Tang Teaching Museum Awarded $80,000 NYSCA Grant
The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College have announced a grant award totaling $80,000 from the New York State Council on the Arts (NYSCA) to support the recovery of the nonprofit arts and culture sector. Following New York state's historic investment for the arts, NYSCA has awarded $90 million since spring 2022 to a record number of artists and organizations across the state.
James Cohan Announces David Norr As Gallery Co-Owner
James Cohan has announced David Norr as an owner of the gallery. Norr, who served as James Cohan's Senior Director from 2015 to 2018 and was named a Partner in 2018, joins founders James and Jane Cohan in steering the gallery, which operates two spaces in Manhattan: 48 Walker Street in Tribeca and 291 Grand Street on the Lower East Side.
Jennifer Packer is the 2020 Hermitage Greenfield Prize Winner
The Hermitage Artist Retreat, in collaboration with the Greenfield Foundation, has selected New York-based artist Jennifer Packer as the winner of the 2020 Greenfield Prize, given this year in the field of visual art. Packer will receive a six-week residency at the Hermitage and a $30,000 commission for a new work, which will premiere in Sarasota in 2022 with the Hermitage's presenting partner, The John & Mable Ringling Museum of Art.
Cynthia-Reeves Gallery Announces September Museum Highlights
CYNTHIA-REEVES announces the international premiere of New York-based artist, Anita Glesta's WATERSHED video installation at London's annual Totally Thames Festival, Tuesday, September 22 - Sunday, September 27, 2015. A public art project addressing climate change through large-scale imagery and sounds of ocean life and flooding waters, WATERSHED acts as a moving information 'billboard' about global warming that will be projected onto the face of the National Theatre [Lyttelton Flytower], facing the Thames River itself. The project's multi-sensory experience aims to offer the public a chance for intimate reconnection with nature, a phenomena so often lacking in the urban environment, along with the opportunity to reflect on the local effects of climate change in waterfront cities.
The Indianapolis Museum of Contemporary Art Opens MOUND AT LARGE Today
Intricate candy-colored prints, drawings, collaged felt paintings and site-specific installations work together to tell the story of the Mounds-a group of bizarre mythical creatures that are the tragic protagonists of the artist's unfolding narrative between good and evil. Storytelling is a central part of Hancock's artistic practice. Each new work serves as a contribution to the saga of the Mounds, portraying the birth, life, death, afterlife, and even dream states of these half-animal, half-plant creatures, and their aggressors, the Vegans.
The Indianapolis Museum of Contemporary Art Presents MOUND AT LARGE, 1/9
Intricate candy-colored prints, drawings, collaged felt paintings and site-specific installations work together to tell the story of the Mounds-a group of bizarre mythical creatures that are the tragic protagonists of the artist's unfolding narrative between good and evil. Storytelling is a central part of Hancock's artistic practice. Each new work serves as a contribution to the saga of the Mounds, portraying the birth, life, death, afterlife, and even dream states of these half-animal, half-plant creatures, and their aggressors, the Vegans.
Art Museum iMOCA Encourages You to Donate
We at iMOCA know art can and does change the world. That by sparking the senses, art can make us more conscious of our positions in time, space, hierarchy, society, culture, the planet. In the long run, this heightened conscious will result in change for the better - emotionally, socially and politically.
The San Francisco Art Institute Presents WRONG'S WHAT I DO BEST, Now thru 7/26
The San Francisco Art Institute (SFAI), one of the most prestigious and oldest art schools in the nation, presents Wrong's What I Do Best, an exhibition transcending social, political and personal fault lines intent on provoking dialogue through the artists' fearless exploration of the deep and sometimes dark edges of our world. Working against both correctness and failure, Wrong's What I Do Bestrevels in repeated derailments to present the work of artists who commit themselves to unadulterated freedom of expression. Some of the artists unearth scorched histories or upset “natural” order, while others fling themselves headlong into the coming apocalypse. Characterized by illicit unrestraint and lack of critical judgment, the work occludes the artists' true selves.