King Musical, Beetlejuice, Sunset Boulevard) and her character both celebrated their 35th birthdays at Tuesday night’s performance of Stephen Sondheim's Company at the Peace Center. In this fresh new production, the classic score shines in its full glory. That alone makes seeing this national tour of Company worth it, even without a meta-theatrical serenade of “Happy Birthday” at the curtain call.
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