Critics' Choice: Cheryl Markosky's Best Shows of 2024
Grand dame Sian Phillips stealing the show, Adam Cooper giving an unexpected twirl and smaller theatre spaces punching above their weight. These are some of BroadwayWorld reviewer Cheryl Markosky's favourite theatre moments of 2024.
Review: RIGOLETTO, London Coliseum
There’s no shame in pulling an old favourite from the vaults but Jonathan Miller’s 1982 gangster-themed production is firing blanks in this latest revival.
Review: THE WILD DUCK, Coronet Theatre
The Coronet's co-production with the Norwegian Ibsen Company (NIC) and Bergen's Den Nationale Scene examines the dangers of idealism through the story of the Ekdal family ripped apart by the arrival of Hjalmar Ekdal's childhood friend, Gregers Werle (also the son of wealthy industrialist Hakon). Read the review.
Review: ENCOUNTERS: FOUR CONTEMPORARY BALLETS, Royal Ballet And Opera
The Royal Ballet season continues with its first modern bill - Encounters: Four contemporary ballets. For some, like me, the four works presented are all new, but in actuality only two of the four are premières. And one of those is in fact a development of an existing (2022) pas de deux into a bigger scale work.
Review: THE CABINET MINISTER, Menier Chocolate Factory
Sir Julian Twombley is in hot water when it’s discovered that his family has been living way beyond his House of Commons’ wages. This isn’t the latest front page of a Daily Mail-made political attack, it’s the premise of one of Arthur Wing Pinero’s later comedies. Though Victorian farce isn’t exactly all the rage at the moment, The Cabinet Minister is so unfortunately relevant and timely you’d never think it was written in 1890.
Review: EUGENE ONEGIN, Royal Ballet And Opera
Deservedly still Tchaikovsky’s most celebrated opera, Eugene Onegin astounds with angelic music that never ceases to amaze. This production by Ted Huffman, in his main stage Royal Opera debut, features a stellar cast with Kristina Mkhitaryan as Tatyana, Gordon Bintner as Onegin, and several choices that, while divisive, raise intriguing questions.
Review: THE BELT- PAST & FUTURE, Coronet Theatre
I've said it before, and I'm sure I'll say it again…but what The Coronet Theatre is doing feels new, relevant and exciting. Currently on show is The Belt - Past & Future by Korea's Ambiguous Dance Company. The work is The Coronet's first-ever site-specific event, and I think it's an absolute corker.
Review: THE BAKER'S WIFE, Menier Chocolate Factory
A gentler offering from Stephen Schwartz’s catalogue, this immersive show whisks you away to a time long past with a phenomenal ensemble who find the heart and soul in their characters. Perhaps the mistake made 50 years ago was attempting to bring The Baker’s Wife to a larger space. In the Menier’s intimate space, it makes for a real treat.
TOSCA Comes to the Royal Opera House This July
This July, The Royal Opera will present Jonathan Kent’s classic production of Puccini’s Tosca. The composers most dramatically charged work; this timeless staging receives its 15th revival since its premiere in 2006 with two leading international casts.Â
Review: JERRY'S GIRLS, Menier Chocolate Factory
Deeply mining the scores of four musicals Jerry Herman is best known for (Hello, Dolly, Mame, Mack & Mabel, La Cage Aux Folles), with a handful from others like Dear World and Parade, this will appeal to Herman devotees and musical generalists alike.