AAPEX stages reading of Parks' new play PAWNSHOP
Pawnshop, a new play by Atlanta playwright Tiffany Parks, will be given a staged reading in Nashville Monday night, June 21, by The African American Playwrights Exchange. The reading will be held upstairs at Bongo Java, 2007 Belmont Boulevard. Pawnshop focuses on relations between members of Atlanta's African-American and Jewish communities in the 1950s and is the winner of the AAPEX Best New Play 2010 award.
Nashville Theatre's Top Performances of '09: The Women
While there were plenty of productions to be excited about during the 2009 Nashville theatre season, as with any year the most memorable theatrical moments were due to the many fine individual performances seen on local stages. Featuring a blend of both veterans and newcomers, the 2009 season proved once again that Music City has an impressive retinue of actors to call upon. Whether it's in an emotionally draining drama, a laugh-out-loud comedy or a joyously inspiring musical, there are actors here who can deliver the goods, time after time.
BWW Blog: Nashville Theatre's 'Top Ten of 2009'
With the strains of 'Auld Lang Syne' mere moments away, minds are apt to be caught up in reflection, remembering the year now ending as a new one awaits just over the horizon. Certainly that's what I've been doing lately, looking back over the past year in Nashville theatre as I pencil in dates in my new 2010 (Here's a question to ponder: Is it 'two thousand ten' or 'twenty ten'...think about it and get back to me) calendar for the shows set to open in the months ahead.
Maryanna Clarke: Bringing 'Warriors Don't Cry' to the stage for TWTP's season opener
Since that time, Maryanna's artistic focus has changed somewhat, and now she is artistic director for the Nashville-based Tennessee Women's Theatre Project, which is dedicated to 'presenting theatricial productions of the highest quality to Middle Tennessee audiences, to producing plays that express the human condition in the female voice; to providing acting, directing, design and management opportunities for women in professional theater; and to bringing live theater to new, underserved audiences.'
