Zachary Clause Adds Encore Performance of SHERRY TAKES A HOLIDAY
This fall, haute camp provocateur Zachary Clause ('On a Beach' and 'Zachary Clause Does Bette Midler at the Continental Baths, 1971') sets the stage for a voyage like no other, as his drag alter ego, Sherry Duvall-Covington comes back to life in the uproarious drag comedy cabaret, Sherry Takes A Holiday on Wednesday, October 23, at Red Eye.
New Show Incubation Heats Up At PANGEA In April With Music, Comedy, And More!
Pangea, a vital incubator for new work crossing boundaries between theatre, music and elsewhere, welcomes back the American singer-comedian David Mills who emerges from a fruitful London exile (where he became a prominent comic voice) with a new Pangea residency starting with shows on Sat April 22 and 29, both at 9:30pm.
Zachary Clause Brings SHERRY AT A FUNERAL to Joe's Pub
After a sold-out engagement this past fall at Pangea, Zachary Clause has announced that he is bringing his latest cabaret comedy, Sherry at a Funeral, to Joe's Pub (425 Lafayette St.) on Tuesday, February 4. Doors open at 9:00pm with the show beginning at 9:30pm.
Justin Sayre Returns With THE MEETING - Celebrating 10 Years In Cabaret at Joe's Pub
Justin Sayre returns to Joe's Pub with another edition of their long-running Queer Variety Show, The Meeting. Sayre is celebrating 10 years since the formation of The Meeting in 2009, the show went on to become the longest running LGBTQ variety show in New York. Sayre will offer stories and songs with a host of downtown royalty, from Angela DiCarlo, Nadia Quinn, Amber Martin, and Phillip Taratula as Pam Goldberg on Friday night, December 6th. And Nathan Lee Graham, Natalie Joy Johnson, Dane Terry, Zachary Clause and Shane O'Neill as Jane Johnson. Tracy Stark will be Musical Director.
BWW Review: Zachary Clause And Courtney Cowart Kill It In SHERRY AT A FUNERAL at Pangea
Death is a cabareta?'a riotous cabaret in Sherry At A Funeral, which just opened its two-night run to a sold-out crowd at Pangea. The show is created by Zachary Clause and Reed Whitney (Whitney also acting as director), performed by Mr. Clause and Courtney Cowart, with musical direction by Karl Saint Lucy.
What I love about funerals is the space they afford prying curiosity. You can get away with a lot - a funeral is an event, an opportunity to share information, gossip, as well as reflect and re-ignite long-simmering resentments. As creators Claus and Whitney so breathlessly demonstrate, a funeral is also an invitation to renew bonds to family and celebrate the ecstasies of grief, the Scissor Sisters, Elton John, and Diana Ross.
The show invites audiences once more into the world of Clause's alter-ego, Sherry Duval-Covington, as she makes a cabaret of her mother's funeral. If you're unfamiliar with the previous two shows featuring Sherry you'll still enjoy the show but some background will help.
Nightclub audiences first met Sherry in is That All There Is? The first show in what Clause calls his a?oeSherry Triptych.a?? In the first show we learn of Sherry's possibly pyromaniacal tendencies a?' We'll never be certain if she started all those fires but we know she's been acquitted on more than one occasion and that's got to count for something!
In the second show, Sherry Takes A Holiday, we find her emotionally adrift at sea, but also literally adrift at sea on a a?oepoop cruise,a?? desperate to find a daughter she's quite certain she's never had, but an internet scam has led her to believe she'll find in the Cayman Islands with a few detours like a lesbianic affair with the pianist at the ship's schooner bar.
Sherry is that messy friend who is constantly mucking things up but comes from a place of love. She owns her part in her problems even if she doesn't quite know how to navigate them so it's incredibly easy to cheer her on. Whom of us have not been Sherry at one point or another in our lives? She's the person you love in spite of the whirlwinds in their wake. Speaking of creating his beloved character, Claus noted he a?oewanted her to feel like a real human being who's intentions are always good but things blow up in her face. Constantly setting fires and having to figure out how to put them out.a??
Clause relates that Sherry was born of streaming Lifetime original movies at a monthly party he hosted in Williamsburg called a?oeMom Radio,a?? where he invited drag queens to do mom themed performances. On a road trip with co-creator Reed Whitney, Clause decided to riff on his Shelly Duval obsession, adding a hyphenated last name which resulted in the precarious poise of Sherry Duval-Covington.
As this most recent show opens, Sherry makes rounds of this solemn occasion, scrutinizing those gathered as she steels herself for her opening remarks. The sounds of a catholic funeral fill the air, accompanied by the clinking of glasses, Sherry welcomes her guests and begins to introduce some of the skeletons in the family closet.
Dramatic tension builds when she is forced to suffer sharing the spotlight of grief with her prodigal sister Terry. Cowart delivers a powerhouse performance as the sisters rehash well-rehearsed, reheated family psychodrama. Clause and Cowart match one another with their electrifying acting and chemistry, thrilling the audience as each skeleton out of the family's closet was revealed, articulating the estrangement between the Covington sisters and their mother.
The story is grounded by smart funeral fare and underscoring choices by music director Karl Saint Lucy. When we finally learn how Sherry's mother dieda?'no spoilers, sorry, you have to see the show to find outa?' the absurdity of death is bolstered by the majestic strains of a?oeHow Great Thou Art.a??
I appreciate the musical choices which often support the comedy. When Sherry loses the struggle to contain her emotions she launches into a disco for a rendition of Diana Ross's a?oeThe Boss.a?? When she reconciles with Terry we are treated to the gospel transcendence of Florence and the Machine's a?oeThe Dog Days Are Over.a?? Courtney Cowart delivered a thunder-stealing performance as Sherry's sister, Terry. Both Clause and Cowart were stellar.
Celebrating the release from the expectations of those around us and the bondage of trying to meet their expectations Sherry at a Funeral is a ridiculously satisfying night of entertainment.
Raquel Cion Presents 50th Birthday And NARAL Fundraiser With The Music Of David Bowie
Raquel Cion & Friends: A Very Special Birthday Concert! Half a century ago, on the eve of those spaceboys' first steps on the moon, Raquel Cion was 'born [she] was!' We're 'commencing countdown' by recreating and paying homage to David Bowie & Friends: A Very Special Birthday Concert his sold out 50th birthday celebration at Madison Square Garden. In true David Bowie fashion, Raquel has chosen for the night's proceeds to benefit NARAL Pro-Choice! Come 'get partified' with us!
Zachary Clause Announces Return Of HEY GIRL!
After a sold-out run in the fall, Zachary Clause announces the return of Hey Girl! on January 26, February 23 and March 30 at Pangea (178 2nd Avenue) with doors opening at 8:30 pm and shows beginning at 9:30 pm.
Zachary Clause Announces New Cabaret, Hey Girl!
Zachary Clause proudly announces the premiere of Hey Girl! on November 7, 10 and 14 at Pangea (178 2nd Avenue). On November 7 and 14, doors open at 6:00pm with shows beginning at 7:00pm. On November 10, doors open at 8:30pm with the show beginning at 9:30pm.
PANGEA Signature Acts Gather For 1st Winter Alt-Fest
Downtown alternative supper club Pangea -- a leader of the burgeoning alt-cabaret movement -- will showcase some of its most distinguished signature artists in a one-week festival of innovative cabaret art in January. Pangea's Winter Alt-Fest, running from Wednesday January 10 to Tuesday January 16, is programmed by Pangea's booker and co-owner Stephen Shanaghan.