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Troy Jennings
Latest News on Troy Jennings:
Vagabond Players Reopens With GOD OF CARNAGE By Yasmina Reza (Feb 11, 2022)
Strand Theater Company Presents DETROIT '67 (Oct 31, 2018)
The Strand Theater Continues Season with DETROIT '67 (Oct 15, 2018)
Vagabond Players Reopens With GOD OF CARNAGE By Yasmina Reza (Feb 11, 2022)
Strand Theater Company Presents DETROIT '67 (Oct 31, 2018)
The Strand Theater Continues Season with DETROIT '67 (Oct 15, 2018)
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Vagabond Players Reopens With GOD OF CARNAGE By Yasmina Reza
Vagabond Players will reopen its doors and kick off our 106th Season with Yasmina Reza's Tony Award-winning Broadway sensation, God of Carnage, a comedy of manners...without the manners that offers up the guilty pleasure of watching two marriages go boom!
Vagabond Players will reopen its doors and kick off our 106th Season with Yasmina Reza's Tony Award-winning Broadway sensation, God of Carnage, a comedy of manners...without the manners that offers up the guilty pleasure of watching two marriages go boom!
Strand Theater Company Presents DETROIT '67
The Strand Theater Company continues its 11th Season with Detroit '67 by Dominique Morisseau. Directed by Erin Riley, assistant directed by Lauren Erica Jackson.
The Strand Theater Company continues its 11th Season with Detroit '67 by Dominique Morisseau. Directed by Erin Riley, assistant directed by Lauren Erica Jackson.
The Strand Theater Continues Season with DETROIT '67
The Strand Theater Company continues its 11th Season with Detroit '67 by Dominique Morisseau. In 1967 Detroit, Motown music is getting the party started, and Chelle and her brother Lank are making ends meet by turning their basement into an after-hours joint. But when a mysterious woman finds her way into their lives, the siblings clash over much more than the family business. As their pent-up feelings erupt, so does their city, and they find themselves caught in the middle of the '67 riots.
The Strand Theater Company continues its 11th Season with Detroit '67 by Dominique Morisseau. In 1967 Detroit, Motown music is getting the party started, and Chelle and her brother Lank are making ends meet by turning their basement into an after-hours joint. But when a mysterious woman finds her way into their lives, the siblings clash over much more than the family business. As their pent-up feelings erupt, so does their city, and they find themselves caught in the middle of the '67 riots.
Photo Flash: Baltimore Shakespeare Performs ANTONY AND CLEOPATRA in Original Pronunciation
Baltimore Shakespeare Factory (BSF), working closely with world-renowned dialect and original pronunciation (OP) expert Paul Meier, will open its 2017 season with an historic production of Shakespeare's Antony and Cleopatra, March 31 through April 23 at The Great Hall at St. Mary's Community Center. BSF's presentation will be the very first time that modern audiences will be able to hear Antony and Cleopatra spoken the way Shakespeare's audiences would have heard it when it was first performed in the early 1600s.
Baltimore Shakespeare Factory (BSF), working closely with world-renowned dialect and original pronunciation (OP) expert Paul Meier, will open its 2017 season with an historic production of Shakespeare's Antony and Cleopatra, March 31 through April 23 at The Great Hall at St. Mary's Community Center. BSF's presentation will be the very first time that modern audiences will be able to hear Antony and Cleopatra spoken the way Shakespeare's audiences would have heard it when it was first performed in the early 1600s.
Baltimore Shakespeare Factory Opens 2017 Season with ANTONY AND CLEOPATRA
Baltimore Shakespeare Factory (BSF), working closely with world-renowned dialect and original pronunciation (OP) expert Paul Meier, will open its 2017 season with an historic production of Shakespeare's Antony and Cleopatra, March 31 through April 23 at The Great Hall at St. Mary's Community Center.
Baltimore Shakespeare Factory (BSF), working closely with world-renowned dialect and original pronunciation (OP) expert Paul Meier, will open its 2017 season with an historic production of Shakespeare's Antony and Cleopatra, March 31 through April 23 at The Great Hall at St. Mary's Community Center.
Baltimore Shakespeare Factory Presents Original Pronunciation Production of ANTONY AND CLEOPATRA
Baltimore Shakespeare Factory (BSF), working closely with world-renowned dialect and original pronunciation (OP) expert Paul Meier, will open Antony and Cleopatra, March 31 through April 23 at The Great Hall at St. Mary's. BSF's presentation will be the very first time that modern audiences will be able to hear Antony and Cleopatra spoken the way Shakespeare's audiences would have heard it when it was first performed in the early 1600s.
Baltimore Shakespeare Factory (BSF), working closely with world-renowned dialect and original pronunciation (OP) expert Paul Meier, will open Antony and Cleopatra, March 31 through April 23 at The Great Hall at St. Mary's. BSF's presentation will be the very first time that modern audiences will be able to hear Antony and Cleopatra spoken the way Shakespeare's audiences would have heard it when it was first performed in the early 1600s.
Balt Shakespeare Factory Opens 2017 Season with Historic ANTONY AND CLEOPATRA
Baltimore Shakespeare Factory (BSF), working closely with world-renowned dialect and original pronunciation (OP) expert Paul Meier, will open its 2017 season with an historic production of Shakespeare's Antony and Cleopatra, March 31 through April 23 at The Great Hall at St. Mary's Community Center. BSF's presentation will be the very first time that modern audiences will be able to hear Antony and Cleopatra spoken the way Shakespeare's audiences would have heard it when it was first performed in the early 1600s.
Baltimore Shakespeare Factory (BSF), working closely with world-renowned dialect and original pronunciation (OP) expert Paul Meier, will open its 2017 season with an historic production of Shakespeare's Antony and Cleopatra, March 31 through April 23 at The Great Hall at St. Mary's Community Center. BSF's presentation will be the very first time that modern audiences will be able to hear Antony and Cleopatra spoken the way Shakespeare's audiences would have heard it when it was first performed in the early 1600s.
RABBIT HOLE: Metamorphosis
David Lindsay-Abaire's RABBIT HOLE, now playing at the Everyman Theater, features a character who is never seen, but whose presence is felt by everyone on stage. His absence fires the play's tragic center, leaving each character with their own burden of pain to carry. How each shoulders this burden is the essence of Lindsay-Abaire's work.
David Lindsay-Abaire's RABBIT HOLE, now playing at the Everyman Theater, features a character who is never seen, but whose presence is felt by everyone on stage. His absence fires the play's tragic center, leaving each character with their own burden of pain to carry. How each shoulders this burden is the essence of Lindsay-Abaire's work.
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