Post5 Theatre Presents COYOTE ON A FENCE
Let's get serious for a second. With the election upon us it's time for Post5 to take on one of the most serious issues facing our country. The issue of the mass incarceration of our populous. With this in mind we have decided to produce Bruce Graham's stirring, Coyote on a Fence.
Post5 Presents RICHARD III
Just in time for election season and Halloween Post5 brings the tale of Shakespeare's most prolific villian to the stage Starring Matt Smith as Richard and featuring a cast of some of the most talented actors in Portland, OR. All under the direction of Co-Artistic Director Patrick Walsh.
Post5 Announces THE BOMB-ITTY OF ERRORS
Having knocked critics off their feet and swept awards in New York City, Chicago, The Edinburgh FringeFestival, and London, TheBomb-ittyofErrors is now coming to Portland. The Bomb-itty of Errors is a high-paced, energetic, musical 'add-rap-tation' of William Shak espeare's TheComedyofErrors.Elizabethantimesgetpumpedupwithlivehip-hop flavor (that's right a live DJ on-stage interacting with the actors) in this hilarious, award-winning show.
Photo Flash: GOLDEN BOY Begins Tonight at Lakewood Theatre Company
In GOLDEN BOY, Clifford Odets' masterpiece of American drama, Joe Bonaparte (Ty Boice) is a young gifted violinist, who defies his family and gives up a career as a classical musician for a chance at immortality in the boxing ring. This blistering and powerful look at fame, fortune, and the seductive promise of the American dream opens tonight, January 8, 2016 at Lakewood Theatre Company. Scroll down for a sneak peek at the cast!
2015 BroadwayWorld Portland Awards - Last Week to Vote!
Happy Holidays! It's the last week to vote for the 2015 BroadwayWorld Portland Regional Awards! Check out the latest live stats as of December 18. Nominations were reader-submitted and after the nomination period ended, BroadwayWorld's local editors proofed the list for eligibility and errors. Voting runs through December 31!
2015 BroadwayWorld Portland Awards Update - Joe Theissen in Big Lead!
Time is running out to vote for the 2015 BroadwayWorld Portland Regional Awards! Check out the latest live stats as of December 18. Nominations were reader-submitted and after the nomination period ended, BroadwayWorld's local editors proofed the list for eligibility and errors. Voting runs through December 31!
Photo Flash: Meet the Cast of GOLDEN BOY at Lakewood Theatre Company
In GOLDEN BOY, Clifford Odets' masterpiece of American drama, Joe Bonaparte (Ty Boice) is a young gifted violinist, who defies his family and gives up a career as a classical musician for a chance at immortality in the boxing ring. This blistering and powerful look at fame, fortune, and the seductive promise of the American dream opens January 8, 2016 at Lakewood Theatre Company. Scroll down for a sneak peek at the cast!
BWW Reviews: ACT's SEVEN WAYS TO GET THERE Feels Anticlimactic
There are two main problems with doing a show about therapy, such as ACT's world premiere of "Seven Ways to Get There" currently playing. First, that someone else's therapy on stage can be good for the author but often times deadly for the audience. Luckily Bryan Willis and Dwayne J. Clark's new play avoids that trap. But the larger trap is that therapy doesn't really have a definite ending so you either portray an unrealistic look at the world of therapy or, as is the case here, the play just kind of ends as the people involved with the therapy continue onward working on their issues. And while the show definitely has engaging characters and performances, that lack of closure and finality for the audience doesn't work out so well theatrically.
BWW Reviews: Intiman's ANGELS IN AMERICA PT. 2 Lacks Punch
If you remember, Dear Readers, three weeks ago I said that Intiman's production of Part 1 of Tony Kushner's masterpiece, "Angels in America" still resonated through Kushner's script but the show felt under done and lacked focus. But I hoped it would settle into itself over time. I also hoped that the settling in to the characters would affect the power of the second part, "Angels in America Part 2: Perestroika". Alas, it did not. While it's still, again, Kushner's beautiful script, the show lacks the heart, punch and commitment to the piece to make it truly great. And while you may think that now this one needs to settle in, I think it stems from a larger issue.
BWW Reviews: ANGELS IN AMERICA, PT. 1 from Intiman Still Resonates
20 Years ago a bright eyed theater nerd (as opposed to the bitter, jaded wretch I am today) was over the moon that the Intiman Theatre was able to get the rights to do one of the most exciting and talked about plays of the day, "Angels in America, Part 1: Millennium Approaches" so close on the heels of it's wowing Broadway and winning the Tony and Pulitzer. That fresh faced 25 year old was blown away by the artistry, language and sheer incredible storytelling prowess of author Tony Kushner and that amazing production solidified my love for this work. But can anything compare to your first time? Well the bloom may be a little off the rose and my cynical sensibilities of today may have missed some of the focus and wow factor of that original production in this current one being presented by Intiman Theatre, but the play still shows itself to be a masterwork and still deserves attention.
Intiman Theatre Presents ANGELS IN AMERICA, Now thru 9/21
As the cornerstone of its annual theatre festival, Intiman Theatre presents Angels in America, Tony Kushner's epic masterpiece about finding hope in the face of crisis. One of the great plays of the 20th century, this two-play blockbuster explores gay culture, race, inequality, and the future of America through the lens of the AIDS crisis of the 1980s.
Intiman Theatre to Present ANGELS IN AMERICA, 8/12-9/21
As the cornerstone of its annual theatre festival, Intiman Theatre presents Angels in America, Tony Kushner's epic masterpiece about finding hope in the face of crisis. One of the great plays of the 20th century, this two-play blockbuster explores gay culture, race, inequality, and the future of America through the lens of the AIDS crisis of the 1980s.
