Wilma Bonet
Latest News on Wilma Bonet:
WOLF AT THE DOOR Comes to PCPA This Month (Feb 7, 2024)
Reading of QUERIDA SOR JUANA: THE DEATH OF THE PHOENIX OF MEXICO Comes to San Francisco (Nov 14, 2023)
ROE V WADE THEATER ANTHOLOGY Is Now Available On Demand Until December 1 (Nov 7, 2022)
WOLF AT THE DOOR Comes to PCPA This Month (Feb 7, 2024)
Reading of QUERIDA SOR JUANA: THE DEATH OF THE PHOENIX OF MEXICO Comes to San Francisco (Nov 14, 2023)
ROE V WADE THEATER ANTHOLOGY Is Now Available On Demand Until December 1 (Nov 7, 2022)
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STAGE CREDITS
[Off-Off-Broadway]
Original Off-Off-Broadway Production, 1982
Performer
News
WOLF AT THE DOOR Comes to PCPA This Month
Wolf at The Door plays in the Severson Theatre, from February 29 through March 17, 2024. Learn more about the show and find out how to get tickets here!
Wolf at The Door plays in the Severson Theatre, from February 29 through March 17, 2024. Learn more about the show and find out how to get tickets here!
Reading of QUERIDA SOR JUANA: THE DEATH OF THE PHOENIX OF MEXICO Comes to San Francisco
A staged reading of the new play, Querida Sor Juana: The Death of the Phoenix of México, written by Carolina Morones will take place on November 18 at The Women’s Building 3543 18th Street, San Francisco.
A staged reading of the new play, Querida Sor Juana: The Death of the Phoenix of México, written by Carolina Morones will take place on November 18 at The Women’s Building 3543 18th Street, San Francisco.
ROE V WADE THEATER ANTHOLOGY Is Now Available On Demand Until December 1
Remote Theater, an award-winning, online theater company born at the beginning of the pandemic, has announced that THE CHOICE, an anthology of seven short plays about the rise and fall of Roe v. Wade, is now available on demand, free of charge, until December 1, 2022.
Remote Theater, an award-winning, online theater company born at the beginning of the pandemic, has announced that THE CHOICE, an anthology of seven short plays about the rise and fall of Roe v. Wade, is now available on demand, free of charge, until December 1, 2022.
Review: The Stage Adaptation of the Classic Game CLUE Takes the Stage at Center Rep
What did our critic think of CLUE at Center Rep? With lightning flashes and an ominous score, a mysterious dinner party at Boddy Manor begins with the arrival of an assortment of guests very familiar to anyone who ever played the Parker Brothers board game Clue. Based on the popular game and the 1985 cult film, this delightful production helmed by director Nancy Carlin and her talented cast and crew is a visual treat chock full of word puns, slapstick shtick and broad comic caricatures.
What did our critic think of CLUE at Center Rep? With lightning flashes and an ominous score, a mysterious dinner party at Boddy Manor begins with the arrival of an assortment of guests very familiar to anyone who ever played the Parker Brothers board game Clue. Based on the popular game and the 1985 cult film, this delightful production helmed by director Nancy Carlin and her talented cast and crew is a visual treat chock full of word puns, slapstick shtick and broad comic caricatures.
Photos: First Look at Center Repertory Company's CLUE
Center Repertory Company has released production photos from CLUE. Helmed by acclaimed Bay Area director Nancy Carlin, Clue will run through November 20, 2022 at the Lesher Center for the Arts. Check out the photos here!.
Center Repertory Company has released production photos from CLUE. Helmed by acclaimed Bay Area director Nancy Carlin, Clue will run through November 20, 2022 at the Lesher Center for the Arts. Check out the photos here!.
Remote Theater Announces Artistic Team For Evening Of Plays About Roe V Wade
Remote Theater, an award-winning, online theater company born at the beginning of the pandemic, announces the full artistic team for 'The Choice,' an integrated anthology of nine short plays about the rise and fall of Roe v. Wade. The event will premiere on September 24, 2022, 4PM Pacific, 5 Eastern. It will then be available to view on-demand up until Election Day, November 8.
Remote Theater, an award-winning, online theater company born at the beginning of the pandemic, announces the full artistic team for 'The Choice,' an integrated anthology of nine short plays about the rise and fall of Roe v. Wade. The event will premiere on September 24, 2022, 4PM Pacific, 5 Eastern. It will then be available to view on-demand up until Election Day, November 8.
Artistic Team Announced for THE CHOICE: NINE PLAYS ABOUT THE RISE AND FALL OF ROE V WADE at Remote Theater
Remote Theater, an award-winning online theater company born at the beginning of the pandemic, announces the full artistic team for 'The Choice,' an integrated anthology of nine short plays about the rise and fall of Roe v. Wade. The event will premiere on September 24, 2022, at 4 PM Pacific/7 PM Eastern.
Remote Theater, an award-winning online theater company born at the beginning of the pandemic, announces the full artistic team for 'The Choice,' an integrated anthology of nine short plays about the rise and fall of Roe v. Wade. The event will premiere on September 24, 2022, at 4 PM Pacific/7 PM Eastern.
Cal Shakes & Remote Studios Partner On EL HENRY Digital Reading
California Shakespeare Theater and Remote Studios announced today that they have entered a partnership to produce a digital reading of EL HENRY, an adaptation of Shakespeare's Henry IV, Part One by renowned playwright Herbert Siguenza.
California Shakespeare Theater and Remote Studios announced today that they have entered a partnership to produce a digital reading of EL HENRY, an adaptation of Shakespeare's Henry IV, Part One by renowned playwright Herbert Siguenza.
BWW Review: A Red Carol at SF Mime Troupe
Ah the simple holiday joys of benevolent capitalism! Probably the most popular of the Xmas productions, Dicken's novella A Christmas Carol has been praised by socialists for its anti-capitalist sentiments.
Ah the simple holiday joys of benevolent capitalism! Probably the most popular of the Xmas productions, Dicken's novella A Christmas Carol has been praised by socialists for its anti-capitalist sentiments.
San Francisco Mime Troupe Presents A RED CAROL
Dec.11, 2020 will mark another premiere and the first time the SFMT presents a Holiday Audio offering with a SFMT worker's take on the Dicken's classic in A Red Carol. A Red Carol will be broadcasting on select public radio station and available online beginning Dec. 11, 2020.
Dec.11, 2020 will mark another premiere and the first time the SFMT presents a Holiday Audio offering with a SFMT worker's take on the Dicken's classic in A Red Carol. A Red Carol will be broadcasting on select public radio station and available online beginning Dec. 11, 2020.
Magic Theatre's DON'T EAT THE MANGOS Now Streaming, & More
Magic Theatre has announced that Magic Theatre's National New Play Network Rolling World Premiere Production of Ricardo Pérez González's DON'T EAT THE MANGOS (which performed in February and March of this year) will be available for streaming exclusively at magictheatre.org.
Magic Theatre has announced that Magic Theatre's National New Play Network Rolling World Premiere Production of Ricardo Pérez González's DON'T EAT THE MANGOS (which performed in February and March of this year) will be available for streaming exclusively at magictheatre.org.
Magic Theatre Premiere of DON'T EAT THE MANGOS To Close Early
Magic Theatre announced today that the Company's critically-acclaimed National New Play Network Rolling World Premiere of Ricardo Pérez González's DON'T EAT THE MANGOS will close early, following the Friday, March 13 performance at 8:00 p.m., due to an abundance of caution with regards to the COVID-19 (Coronavirus) pandemic.
Magic Theatre announced today that the Company's critically-acclaimed National New Play Network Rolling World Premiere of Ricardo Pérez González's DON'T EAT THE MANGOS will close early, following the Friday, March 13 performance at 8:00 p.m., due to an abundance of caution with regards to the COVID-19 (Coronavirus) pandemic.
BWW Review: DON'T EAT THE MANGOS at Magic Theatre Uncovers a Puerto Rican Family's Dark Legacy in a Gorgeous Production
There are some plays, even enjoyable ones, that you forget almost instantly after seeing them. There are others you find yourself thinking of for days afterwards, still mulling them over, savoring their certain moments from them, revisiting their ambiguities and unlocking their mysteries. a?oeDon't Eat the Mangosa?? by Ricardo Pérez González is just that kind of play. In its gorgeous world premiere production at the Magic Theatre, a?oeMangosa?? slowly and subtly grabs hold of you, and has you constantly rethinking your assumptions about the characters and even the nature of the play itself. It is definitely a comedy, but it is also a kitchen sink drama, complete with an actual kitchen sink upstage center. It is grounded in the mundane details of family life, yet there are also occasional flights of poetry and imagery that are more akin to magic realism. It is sometimes tender and lyrical, yet there are startling flashes of darkness and violence as well. Family secrets are unearthed that make you re-evaluate relationships you thought you already knew, but it's never about the surprise factor of those secrets so much as it is about how the characters choose to act on their newfound knowledge. In the end, it's about transcending the effects of an ugly legacy that's been passed from one generation to the next.
There are some plays, even enjoyable ones, that you forget almost instantly after seeing them. There are others you find yourself thinking of for days afterwards, still mulling them over, savoring their certain moments from them, revisiting their ambiguities and unlocking their mysteries. a?oeDon't Eat the Mangosa?? by Ricardo Pérez González is just that kind of play. In its gorgeous world premiere production at the Magic Theatre, a?oeMangosa?? slowly and subtly grabs hold of you, and has you constantly rethinking your assumptions about the characters and even the nature of the play itself. It is definitely a comedy, but it is also a kitchen sink drama, complete with an actual kitchen sink upstage center. It is grounded in the mundane details of family life, yet there are also occasional flights of poetry and imagery that are more akin to magic realism. It is sometimes tender and lyrical, yet there are startling flashes of darkness and violence as well. Family secrets are unearthed that make you re-evaluate relationships you thought you already knew, but it's never about the surprise factor of those secrets so much as it is about how the characters choose to act on their newfound knowledge. In the end, it's about transcending the effects of an ugly legacy that's been passed from one generation to the next.
Photo Flash: Magic Theatre Presents the World Premiere of Ricardo Pérez González's DON'T EAT THE MANGOS
Magic Theatrer presents the company's first production of 2020, the World Premiere of Ricardo Pérez González's DON'T EAT THE MANGOS. Directed by David Mendizábal,
Magic Theatrer presents the company's first production of 2020, the World Premiere of Ricardo Pérez González's DON'T EAT THE MANGOS. Directed by David Mendizábal,
BWW Interview: Wilma Bonet of DON'T EAT THE MANGOS at Magic Theatre Loves Doing Theater That Makes the Audience Think
Bay Area acting luminary Wilma Bonet is currently starring in the Magic Theatre's world premiere of a?oeDon't Eat the Mangos,a?? Ricardo Pérez González' wickedly funny drama about a Puerto Rican family confronting its own legacy. Bonet has had a remarkably long and varied theater career, including six years with the San Francisco Mime Troupe and stints with most of the top-tier Bay Area theater companies. BroadwayWorld spoke with her just a week before performances of a?oeMangosa?? were set to begin. In conversation, Bonet is plainspoken and quick to laugh, with an enduring passion for political theater underlying her responses.
Bay Area acting luminary Wilma Bonet is currently starring in the Magic Theatre's world premiere of a?oeDon't Eat the Mangos,a?? Ricardo Pérez González' wickedly funny drama about a Puerto Rican family confronting its own legacy. Bonet has had a remarkably long and varied theater career, including six years with the San Francisco Mime Troupe and stints with most of the top-tier Bay Area theater companies. BroadwayWorld spoke with her just a week before performances of a?oeMangosa?? were set to begin. In conversation, Bonet is plainspoken and quick to laugh, with an enduring passion for political theater underlying her responses.
Magic Theatre Announces Cast for World Premiere DON'T EAT THE MANGOS
Magic Theatre (Loretta Greco, Artistic Director and Kevin Nelson, General Manager) is pleased to announce the cast and creative team for the company's first production of 2020, the World Premiere of Ricardo Pérez González's DON'T EAT THE MANGOS. Directed by David Mendizábal,
Magic Theatre (Loretta Greco, Artistic Director and Kevin Nelson, General Manager) is pleased to announce the cast and creative team for the company's first production of 2020, the World Premiere of Ricardo Pérez González's DON'T EAT THE MANGOS. Directed by David Mendizábal,
Magic Theatre Announces 2019-2020 Season
Magic Theatre (Artistic Director, Loretta Greco; General Manager, Kevin Nelson) announced today that its 2019-2020 season will include Lloyd Suh's THE CHINESE LADY, Nassim Soleimanpour's NASSIM, Ricardo Perez Gonzalez's DON'T EAT THE MANGOS and Caryl Churchill's ESCAPED ALONE.
Magic Theatre (Artistic Director, Loretta Greco; General Manager, Kevin Nelson) announced today that its 2019-2020 season will include Lloyd Suh's THE CHINESE LADY, Nassim Soleimanpour's NASSIM, Ricardo Perez Gonzalez's DON'T EAT THE MANGOS and Caryl Churchill's ESCAPED ALONE.
Sundance Institute Announces 2019 Theatre Lab Acting Company, Dramaturgs and Advisors
Sundance Institute's 2019 Theatre Lab convenes Monday, July 8; the Institute announced this year's participating acting company and creative advisors today.
Sundance Institute's 2019 Theatre Lab convenes Monday, July 8; the Institute announced this year's participating acting company and creative advisors today.
Directors and Casts Set for PlayGround Festival of New Works Plays
Directors and Casting is set for the two PlayGround Festival premieres, A HISTORY OF FREAKS by Katie May, May 13-June 15 (Press /Opening: May 15 at 8pm), helmed by circus arts performer and director Doyle Ott and ANNA CONSIDERS MARS by Ruben Grijalva, May 20-June 16 (Press /Opening: May 22 at 8pm), helmed by San Francisco Playhouse Producing Director Susi Damilano. The productions will run in rotating repertory as part of the 25th Season PlayGround Festival of New Works, May 13-June 16, 2019. Tickets for the entire PlayGround Festival are now on sale. For more information, visit http://playground-sf.org/festival.
Directors and Casting is set for the two PlayGround Festival premieres, A HISTORY OF FREAKS by Katie May, May 13-June 15 (Press /Opening: May 15 at 8pm), helmed by circus arts performer and director Doyle Ott and ANNA CONSIDERS MARS by Ruben Grijalva, May 20-June 16 (Press /Opening: May 22 at 8pm), helmed by San Francisco Playhouse Producing Director Susi Damilano. The productions will run in rotating repertory as part of the 25th Season PlayGround Festival of New Works, May 13-June 16, 2019. Tickets for the entire PlayGround Festival are now on sale. For more information, visit http://playground-sf.org/festival.
PlayGround Festival Sets Directors And Casts For 2 New Works
Directors and Casting is set for the two PlayGround Festival premieres, A HISTORY OF FREAKS by Katie May, May 13-June 15 , helmed by circus arts performer and director Doyle Ott and ANNA CONSIDERS MARS by Ruben Grijalva, May 20-June 16 (Press /Opening: May 22 at 8pm), helmed by San Francisco Playhouse Producing Director Susi Damilano. The productions will run in rotating repertory as part of the 25th Season PlayGround Festival of New Works, May 13-June 16, 2019. Tickets for the entire PlayGround Festival are now on sale. For more information, visit http://playground-sf.org/festival.
Directors and Casting is set for the two PlayGround Festival premieres, A HISTORY OF FREAKS by Katie May, May 13-June 15 , helmed by circus arts performer and director Doyle Ott and ANNA CONSIDERS MARS by Ruben Grijalva, May 20-June 16 (Press /Opening: May 22 at 8pm), helmed by San Francisco Playhouse Producing Director Susi Damilano. The productions will run in rotating repertory as part of the 25th Season PlayGround Festival of New Works, May 13-June 16, 2019. Tickets for the entire PlayGround Festival are now on sale. For more information, visit http://playground-sf.org/festival.
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