Tshallo Chokwe
Latest News on Tshallo Chokwe:
Bheki Mkhwane Departs BOPHA! Season at South African State Theatre (May 24, 2021)
2014 South African Theatre Retrospectives: The Plays - Part 1 (Dec 29, 2014)
BWW Reviews: Sekhabi's SILENT VOICE is Gripping, Immersive and Shocking (Oct 19, 2014)
Bheki Mkhwane Departs BOPHA! Season at South African State Theatre (May 24, 2021)
2014 South African Theatre Retrospectives: The Plays - Part 1 (Dec 29, 2014)
BWW Reviews: Sekhabi's SILENT VOICE is Gripping, Immersive and Shocking (Oct 19, 2014)
News
Bheki Mkhwane Departs BOPHA! Season at South African State Theatre
The South African State Theatre has announced that veteran performer Bheki Mkhwane will no longer be part of Bopha's season -starting from 25 May to 13 June 2021- after being booked off sick for four weeks.
The South African State Theatre has announced that veteran performer Bheki Mkhwane will no longer be part of Bopha's season -starting from 25 May to 13 June 2021- after being booked off sick for four weeks.
2014 South African Theatre Retrospectives: The Plays - Part 1
As 2014 speeds along to its final curtain, it is once again time to reflect on some of the theatrical highlights on South Africa's stages over the past 12 months. First up, we have six of the best plays seen in theatres around the country this year.
As 2014 speeds along to its final curtain, it is once again time to reflect on some of the theatrical highlights on South Africa's stages over the past 12 months. First up, we have six of the best plays seen in theatres around the country this year.
BWW Reviews: Sekhabi's SILENT VOICE is Gripping, Immersive and Shocking
SILENT VOICE is something else. An audacious play written and directed by Aubrey Sekhabi, it shatters conservative middle class perceptions of that which represents a compelling theatre experience and is the kind of confrontational and provocative theatre that we do not see often enough on main stem stages in this country.
SILENT VOICE is something else. An audacious play written and directed by Aubrey Sekhabi, it shatters conservative middle class perceptions of that which represents a compelling theatre experience and is the kind of confrontational and provocative theatre that we do not see often enough on main stem stages in this country.
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