Theatre Forty Reveals 58th Season Lineup
by Stephi Wild
- May 20, 2024
Theatre 40, the professional non-profit theatre company of Beverly Hills, is coming back with a season of seven plays this year. Check out the full lineup here!
HOW THE OTHER HALF LOVES Comes to City Theatre Austin in June
by Stephi Wild
- May 14, 2024
City Theatre Austin will open its 2024 summer season with the brilliantly crafted comedy How the Other Half Loves. Guest director J. Kevin Smith leads the production with show dates June 7 – 23 at Genesis Creative Collective.
Autumn Season From John Godber Company Revealed
by Stephi Wild
- May 8, 2024
Touring theatre company The John Godber Company has revealed its autumn season, full of reimagined classics and brand new plays! Learn more about the lineup here!
TAKING STEPS Comes to the Main Street Theater This Month
by Stephi Wild
- May 7, 2024
Main Street Theater is producing the rollicking British farce, Taking Steps by internationally-acclaimed playwright, Sir Alan Ayckbourn. When the play first premiered in England, on its original opening night, the laughter was so loud it broke the theater's PA system!
FOOTLOOSE Comes to New Wolsey Theatre This Autumn
by Stephi Wild
- Apr 17, 2024
The New Wolsey Theatre is working in partnership with Pitlochry Festival Theatre to stage a spectacular new production of the explosive musical Footloose, which headlines an exciting programme of shows for audiences at the Ipswich venue this Autumn.
Full Cast Set For the RSC'S THE MERRY WIVES OF WINDSOR
by Stephi Wild
- Apr 8, 2024
The full cast has been announced for the RSC's forthcoming production of Shakespeare's suburban comedy, The Merry Wives of Windsor. Directed by Blanche McIntyre, the show runs in repertoire in the Royal Shakespeare Theatre, Stratford-upon-Avon between 5 June – 7 September.
BWW Q&A: Robin Herford of THE WOMAN IN BLACK at Herberger Theater Center
by Joshua Wright
- Feb 1, 2024
Direct from the United Kingdom, with a cast from the West End of London, comes the second longest-running play in the history of British Theatre. Stephen Mallatratt adapts Susan Hill’s 1983 novel into a bone-chilling drama capturing its essence with masterful precision.
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