Review: DANGEROUS LIAISONS at Kanata Theatre
Kanata Theatre opened its 56th season this week with Dangerous Liaisons, a steamy historical play set in pre-Revolutionary France, written by Christopher Hampton and directed here by Sarah Hegger. The play is based upon a novel by Pierre Choderlos de Laclos, entitled Les Liaisons Dangereuses, published in 1782. Some audience members may also recall the 1988 film adaptation, featuring an all-star cast, including Glen Close, John Malkovich, and Michelle Pfeiffer. In Hampton’s play, former lovers, La Marquise de Merteuil (Megan LeMarquand) and Le Vicomte de Valmont (Stavros Sakiadis), conspire to conquest, seduce, and even assault individuals they desire or want to use as pawns for revenge against their foes. La Marquise and Le Vicompte treat everyone around them as disposable playthings, without realizing that actions invariably have consequences. With its themes of morality, lust, betrayal, and vengeance, Dangerous Liaisons is unusual in that its primary characters are less sympathetic than its secondary players. The audience feels more compassion for the innocent and naïve Cecile Volanges (Ava Gustine, in her acting debut), the sincerely smitten Presidente de Tourvel (the talented Lindsey Keene), and the foppish Chevalier Danceny (Thomas Jestin) as they are each used, abused, and secretly mocked by their tormentors disguised as concerned friends.
Sideshow Theatre Company Welcomes New Ensemble Members and Artistic Associates
Sideshow Theatre Company is pleased to welcome eleven new ensemble members and artistic associates. Ensemble members include Wardell Julius Clark, Greg Geffrard, Arti Ishak, Krystal Ortiz, Gabrielle Randle-Bent and Netta Walker. Artistic Associates include Patrick Agada, J. Nicole Brooks, Brynne Frauenhoffer, Jyreika Guest and Sarah Price.
Photo Flash: Get a First Look at Pittsburgh Opera's THE SUMMER KING
BroadwayWorld has a first look at THE SUMMER KING from Pittsburgh Opera! Check out the photos below! Pittsburgh Opera is proud and privileged to present the world premiere of Daniel Sonenberg's opera, The Summer King, the story of baseball legend Josh Gibson. This very first world premiere in Pittsburgh Opera's distinguished 78 year history hits close to home as Josh went from the sandlots of Pittsburgh's North Side to the pinnacle of greatness in the Negro Leagues, before ultimately being enshrined in the National Baseball Hall of Fame in Cooperstown, NY. Featuring AlFRed Walker in the title role, Denyce Graves, Sean Pannikar, Kenneth Kellogg, Norman Shankle, Jacqueline Echols and many more, led by Maestro AnTony Walker and directed by Sam Helfrich. Sonenberg collaborated on the libretto with Daniel Nester and Mark Campbell provided additional lyrics. The Summer King runs Saturday, April 29th (8pm), Tuesday, May 2nd (7pm), Friday, May 5th (7:30pm) and Sunday, May 7th (3pm) at the Benedum Center for the Performing Arts.
Pittsburgh Opera Presents World Premiere of THE SUMMER KING
Pittsburgh Opera is proud and privileged to present the world premiere of Daniel Sonenberg's opera, The Summer King, the story of baseball legend Josh Gibson. This very first world premiere in Pittsburgh Opera's distinguished 78 year history hits close to home as Josh went from the sandlots of Pittsburgh's North Side to the pinnacle of greatness in the Negro Leagues, before ultimately being enshrined in the National Baseball Hall of Fame in Cooperstown, NY. Featuring Alfred Walker in the title role, Denyce Graves, Sean Pannikar, Kenneth Kellogg, Norman Shankle, Jacqueline Echols and many more, led by Maestro Antony Walker and directed by Sam Helfrich. Sonenberg collaborated on the libretto with Daniel Nester and Mark Campbell provided additional lyrics. The Summer King runs Saturday, April 29th (8pm), Tuesday, May 2nd (7pm), Friday, May 5th (7:30pm) and Sunday, May 7th (3pm) at the Benedum Center for the Performing Arts.
Photo Flash: Pittsburgh Opera Presents SALOME
First performed in 1905, Salome was originally censored in Vienna, banned in London, and even protested in New York. However, now it's considered a classic. Salome helped reinforce Strauss's reputation as "the greatest genius of the age".