Verdi's LA TRAVIATA Returns To The Royal Opera
by Stephi Wild - Jul 24, 2024
Aida Garifullina and Hrachuhí Bassénz will share the coveted role of Violetta in this revival of Richard Eyre's opulent production of La traviata, performed between Saturday 7 – Saturday 21 September 2024.
Photos: LA TRAVIATA at Santa Fe Opera
by Chloe Rabinowitz - Jul 18, 2024
Get a first look at the Santa Fe Opera's new production of La traviata directed by Louisa Muller and starring Mané Galoyan, Bekhzod Davronov and Alfredo Daza.
Review: TOSCA, Royal Opera House
by Franco Milazzo - Jul 2, 2024
Fronted by some fresh faces, Jonathan Kent’s cinematic take on the Puccini masterwork Tosca returns for its seventeenth run at Covent Garden.
Review: PRETTY WOMAN THE MUSICAL at Robinson Center
by Theresa Bertram - May 3, 2024
If you were lucky enough to see Celebrity Attraction’s national tour of Pretty Woman the Musical at Robinson Center, 426 West Markham St., in Little Rock, AR April 26-28, you are probably still dancing and humming like me.
Palm Beach Symphony Ends Season with all Beethoven Program
by Stephi Wild - Apr 10, 2024
Palm Beach Symphony’s 50th Anniversary Season culminates with a program that celebrates Beethoven’s early work followed by one of his greatest works during the season finale at the Kravis Center for the Performing Arts on April 25 at 7:30 p.m. with Music Director Gerard Schwarz at the podium and piano virtuoso Ignat Solzhenitsyn.
Video: Get A First Look At LA Opera's LA TRAVIATA
by Joshua Wright - Apr 8, 2024
Get a first look at LA Opera's production of Giuseppe Verdi's beloved romantic tragedy, La Traviata, starring soprano Rachel Willis-Sørensen - now on stage through April 27th, 2024.
Review: Fine Singing Makes RONDINE Easy to Swallow under Scappucci
by Richard Sasanow - Mar 30, 2024
The first night of the Met’s revival of Puccini’s LA RONDINE (THE SWALLOW) was filled with surprises of one sort or another, under the baton of that smart conductor, Speranza Scappucci. She knows her way around Puccini and deserves to be heard more frequently at the house. The production had glamour through Art Deco-ish scenic design by Ezio Frigerio, with lighting by Duana Schuler and costumes by Franca Squarciapino.