Charles L. Mee News

The world-renowned SITI Company has released a groundbreaking new book, 'SITI Company: This Is Not A Handbook.' Filled with anecdotes, backstage shenanigans, and intimate investigations of craft, this book captures the ensemble's 30 years of working together.

The award-winning SITI Company has announced the final details for the SITI Legacy Plan. This includes the SITI Living Archive - a robust physical and digital archive, the book SITI Company: This Is Not A Handbook, transition grants for ensemble artists totaling $180,000, and the appointment of Brad Carlin as Managing Director.

SITI Company’s Board of Directors announced that longtime Executive Director, Michelle Preston, will be stepping down at the end of October after 10 years of leadership. Preston began her tenure at SITI as the Deputy Director in 2012 and was named SITI’s Executive Director in 2014 following the departure of Megan Wanlass.

The award-winning SITI Company has announced additional details for its Finale 30th Anniversary Season. At the conclusion of the finale season in December 2022, SITI Company will cease to operate in its current iteration as a touring, teaching, performing ensemble with an administrative staff and a studio.

You owe it to yourself to see the most divisive musical of the year... or maybe of the decade.

Charles L. Mee’s rumination on the foibles of love and the love of foibles is enjoying a gloriously self-indulgent revival at the Berkeley Repertory Theatre’s Roda Theatre through December 19. The Les Waters-directed production is every inch an old home week occasion at Berkeley Rep, featuring longtime company members James Carpenter, Sharon Lockwood and Lori Holt.

Who doesn't enjoy a good farce? The genre's been around since recorded history, and playwright Charles L. Mee is a whiz at incorporating his influences throughout Wintertime, his comedy of the heart that sparkles with wit, charm and superb ensemble acting opening Berkeley Rep's first in-person performance in twenty long, long months.

The North American tour of Rogers & Hammerstein's Oklahoma! began performances at the Orpheum Theatre in Minneapolis, MN on November 9, 2021 and will continue to play over 25 cities during the 2021-2022 season including stops in Los Angeles, San Francisco, Dallas, Philadelphia, Washington D.C., Chicago and Nashville, and more. Read the reviews!

After more than three decades leading creative operations for one of America’s largest theaters, Tony Award-winner Robert Falls is ending his tenure as Artistic Director of Goodman Theatre. Today, Falls announced his intention to step down next summer at the completion of the current 2021/2022 Season.

Berkeley Repertory Theatre today announced casting for its production of Wintertime by Charles L. Mee, directed by Berkeley Rep's former Associate Artistic Director Les Waters.

Originally, the 2021/22 season was scheduled to begin on October 1, 2021 with the world premiere of the ripple, the wave that carried me home, written by Christina Anderson and directed by Miranda Haymon. That production will now be the final show of the 2021/22 season, beginning performances on September 9, 2022.

Berkeley Rep’s leadership announced today that after being closed for a year and a half, the Tony Award-winning theatre will reopen for live performances on Friday, October 1. The 2021-22 subscription season kicks off with a Berkeley Rep commission, Christina Anderson’s the ripple, the wave that carried me home, directed by Miranda Haymon. 

Wrapping up its fourth annual new play reading series Brave New Works 2021: Zoom, Brooklyn’s Brave New World Repertory Theatre announces its third and last offering, Go Down Moses by Dana Leslie Goldstein, set for March 28 at 7pm.

As part of its fourth annual new play reading series Brave New Works 2021: Zoom, Brooklyn's Brave New World Repertory Theatre announces its second offering, The Killing of Kings by Nadira Simone, set for February 28 at 7pm.

Brooklyn’s Brave New World Repertory Theatre has announced its fourth annual new play reading series Brave New Works 2021: Zoom. Brave New Works has sought out new plays that address a number of hot-button issues - Race in America, Diversity, Climate Change, and now Police Brutality and Reform.

Brooklyn’s Brave New World Repertory Theatre has announced its fourth annual new play reading series Brave New Works 2021: Zoom. Brave New Works has sought out new plays that address a number of hot-button issues - Race in America, Diversity, Climate Change, and now Police Brutality and Reform.

If you've attended theater in the Bay Area with any degree of regularity over the past few decades, chances are you've seen actress Lorri Holt - a lot! Since the 1980's, Holt has become a veritable local treasure, performing with theater companies large and small across the Bay Area, creating roles in scores of new plays along the way. Among many career highlights, she was part of the fabled Eureka Theatre Company that commissioned Tony Kushner to write Angels in America where Holt originated the role of Harper Pitt. Holt's latest performance, in Who Killed Sylvia Plath? by award-winning playwright Lynne Kaufman, is enjoying a virtual return engagement on MarshStream November 28th and 29th after winning the award for Best Full Length at the recent MarshStream International Solo Fest. The play had premiered at The Marsh in 2019 before being adapted into a virtual offering for Solo Fest. For further details on the livestream, visit the MarshStream website. BroadwayWorld speaks with Holt from her home in Nevada City, California where she relocated just prior to the Covid pandemic.

Audiences worldwide have one final week to stream Utopia, the wildly inventive premiere from Obie Award winning playwright Charles L. Mee, presented by San Francisco's Cutting Ball Theater.

The name Ariel Craft evokes an improbable combination of magic and skill, whimsy and rigor. If that weren't already her real name, I honestly don't think you could invent a more apt moniker for the director of Charles L. Mee's Utopia now enjoying a virtual world premiere from San Francisco's Cutting Ball Theater. After all, it takes a person of uncommon prowess and boundless creativity to bring this kind of unorthodox play to life. Utopia is a quirky, multidisciplinary work incorporating contemporary dance and animated artworks by disabled artists to offer a delightful commentary on life, love and the absurdity of the everyday. Utopia is available for streaming on demand through November 15th. For further information or to order tickets visit cuttingball.com or call (415) 525-1205. BroadwayWorld caught up with Craft from her home in Berkeley while she was in the thick of rehearsals for Utopia.

The Nevada Conservatory Theatre (NCT) at UNLV, along with its sister arts organizations, has faced a year of challenge and uncertainty, yet always holding true to its mission to entertain, provoke, and inspire. With this in mind, NCT is pleased and extremely proud to announce its season, made possible by interdisciplinary collaboration with colleagues in the UNLV Department of Film.