Walt Kuhn
Latest News on Walt Kuhn:
Dallas Museum Of Art Announces 2018 Acquisition And Program Highlights (Jan 31, 2019)
Colorado Springs Fine Arts Center to Present 9 TO 5, 5/19-6/12 (Apr 12, 2016)
Photo Flash: First Look at JOHN MELLENCAMP: THE ISOLATION OF MISTER Exhibition at ACA Galleries (Oct 22, 2015)
Dallas Museum Of Art Announces 2018 Acquisition And Program Highlights (Jan 31, 2019)
Colorado Springs Fine Arts Center to Present 9 TO 5, 5/19-6/12 (Apr 12, 2016)
Photo Flash: First Look at JOHN MELLENCAMP: THE ISOLATION OF MISTER Exhibition at ACA Galleries (Oct 22, 2015)
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Dallas Museum Of Art Announces 2018 Acquisition And Program Highlights
The Dallas Museum of Art (DMA) continued to strengthen and expand its exhibitions and educational programming, bilingual offerings, and curatorial team in 2018 with the appointment of new leadership across departments, the development of expanded education initiatives, and the acquisition of major works across its collections. In support of the DMA's commitment to engaging the community through programs anchored by its collections, three new curators and a new director of education joined the Museum in 2018, and the Museum expanded its off-site and bilingual program offerings. The Museum also added significant works to its collection, including 13 year-end gifts of 512 works of art in contemporary art, sculpture, photography, and the decorative arts.
The Dallas Museum of Art (DMA) continued to strengthen and expand its exhibitions and educational programming, bilingual offerings, and curatorial team in 2018 with the appointment of new leadership across departments, the development of expanded education initiatives, and the acquisition of major works across its collections. In support of the DMA's commitment to engaging the community through programs anchored by its collections, three new curators and a new director of education joined the Museum in 2018, and the Museum expanded its off-site and bilingual program offerings. The Museum also added significant works to its collection, including 13 year-end gifts of 512 works of art in contemporary art, sculpture, photography, and the decorative arts.
Colorado Springs Fine Arts Center to Present 9 TO 5, 5/19-6/12
The Colorado Springs Fine Arts Center (FAC) is excited to announce the final Mainstage production of the season and regional premiere, 9 to 5: The Musical May 19-June 12. Directed and choreographed by Associate Director of Performing Arts, Nathan Halvorson, this hilarious new musical based on the blockbuster film is an outrageous, thought?provoking story of friendship and getting ahead in the Rolodex era.
The Colorado Springs Fine Arts Center (FAC) is excited to announce the final Mainstage production of the season and regional premiere, 9 to 5: The Musical May 19-June 12. Directed and choreographed by Associate Director of Performing Arts, Nathan Halvorson, this hilarious new musical based on the blockbuster film is an outrageous, thought?provoking story of friendship and getting ahead in the Rolodex era.
Photo Flash: First Look at JOHN MELLENCAMP: THE ISOLATION OF MISTER Exhibition at ACA Galleries
ACA Galleries is pleased to present its first exhibition of John Mellencamp's paintings, opening tonight, October 22, from 6 to 8pm. Check out a sneak peek below!
ACA Galleries is pleased to present its first exhibition of John Mellencamp's paintings, opening tonight, October 22, from 6 to 8pm. Check out a sneak peek below!
ACA Galleries Opens First Exhibition of John Mellencamp's Paintings Today
ACA Galleries is pleased to present its first exhibition of John Mellencamp's paintings, opening tonight, October 22, from 6 to 8pm.
ACA Galleries is pleased to present its first exhibition of John Mellencamp's paintings, opening tonight, October 22, from 6 to 8pm.
ACA Galleries to Open First Exhibition of John Mellencamp's Paintings, 10/22
ACA Galleries is pleased to present its first exhibition of John Mellencamp's paintings, opening Thursday, October 22, from 6 to 8pm.
ACA Galleries is pleased to present its first exhibition of John Mellencamp's paintings, opening Thursday, October 22, from 6 to 8pm.
Zimmerli Art Museum Opens 'Pop' Hart Exhibit Today
New Brunswick, NJ – Enjoy a virtual adventure with George Overbury “Pop” Hart, whose diverse travel experiences captured scenes of daily life in locales where few tourists ventured during the early part of the 20th century. While most American artists visited Europe to perfect their drawing and painting skills or to pursue styles inspired by avant-garde artists, Hart preferred extended trips abroad to more exotic – and affordable – destinations. Crisscrossing the globe between his first expedition to Latin America starting in 1900 and his last trips to North Africa and Cuba some 30 years later, these excursions were the primary source for his art throughout his career. Vagabond Artist: “Pop” Hart in Tahiti, Mexico, and the Caribbean, on view today, September 1, 2015, to February 8, 2016, spotlights more than 40 watercolors, drawings, and prints.
New Brunswick, NJ – Enjoy a virtual adventure with George Overbury “Pop” Hart, whose diverse travel experiences captured scenes of daily life in locales where few tourists ventured during the early part of the 20th century. While most American artists visited Europe to perfect their drawing and painting skills or to pursue styles inspired by avant-garde artists, Hart preferred extended trips abroad to more exotic – and affordable – destinations. Crisscrossing the globe between his first expedition to Latin America starting in 1900 and his last trips to North Africa and Cuba some 30 years later, these excursions were the primary source for his art throughout his career. Vagabond Artist: “Pop” Hart in Tahiti, Mexico, and the Caribbean, on view today, September 1, 2015, to February 8, 2016, spotlights more than 40 watercolors, drawings, and prints.
Luxembourg & Dayan Open Richard Prince FIGURES Exhibit Today
Richard Prince arrived in NYC in August 1974. He stayed in Bed-Stuy Brooklyn with a friend of a friend for two weeks and then rented a small one bedroom sublet on Prince and West Broadway. He had saved 1,500 dollars from teaching pottery to high school students working at a private country day school south of Boston. He had read an article in the New York Times Magazine about Soho. He wanted to check it out and thought he'd come down and stay for three months. He had spent most of the summer of '74 in southern Maine house sitting for a family, and when they returned he thought it might be a good time to go the place he always wanted to go to.
Richard Prince arrived in NYC in August 1974. He stayed in Bed-Stuy Brooklyn with a friend of a friend for two weeks and then rented a small one bedroom sublet on Prince and West Broadway. He had saved 1,500 dollars from teaching pottery to high school students working at a private country day school south of Boston. He had read an article in the New York Times Magazine about Soho. He wanted to check it out and thought he'd come down and stay for three months. He had spent most of the summer of '74 in southern Maine house sitting for a family, and when they returned he thought it might be a good time to go the place he always wanted to go to.
Luxembourg & Dayan to Display Richard Prince FIGURES Exhibit, 4/23
Richard Prince arrived in NYC in August 1974. He stayed in Bed-Stuy Brooklyn with a friend of a friend for two weeks and then rented a small one bedroom sublet on Prince and West Broadway. He had saved 1,500 dollars from teaching pottery to high school students working at a private country day school south of Boston. He had read an article in the New York Times Magazine about Soho. He wanted to check it out and thought he'd come down and stay for three months. He had spent most of the summer of '74 in southern Maine house sitting for a family, and when they returned he thought it might be a good time to go the place he always wanted to go to.
Richard Prince arrived in NYC in August 1974. He stayed in Bed-Stuy Brooklyn with a friend of a friend for two weeks and then rented a small one bedroom sublet on Prince and West Broadway. He had saved 1,500 dollars from teaching pottery to high school students working at a private country day school south of Boston. He had read an article in the New York Times Magazine about Soho. He wanted to check it out and thought he'd come down and stay for three months. He had spent most of the summer of '74 in southern Maine house sitting for a family, and when they returned he thought it might be a good time to go the place he always wanted to go to.
THE VOORHES LEGACY, IN ART: A PLACE IN AMERICA to Be Displayed at Zimmerli Art Museum at Rutgers
New Brunswick, NJ – To honor the generosity of the Voorhees family, whose major gifts have greatly enriched the arts at Rutgers University, the Zimmerli Art Museum is pleased to present A Place in America: Celebrating the Legacy of Ralph and Barbara Voorhees, on view through February 8, 2015. Featuring a selection of prints and drawings by some of the most important American artists working between 1880 and the late 1940s, the exhibition celebrates places across America from “sea to shining sea.” From quiet rural settings to dramatic views of urban landmarks, from inspiring wilderness vistas to industrial scenes: the exhibition demonstrates how artists helped to define the changing character of America's landscape, both natural and man-made. The exhibition also highlights prints by Arthur Wesley Dow, Stuart Davis, Blanche Lazzell, Louis Lozowick, and John Marin, whose styles influenced the course of American art of the 20th century.
New Brunswick, NJ – To honor the generosity of the Voorhees family, whose major gifts have greatly enriched the arts at Rutgers University, the Zimmerli Art Museum is pleased to present A Place in America: Celebrating the Legacy of Ralph and Barbara Voorhees, on view through February 8, 2015. Featuring a selection of prints and drawings by some of the most important American artists working between 1880 and the late 1940s, the exhibition celebrates places across America from “sea to shining sea.” From quiet rural settings to dramatic views of urban landmarks, from inspiring wilderness vistas to industrial scenes: the exhibition demonstrates how artists helped to define the changing character of America's landscape, both natural and man-made. The exhibition also highlights prints by Arthur Wesley Dow, Stuart Davis, Blanche Lazzell, Louis Lozowick, and John Marin, whose styles influenced the course of American art of the 20th century.
217 Films' New Documentary “The Great Confusion: The 1913 Armory Show” Now Available
Independent filmmakers Michael Maglaras and Terri Templeton of 217 Films announce that their new film about the 1913 Armory Show is now available on DVD. 'The Great Confusion: The 1913 Armory Show' can be purchased through Amazon at this link: http://ow.ly/su0wI. Excerpts can be viewed at this link: http://vimeo.com/66408225. This is their fifth film.
Independent filmmakers Michael Maglaras and Terri Templeton of 217 Films announce that their new film about the 1913 Armory Show is now available on DVD. 'The Great Confusion: The 1913 Armory Show' can be purchased through Amazon at this link: http://ow.ly/su0wI. Excerpts can be viewed at this link: http://vimeo.com/66408225. This is their fifth film.
Sheldon Gallery to Exhibit Works Wallace Herndon Smith 6/4 - 8/21
The exhibition features paintings by St. Louis artist Wallace Herndon Smith. Born in St. Louis in 1901, Wallace Smith was a traditional painter who absorbed the visual language of artists like Pierre Bonnard, Henri Matisse, and Edward Hopper. Smith was fluent in many subjects including still-lifes, landscapes, interiors, and portraits. The artist's strength was in capturing psychological nuances, and the exhibit has been selected to illuminate this area of his work.
The exhibition features paintings by St. Louis artist Wallace Herndon Smith. Born in St. Louis in 1901, Wallace Smith was a traditional painter who absorbed the visual language of artists like Pierre Bonnard, Henri Matisse, and Edward Hopper. Smith was fluent in many subjects including still-lifes, landscapes, interiors, and portraits. The artist's strength was in capturing psychological nuances, and the exhibit has been selected to illuminate this area of his work.
Sheldon Gallery to Exhibit Works Wallace Herndon Smith 6/4 - 8/21
The exhibition features paintings by St. Louis artist Wallace Herndon Smith. Born in St. Louis in 1901, Wallace Smith was a traditional painter who absorbed the visual language of artists like Pierre Bonnard, Henri Matisse, and Edward Hopper. Smith was fluent in many subjects including still-lifes, landscapes, interiors, and portraits. The artist's strength was in capturing psychological nuances, and the exhibit has been selected to illuminate this area of his work.
The exhibition features paintings by St. Louis artist Wallace Herndon Smith. Born in St. Louis in 1901, Wallace Smith was a traditional painter who absorbed the visual language of artists like Pierre Bonnard, Henri Matisse, and Edward Hopper. Smith was fluent in many subjects including still-lifes, landscapes, interiors, and portraits. The artist's strength was in capturing psychological nuances, and the exhibit has been selected to illuminate this area of his work.
Sheldon Gallery to Exhibit Works Wallace Herndon Smith 6/4 - 8/21
The exhibition features paintings by St. Louis artist Wallace Herndon Smith. Born in St. Louis in 1901, Wallace Smith was a traditional painter who absorbed the visual language of artists like Pierre Bonnard, Henri Matisse, and Edward Hopper. Smith was fluent in many subjects including still-lifes, landscapes, interiors, and portraits. The artist's strength was in capturing psychological nuances, and the exhibit has been selected to illuminate this area of his work.
The exhibition features paintings by St. Louis artist Wallace Herndon Smith. Born in St. Louis in 1901, Wallace Smith was a traditional painter who absorbed the visual language of artists like Pierre Bonnard, Henri Matisse, and Edward Hopper. Smith was fluent in many subjects including still-lifes, landscapes, interiors, and portraits. The artist's strength was in capturing psychological nuances, and the exhibit has been selected to illuminate this area of his work.
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